When the French actress Sarah Bernhardt made her first American tour in 1880, the term feminism had not yet entered our national vocabulary. But over the course of the next half-century, … Meer...
When the French actress Sarah Bernhardt made her first American tour in 1880, the term feminism had not yet entered our national vocabulary. But over the course of the next half-century, a rising generation of daring actresses and comics brought a new kind of woman to center stage. Exploring and exploiting modern fantasies and fears about female roles and gender identity, these performers eschewed theatrical convention and traditional notions of womanly modesty. They created powerful images of themselves as ambitious, independent, and sexually expressive New Women.Female Spectacle reveals the theater to have been a powerful new source of cultural authority and visibility for women. Ironically, theater also provided an arena in which producers and audiences projected the uncertainties and hostilities that accompanied changing gender relations. From Bernhardt's modern methods of self-promotion to Emma Goldman's political theatrics, from the female mimics and Salome dancers to the upwardly striving chorus girl, Glenn shows us how and why theater mattered to women and argues for its pivotal role in the emergence of modern feminism. New Textbooks>Trade Paperback>Social Sciences>Womens Studies>Womens Studies, Harvard University Press Core >1 >T<
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When the French actress Sarah Bernhardt made her first American tour in 1880, the term "feminism" had not yet entered our national vocabulary. But over the course of the next half-century… Meer...
When the French actress Sarah Bernhardt made her first American tour in 1880, the term "feminism" had not yet entered our national vocabulary. But over the course of the next half-century, a rising generation of daring actresses and comics brought a new kind of woman to center stage. Exploring and exploiting modern fantasies and fears about female roles and gender identity, these performers eschewed theatrical convention and traditional notions of womanly modesty. They created powerful images of themselves as ambitious, independent, and sexually expressive "New Women." "Female Spectacle" reveals the theater to have been a powerful new source of cultural authority and visibility for women. Ironically, theater also provided an arena in which producers and audiences projected the uncertainties and hostilities that accompanied changing gender relations. From Bernhardt's modern methods of self-promotion to Emma Goldman's political theatrics, from the female mimics and Salome dancers to the upwardly striving chorus girl, Glenn shows us how and why theater mattered to women and argues for its pivotal role in the emergence of modern feminism. Media > Book, [PU: Harvard University Press]<
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[EAN: 9780674009905], Neubuch, [PU: HARVARD UNIV PR], PERFORMING ARTS SOCIAL SCIENCE FEMINISM & FEMINIST THEORY THEATER HISTORY CRITICISM WOMEN\\'S STUDIE, When Sarah Bernhardt made her f… Meer...
[EAN: 9780674009905], Neubuch, [PU: HARVARD UNIV PR], PERFORMING ARTS SOCIAL SCIENCE FEMINISM & FEMINIST THEORY THEATER HISTORY CRITICISM WOMEN\\'S STUDIE, When Sarah Bernhardt made her first American tour in 1880, the term feminism had yet to enter our national vocabulary. But over the next half-century, a rising generation of actresses and comics brought a new kind of woman to center stage. Glenn reveals t., Books<
[EAN: 9780674009905], Usado, [SC: 32.29], [PU: Harvard University Press], Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc., Books
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(*) Uitverkocht betekent dat het boek is momenteel niet beschikbaar op elk van de bijbehorende platforms we zoeken.
When the French actress Sarah Bernhardt made her first American tour in 1880, the term feminism had not yet entered our national vocabulary. But over the course of the next half-century, … Meer...
When the French actress Sarah Bernhardt made her first American tour in 1880, the term feminism had not yet entered our national vocabulary. But over the course of the next half-century, a rising generation of daring actresses and comics brought a new kind of woman to center stage. Exploring and exploiting modern fantasies and fears about female roles and gender identity, these performers eschewed theatrical convention and traditional notions of womanly modesty. They created powerful images of themselves as ambitious, independent, and sexually expressive New Women.Female Spectacle reveals the theater to have been a powerful new source of cultural authority and visibility for women. Ironically, theater also provided an arena in which producers and audiences projected the uncertainties and hostilities that accompanied changing gender relations. From Bernhardt's modern methods of self-promotion to Emma Goldman's political theatrics, from the female mimics and Salome dancers to the upwardly striving chorus girl, Glenn shows us how and why theater mattered to women and argues for its pivotal role in the emergence of modern feminism. New Textbooks>Trade Paperback>Social Sciences>Womens Studies>Womens Studies, Harvard University Press Core >1 >T<
new in stock. Verzendingskosten:zzgl. Versandkosten., exclusief verzendingskosten
When the French actress Sarah Bernhardt made her first American tour in 1880, the term "feminism" had not yet entered our national vocabulary. But over the course of the next half-century… Meer...
When the French actress Sarah Bernhardt made her first American tour in 1880, the term "feminism" had not yet entered our national vocabulary. But over the course of the next half-century, a rising generation of daring actresses and comics brought a new kind of woman to center stage. Exploring and exploiting modern fantasies and fears about female roles and gender identity, these performers eschewed theatrical convention and traditional notions of womanly modesty. They created powerful images of themselves as ambitious, independent, and sexually expressive "New Women." "Female Spectacle" reveals the theater to have been a powerful new source of cultural authority and visibility for women. Ironically, theater also provided an arena in which producers and audiences projected the uncertainties and hostilities that accompanied changing gender relations. From Bernhardt's modern methods of self-promotion to Emma Goldman's political theatrics, from the female mimics and Salome dancers to the upwardly striving chorus girl, Glenn shows us how and why theater mattered to women and argues for its pivotal role in the emergence of modern feminism. Media > Book, [PU: Harvard University Press]<
used in stock. Verzendingskosten:zzgl. Versandkosten., exclusief verzendingskosten
[EAN: 9780674009905], Neubuch, [PU: HARVARD UNIV PR], PERFORMING ARTS SOCIAL SCIENCE FEMINISM & FEMINIST THEORY THEATER HISTORY CRITICISM WOMEN\\'S STUDIE, When Sarah Bernhardt made her f… Meer...
[EAN: 9780674009905], Neubuch, [PU: HARVARD UNIV PR], PERFORMING ARTS SOCIAL SCIENCE FEMINISM & FEMINIST THEORY THEATER HISTORY CRITICISM WOMEN\\'S STUDIE, When Sarah Bernhardt made her first American tour in 1880, the term feminism had yet to enter our national vocabulary. But over the next half-century, a rising generation of actresses and comics brought a new kind of woman to center stage. Glenn reveals t., Books<
[EAN: 9780674009905], Usado, [SC: 32.29], [PU: Harvard University Press], Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc., Books
NOT NEW BOOK. Verzendingskosten: EUR 32.29 SecondSale, Montgomery, IL, U.S.A. [52274160] [Calificación: 5 (de 5)]
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When the French actress Sarah Bernhardt made her first American tour in 1880, the term "feminism" had not yet entered our national vocabulary. But over the course of the next half-century, a rising generation of daring actresses and comics brought a new kind of woman to center stage. Exploring and exploiting modern fantasies and fears about female roles and gender identity, these performers eschewed theatrical convention and traditional notions of womanly modesty. They created powerful images of themselves as ambitious, independent, and sexually expressive "New Women."< /p>
Gedetalleerde informatie over het boek. - Female Spectacle: The Theatrical Roots of Modern Feminism Susan A. Glenn Author
EAN (ISBN-13): 9780674009905 ISBN (ISBN-10): 0674009908 pocket book Verschijningsjaar: 2002 Uitgever: Harvard University Press Core >1 >T 336 Bladzijden Gewicht: 0,481 kg Taal: eng/Englisch
Boek bevindt zich in het datenbestand sinds 2007-05-27T22:10:16+02:00 (Amsterdam) Detailpagina laatst gewijzigd op 2024-01-27T09:28:21+01:00 (Amsterdam) ISBN/EAN: 0674009908
ISBN - alternatieve schrijfwijzen: 0-674-00990-8, 978-0-674-00990-5 alternatieve schrijfwijzen en verwante zoekwoorden: Auteur van het boek: goldman emma, sarah bernhardt, glenn Titel van het boek: spectacle, roots
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