ISBN: 9780674155237

The Nile on eBay   … Meer...

The Nile on eBay   Compositional Theory in the Eighteenth Century by Joel Lester This is the most comprehensive account ever given of the theory behind the music of Baroque and Classical composers, from Bach to Beethoven. While giving preeminent theorists their due in this panoramic survey of musical thought, Joel Lester also examines the works of more than one hundred seventeenth- and eighteenth century writers. FORMATPaperback LANGUAGEEnglish CONDITIONBrand New Publisher Description This ambitious study offers a panoramic survey of musical thought in the eighteenth century and, at the same time, a close analysis of the important theoretical topics of the period. The result is the most comprehensive account ever given of the theory behind the music of late Baroque and early Classical composers from Bach to Beethoven.While giving preeminent theorists their due, Joel Lester also examines the works of over 100 seventeenth- and eighteenth-century writers to show how prominent theories were received and applied in actual teaching situations. Beginning with the influence of Zarlino and seventeenth-century theorists, Lester goes on to focus on central traditions emerging from definitive works in the early eighteenth century: species counterpoint in the writings of Fux; thoroughbass as presented by Niedt and Heinichen Rameau's harmonic theories; and Mattheson's views on melodic structure. The author traces the development and interactions of these traditions over the remainder of the century, through the writings of Albrechtsberger, C. P. E. Bach, Kirnberger, Koch, Marpurg, Martini, Nichelmann, Riepel, and many others. This historical overview is leavened throughout with accounts of individual composers grappling with theoretical issues-Haydn's careful study of Fux's treatise, Mozart's instructions on harmony to his composition students, Beethoven's own student exercises.The links between various theoretical traditions, the pervasive influence of Rameau's harmonic thinking, and the harmonic theories of Koch are just some of the numerous topics given their first full treatment here. Many of the theorists Lester cites are either unknown or often misunderstood today. By bringing their contributions to light and placing them within the context of theoretical tradition, Lester offers a fresh perspective, one that will inform and enhance any future study of this magnificent era in Western music. Notes This book should be required reading for courses that involve eighteenth-century theory in any way. And it will be of general interest to music theorists and musicologists, because the material covered is basic to those professions, is presented very well, and comes with a strong new point of view. -- David Lewin, Harvard University Author Biography Joel Lester, Professor of Music at the City College and the Graduate School, City University of New York, was violinist for the Da Capo Chamber Players from 1970 to 1991. Table of Contents Introduction 1. Zarlino and His Legacy 2. Species Counterpoint and Fux's Gradus 3. Thoroughbass Methods 4. Rameau's Early Works 5. Rameau's Later Works and Controversies 6. Mattheson and the Study of Melody 7. Harmonic Perspectives on Counterpoint 8. Changing Aspects of Harmonic Theory 9. The Marpurg-Kirnberger Disputes 10. Riepel on Melody and Phrases 11. Koch: Toward a Comprehensive Approach to Musical Structure Epilogue Appendix 1: Rameau, Nouveau systeme de musique theorique (1726): Chapter 23, "Examples of Errors Found in the Figures of Corelli's op. 5" Appendix 2: Concerning the Authenticity of Thoroughbass Methods Attributed to Albrechtsberger Bibliography Index Review This book should be required reading for courses that involve eighteenth-century theory in any way. And it will be of general interest to music theorists and musicologists, because the material covered is basic to those professions, is presented very well, and comes with a strong new point of view. -- David Lewin, Harvard University Promotional This book should be required reading for courses that involve eighteenth-century theory in any way. And it will be of general interest to music theorists and musicologists, because the material covered is basic to those professions, is presented very well, and comes with a strong new point of view. -- David Lewin, Harvard University Review Quote This book should be required reading for courses that involve eighteenth-century theory in any way. And it will be of general interest to music theorists and musicologists, because the material covered is basic to those professions, is presented very well, and comes with a strong new point of view. Details ISBN0674155238 Author Joel Lester Short Title COMPOSITIONAL THEORY IN THE 18 Publisher Harvard University Press Language English ISBN-10 0674155238 ISBN-13 9780674155237 Media Book Format Paperback Year 1994 Imprint Harvard University Press Place of Publication Cambridge, Mass Country of Publication United States Edition Description Revised Pages 368 DOI 10.1604/9780674155237 UK Release Date 1994-04-14 Illustrations illustrations AU Release Date 1994-04-01 NZ Release Date 1994-04-01 Publication Date 1994-03-15 DEWEY 781.309033 Audience Undergraduate US Release Date 1994-03-15 We've got thisAt The Nile, if you're looking for it, we've got it.With fast shipping, low prices, friendly service and well over a million items - you're bound to find what you want, at a price you'll love! TheNile_Item_ID:8310418; , Neu, Festpreisangebot, [LT: FixedPrice], ISBN-13: 9780674155237, EAN: 9780674155237, Publication Year: 1994, Format: Paperback, Language: English, Book Title: Compositional Theory in the Eighteenth Century, Item Height: 254mm, Topic: Music, Item Width: 178mm, Item Weight: 762g, Number of Pages: 368 Pages, Harvard University Press<

ISBN: 9780674155237

Compositional Theory in the Eighteenth Century. The result is the most comprehensive account ever given of the theory behind the music of late Baroque and early Classical composers from B… Meer...

Compositional Theory in the Eighteenth Century. The result is the most comprehensive account ever given of the theory behind the music of late Baroque and early Classical composers from Bach to Beethoven. The Nile on eBay   Compositional Theory in the Eighteenth Century by Joel Lester This ambitious study offers a panoramic survey of musical thought in the eighteenth century and, at the same time, a close analysis of the important theoretical topics of the period. The result is the most comprehensive account ever given of the theory behind the music of late Baroque and early Classical composers from Bach to Beethoven. While giving preeminent theorists their due, Joel Lester also examines the works of over one hundred eighteenth- and seventeenth-century writers to show how prominent theories were received and applied in actual teaching situations. Beginning with the influence of Zarlino and seventeenth-century theorists, Lester goes on to focus on central traditions emerging from definitive works in the early eighteenth century: species counterpoint in the writings of Fux; thoroughbass as presented by Niedt and Heinichen; Rameau&#039;s harmonic theories and Mattheson&#039;s views on melodic structure. The author traces the development and interactions of these traditions over the remainder of the century, through the writings of Albrechtsberger, C. P. E. Bach, Kirnberger, Koch, Marpurg, Martini, Nichelmann, Riepel, and many others. This historical overview is leavened throughout with accounts of individual composers grappling with theoretical issues - Haydn&#039;s careful study of Fux&#039;s treatise, Mozart&#039;s instructions on harmony to his composition students, Beethoven&#039;s own student exercises. The links between various theoretical traditions, the pervasive influence of Rameau&#039;s harmonic thinking, and the harmonic theories of Koch are just some of the numerous topics given their first full treatment here. Many of the theorists Lester cites are either unknown or often misunderstoodtoday. By bringing their contributions to light and placing them within the context of theoretical tradition, Lester offers a fresh perspective, one that will inform and enhance any future study of this magnificent era in Western music. FORMATPaperback LANGUAGEEnglish CONDITIONBrand New Publisher Description This ambitious study offers a panoramic survey of musical thought in the eighteenth century and, at the same time, a close analysis of the important theoretical topics of the period. The result is the most comprehensive account ever given of the theory behind the music of late Baroque and early Classical composers from Bach to Beethoven.While giving preeminent theorists their due, Joel Lester also examines the works of over one hundred eighteenth- and seventeenth-century writers to show how prominent theories were received and applied in actual teaching situations. Beginning with the influence of Zarlino and seventeenth-century theorists, Lester goes on to focus on central traditions emerging from definitive works in the early eighteenth century: species counterpoint in the writings of Fux; thoroughbass as presented by Niedt and Heinichen Rameau&#039;s harmonic theories; and Mattheson&#039;s views on melodic structure. The author traces the development and interactions of these traditions over the remainder of the century, through the writings of Albrechtsberger, C. P. E. Bach, Kirnberger, Koch, Marpurg, Martini, Nichelmann, Riepel, and many others. This historical overview is leavened throughout with accounts of individual composers grappling with theoretical issues&mdash;Haydn&#039;s careful study of Fux&#039;s treatise, Mozart&#039;s instructions on harmony to his composition students, Beethoven&#039;s own student exercises.The links between various theoretical traditions, the pervasive influence of Rameau&#039;s harmonic thinking, and the harmonic theories of Koch are just some of the numerous topics given their first full treatment here. Many of the theorists Lester cites are either unknown or often misunderstood today. By bringing their contributions to light and placing them within the context of theoretical tradition, Lester offers a fresh perspective, one that will inform and enhance any future study of this magnificent era in Western music. Notes This book should be required reading for courses that involve eighteenth-century theory in any way. And it will be of general interest to music theorists and musicologists, because the material covered is basic to those professions, is presented very well, and comes with a strong new point of view. -- David Lewin, Harvard University Author Biography Joel Lester, Professor of Music at the City College and the Graduate School, City University of New York, was violinist for the Da Capo Chamber Players from 1970 to 1991. Table of Contents Introduction 1. Zarlino and His Legacy 2. Species Counterpoint and Fux's Gradus 3. Thoroughbass Methods 4. Rameau's Early Works 5. Rameau's Later Works and Controversies 6. Mattheson and the Study of Melody 7. Harmonic Perspectives on Counterpoint 8. Changing Aspects of Harmonic Theory 9. The Marpurg-Kirnberger Disputes 10. Riepel on Melody and Phrases 11. Koch: Toward a Comprehensive Approach to Musical Structure Epilogue Appendix 1: Rameau, Nouveau systeme de musique theorique (1726): Chapter 23, "Examples of Errors Found in the Figures of Corelli's op. 5" Appendix 2: Concerning the Authenticity of Thoroughbass Methods Attributed to Albrechtsberger Bibliography Index Review This book should be required reading for courses that involve eighteenth-century theory in any way. And it will be of general interest to music theorists and musicologists, because the material covered is basic to those professions, is presented very well, and comes with a strong new point of view.--David Lewin, Harvard University Review Quote This book should be required reading for courses that involve eighteenth-century theory in any way. And it will be of general interest to music theorists and musicologists, because the material covered is basic to those professions, is presented very well, and comes with a strong new point of view. Details ISBN0674155238 Author Joel Lester Short Title COMPOSITIONAL THEORY IN THE 18 Publisher Harvard University Press Language English ISBN-10 0674155238 ISBN-13 9780674155237 Media Book Format Paperback DEWEY 781.3 Year 1994 Publication Date 1994-03-31 Imprint Harvard University Press Place of Publication Cambridge, Mass Country of Publication United States Edition Description Revised Pages 368 DOI 10.1604/9780674155237 UK Release Date 1994-04-14 Illustrations illustrations AU Release Date 1994-04-01 NZ Release Date 1994-04-01 US Release Date 1994-04-01 We've got thisAt The Nile, if you're looking for it, we've got it.With fast shipping, low prices, friendly service and well over a million items - you're bound to find what you want, at a price you'll love! TheNile_Item_ID:8310418; , Festpreisangebot, [LT: FixedPrice], ISBN-13: 9780674155237, EAN: 9780674155237, Publication Year: 1994, Format: Paperback, Language: English, Book Title: Compositional Theory in the Eighteenth Century, Item Height: 254mm, Topic: Music, Item Width: 178mm, Item Weight: 762g, Number of Pages: 368 Pages, Harvard University Press<

ISBN: 9780674155237

The Nile on eBay   Compositional Theory in the Eighteenth Century by Joel Lester This ambitious study offers a panoramic survey of musical thought in the eighteenth century and, at t… Meer...

The Nile on eBay   Compositional Theory in the Eighteenth Century by Joel Lester This ambitious study offers a panoramic survey of musical thought in the eighteenth century and, at the same time, a close analysis of the important theoretical topics of the period. The result is the most comprehensive account ever given of the theory behind the music of late Baroque and early Classical composers from Bach to Beethoven. While giving preeminent theorists their due, Joel Lester also examines the works of over one hundred eighteenth- and seventeenth-century writers to show how prominent theories were received and applied in actual teaching situations. Beginning with the influence of Zarlino and seventeenth-century theorists, Lester goes on to focus on central traditions emerging from definitive works in the early eighteenth century: species counterpoint in the writings of Fux; thoroughbass as presented by Niedt and Heinichen; Rameau&#039;s harmonic theories and Mattheson&#039;s views on melodic structure. The author traces the development and interactions of these traditions over the remainder of the century, through the writings of Albrechtsberger, C. P. E. Bach, Kirnberger, Koch, Marpurg, Martini, Nichelmann, Riepel, and many others. This historical overview is leavened throughout with accounts of individual composers grappling with theoretical issues - Haydn&#039;s careful study of Fux&#039;s treatise, Mozart&#039;s instructions on harmony to his composition students, Beethoven&#039;s own student exercises. The links between various theoretical traditions, the pervasive influence of Rameau&#039;s harmonic thinking, and the harmonic theories of Koch are just some of the numerous topics given their first full treatment here. Many of the theorists Lester cites are either unknown or often misunderstoodtoday. By bringing their contributions to light and placing them within the context of theoretical tradition, Lester offers a fresh perspective, one that will inform and enhance any future study of this magnificent era in Western music. FORMATPaperback LANGUAGEEnglish CONDITIONBrand New Publisher Description This ambitious study offers a panoramic survey of musical thought in the eighteenth century and, at the same time, a close analysis of the important theoretical topics of the period. The result is the most comprehensive account ever given of the theory behind the music of late Baroque and early Classical composers from Bach to Beethoven.While giving preeminent theorists their due, Joel Lester also examines the works of over one hundred eighteenth- and seventeenth-century writers to show how prominent theories were received and applied in actual teaching situations. Beginning with the influence of Zarlino and seventeenth-century theorists, Lester goes on to focus on central traditions emerging from definitive works in the early eighteenth century: species counterpoint in the writings of Fux; thoroughbass as presented by Niedt and Heinichen Rameau&#039;s harmonic theories; and Mattheson&#039;s views on melodic structure. The author traces the development and interactions of these traditions over the remainder of the century, through the writings of Albrechtsberger, C. P. E. Bach, Kirnberger, Koch, Marpurg, Martini, Nichelmann, Riepel, and many others. This historical overview is leavened throughout with accounts of individual composers grappling with theoretical issues&mdash;Haydn&#039;s careful study of Fux&#039;s treatise, Mozart&#039;s instructions on harmony to his composition students, Beethoven&#039;s own student exercises.The links between various theoretical traditions, the pervasive influence of Rameau&#039;s harmonic thinking, and the harmonic theories of Koch are just some of the numerous topics given their first full treatment here. Many of the theorists Lester cites are either unknown or often misunderstood today. By bringing their contributions to light and placing them within the context of theoretical tradition, Lester offers a fresh perspective, one that will inform and enhance any future study of this magnificent era in Western music. Notes This book should be required reading for courses that involve eighteenth-century theory in any way. And it will be of general interest to music theorists and musicologists, because the material covered is basic to those professions, is presented very well, and comes with a strong new point of view. -- David Lewin, Harvard University Author Biography Joel Lester, Professor of Music at the City College and the Graduate School, City University of New York, was violinist for the Da Capo Chamber Players from 1970 to 1991. Table of Contents Introduction 1. Zarlino and His Legacy 2. Species Counterpoint and Fux's Gradus 3. Thoroughbass Methods 4. Rameau's Early Works 5. Rameau's Later Works and Controversies 6. Mattheson and the Study of Melody 7. Harmonic Perspectives on Counterpoint 8. Changing Aspects of Harmonic Theory 9. The Marpurg-Kirnberger Disputes 10. Riepel on Melody and Phrases 11. Koch: Toward a Comprehensive Approach to Musical Structure Epilogue Appendix 1: Rameau, Nouveau systeme de musique theorique (1726): Chapter 23, "Examples of Errors Found in the Figures of Corelli's op. 5" Appendix 2: Concerning the Authenticity of Thoroughbass Methods Attributed to Albrechtsberger Bibliography Index Review This book should be required reading for courses that involve eighteenth-century theory in any way. And it will be of general interest to music theorists and musicologists, because the material covered is basic to those professions, is presented very well, and comes with a strong new point of view.--David Lewin, Harvard University Review Quote This book should be required reading for courses that involve eighteenth-century theory in any way. And it will be of general interest to music theorists and musicologists, because the material covered is basic to those professions, is presented very well, and comes with a strong new point of view. Details ISBN0674155238 Author Joel Lester Short Title COMPOSITIONAL THEORY IN THE 18 Publisher Harvard University Press Language English ISBN-10 0674155238 ISBN-13 9780674155237 Media Book Format Paperback DEWEY 781.3 Year 1994 Publication Date 1994-03-31 Imprint Harvard University Press Place of Publication Cambridge, Mass Country of Publication United States Edition Description Revised Pages 368 DOI 10.1604/9780674155237 UK Release Date 1994-04-14 Illustrations illustrations AU Release Date 1994-04-01 NZ Release Date 1994-04-01 US Release Date 1994-04-01 We've got thisAt The Nile, if you're looking for it, we've got it.With fast shipping, low prices, friendly service and well over a million items - you're bound to find what you want, at a price you'll love! TheNile_Item_ID:8310418; , Festpreisangebot, [LT: FixedPrice], ISBN-13: 9780674155237, EAN: 9780674155237, Publication Year: 1994, Format: Paperback, Language: English, Book Title: Compositional Theory in the Eighteenth Century, Item Height: 254mm, Topic: Music, Item Width: 178mm, Item Weight: 762g, Number of Pages: 368 Pages, Harvard University Press<

ISBN: 9780674155237

This ambitious study offers a panoramic survey of musical thought in the eighteenth century and, at the same time, a close analysis of the important theoretical topics of the period. The … Meer...

This ambitious study offers a panoramic survey of musical thought in the eighteenth century and, at the same time, a close analysis of the important theoretical topics of the period. The result is the most comprehensive account ever given of the theory behind the music of late Baroque and early Classical composers from Bach to Beethoven.While giving preeminent theorists their due, Joel Lester also examines the works of over 100 seventeenth- and eighteenth-century writers to show how prominent theories were received and applied in actual teaching situations. Beginning with the influence of Zarlino and seventeenth-century theorists, Lester goes on to focus on central traditions emerging from definitive works in the early eighteenth century: species counterpoint in the writings of Fux; thoroughbass as presented by Niedt and Heinichen Rameau’s harmonic theories; and Mattheson’s views on melodic structure. The author traces the development and interactions of these traditions over the remainder of the century, through the writings of Albrechtsberger, C. P. E. Bach, Kirnberger, Koch, Marpurg, Martini, Nichelmann, Riepel, and many others. This historical overview is leavened throughout with accounts of individual composers grappling with theoretical issues—Haydn’s careful study of Fux’s treatise, Mozart’s instructions on harmony to his composition students, Beethoven’s own student exercises.The links between various theoretical traditions, the pervasive influence of Rameau’s harmonic thinking, and the harmonic theories of Koch are just some of the numerous topics given their first full treatment here. Many of the theorists Lester cites are either unknown or often misunderstood today. By bringing their contributions to light and placing them within the context of theoretical tradition, Lester offers a fresh perspective, one that will inform and enhance any future study of this magnificent era in Western music. New Textbooks>Trade Paperback>Music>Theory & Criticism>Theory & Criticism, Harvard University Press Core >1 >T<

ISBN: 9780674155237

This ambitious study offers a panoramic survey of musical thought in the eighteenth century and, at the same time, a close analysis of the important theoretical topics of the period. The … Meer...

This ambitious study offers a panoramic survey of musical thought in the eighteenth century and, at the same time, a close analysis of the important theoretical topics of the period. The result is the most comprehensive account ever given of the theory behind the music of late Baroque and early Classical composers from Bach to Beethoven. While giving preeminent theorists their due, Joel Lester also examines the works of over 100 seventeenth- and eighteenth-century writers to show how prominent theories were received and applied in actual teaching situations. Beginning with the influence of Zarlino and seventeenth-century theorists, Lester goes on to focus on central traditions emerging from definitive works in the early eighteenth century: species counterpoint in the writings of Fux; thoroughbass as presented by Niedt and Heinichen Rameau's harmonic theories; and Mattheson's views on melodic structure. The author traces the development and interactions of these traditions over the remainder of the century, through the writings of Albrechtsberger, C. P. E. Bach, Kirnberger, Koch, Marpurg, Martini, Nichelmann, Riepel, and many others. This historical overview is leavened throughout with accounts of individual composers grappling with theoretical issues--Haydn's careful study of Fux's treatise, Mozart's instructions on harmony to his composition students, Beethoven's own student exercises. The links between various theoretical traditions, the pervasive influence of Rameau's harmonic thinking, and the harmonic theories of Koch are just some of the numerous topics given their first full treatment here. Many of the theorists Lester cites are either unknown or often misunderstood today. By bringing their contributions to light and placing them within the context of theoretical tradition, Lester offers a fresh perspective, one that will inform and enhance any future study of this magnificent era in Western music. New Textbooks>Trade Paperback>Music>Theory & Criticism>Theory & Criticism, Harvard University Press Core >1 >T<