2012, ISBN: 0252078519

[EAN: 9780252078514], Neubuch, [PU: University of Illinois Press, Baltimore], Paperback. A key figure in the ongoing legacy of modern cinema, David Lynch designs environments for spectato… Meer...

[EAN: 9780252078514], Neubuch, [PU: University of Illinois Press, Baltimore], Paperback. A key figure in the ongoing legacy of modern cinema, David Lynch designs environments for spectators, transporting them to inner worlds built by mood, texture, and uneasy artifice. We enter these famously cinematic interiors to be wrapped in plastic, the fundamental substance of Lynchs work. This volume revels in the weird dynamism of Lynchs plastic worlds. Exploring the range of modern design idioms that inform Lynchs films and signature mise-en-scene, Justus Nieland argues that plastic is at once a key architectural and interior design dynamic in Lynchs films, an uncertain way of feeling essential to Lynchs art, and the prime matter of Lynchs strange picture of the human organism. Nielands study offers striking new readings of Lynchs major works (Eraserhead, Blue Velvet, Wild at Heart, Mulholland Dr., Inland Empire) and his early experimental films, placing Lynchs experimentalism within the aesthetic traditions of modernism and the avant-garde; the genres of melodrama, film noir, and art cinema; architecture and design history; and contemporary debates about cinematic ontology in the wake of the digital. This inventive study argues that Lynchs plastic concept of life--supplemented by technology, media, and sensuous networks of an electric world--is more alive today than ever. Explores David Lynch's experimental aesthetics Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability., Books<

2012, ISBN: 0252078519

[EAN: 9780252078514], Neubuch, [PU: University of Illinois Press, Baltimore], Paperback. A key figure in the ongoing legacy of modern cinema, David Lynch designs environments for spectato… Meer...

[EAN: 9780252078514], Neubuch, [PU: University of Illinois Press, Baltimore], Paperback. A key figure in the ongoing legacy of modern cinema, David Lynch designs environments for spectators, transporting them to inner worlds built by mood, texture, and uneasy artifice. We enter these famously cinematic interiors to be wrapped in plastic, the fundamental substance of Lynchs work. This volume revels in the weird dynamism of Lynchs plastic worlds. Exploring the range of modern design idioms that inform Lynchs films and signature mise-en-scene, Justus Nieland argues that plastic is at once a key architectural and interior design dynamic in Lynchs films, an uncertain way of feeling essential to Lynchs art, and the prime matter of Lynchs strange picture of the human organism. Nielands study offers striking new readings of Lynchs major works (Eraserhead, Blue Velvet, Wild at Heart, Mulholland Dr., Inland Empire) and his early experimental films, placing Lynchs experimentalism within the aesthetic traditions of modernism and the avant-garde; the genres of melodrama, film noir, and art cinema; architecture and design history; and contemporary debates about cinematic ontology in the wake of the digital. This inventive study argues that Lynchs plastic concept of life--supplemented by technology, media, and sensuous networks of an electric world--is more alive today than ever. Explores David Lynch's experimental aesthetics Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability., Books<

2012, ISBN: 0252078519

[EAN: 9780252078514], Neubuch, [PU: University of Illinois Press, Baltimore], Paperback. A key figure in the ongoing legacy of modern cinema, David Lynch designs environments for spectato… Meer...

[EAN: 9780252078514], Neubuch, [PU: University of Illinois Press, Baltimore], Paperback. A key figure in the ongoing legacy of modern cinema, David Lynch designs environments for spectators, transporting them to inner worlds built by mood, texture, and uneasy artifice. We enter these famously cinematic interiors to be wrapped in plastic, the fundamental substance of Lynchs work. This volume revels in the weird dynamism of Lynchs plastic worlds. Exploring the range of modern design idioms that inform Lynchs films and signature mise-en-scene, Justus Nieland argues that plastic is at once a key architectural and interior design dynamic in Lynchs films, an uncertain way of feeling essential to Lynchs art, and the prime matter of Lynchs strange picture of the human organism. Nielands study offers striking new readings of Lynchs major works (Eraserhead, Blue Velvet, Wild at Heart, Mulholland Dr., Inland Empire) and his early experimental films, placing Lynchs experimentalism within the aesthetic traditions of modernism and the avant-garde; the genres of melodrama, film noir, and art cinema; architecture and design history; and contemporary debates about cinematic ontology in the wake of the digital. This inventive study argues that Lynchs plastic concept of life--supplemented by technology, media, and sensuous networks of an electric world--is more alive today than ever. Explores David Lynch's experimental aesthetics Shipping may be from multiple locations in the US or from the UK, depending on stock availability., Books<

2012, ISBN: 9780252078514

A key figure in the ongoing legacy of modern cinema, David Lynch designs environments for spectators, transporting them to inner worlds built by mood, texture, and uneasy artifice. We ent… Meer...

A key figure in the ongoing legacy of modern cinema, David Lynch designs environments for spectators, transporting them to inner worlds built by mood, texture, and uneasy artifice. We enter these famously cinematic interiors to be wrapped in plastic, the fundamental substance of Lynch’s work. This volume revels in the weird dynamism of Lynch’s plastic worlds. Exploring the range of modern design idioms that inform Lynch’s films and signature mise-en-scène, Justus Nieland argues that plastic is at once a key architectural and interior design dynamic in Lynch’s films, an uncertain way of feeling essential to Lynch’s art, and the prime matter of Lynch’s strange picture of the human organism. Nieland’s study offers striking new readings of Lynch’s major works (Eraserhead, Blue Velvet, Wild at Heart, Mulholland Dr., Inland Empire) and his early experimental films, placing Lynch’s experimentalism within the aesthetic traditions of modernism and the avant-garde; the genres of melodrama, film noir, and art cinema; architecture and design history; and contemporary debates about cinematic ontology in the wake of the digital. This inventive study argues that Lynch’s plastic concept of life--supplemented by technology, media, and sensuous networks of an electric world--is more alive today than ever. Books Justus Nieland|Paperback|University of Illinois Press|28/02/2012, University of Illinois Press<

2012, ISBN: 9780252078514

Buch, Softcover, A key figure in the ongoing legacy of modern cinema, David Lynch designs environments for spectators, transporting them to inner worlds built by mood, texture, and uneasy… Meer...

Buch, Softcover, A key figure in the ongoing legacy of modern cinema, David Lynch designs environments for spectators, transporting them to inner worlds built by mood, texture, and uneasy artifice. We enter these famously cinematic interiors to be wrapped in plastic, the fundamental substance of Lynch?s work. This volume revels in the weird dynamism of Lynch?s plastic worlds. Exploring the range of modern design idioms that inform Lynch?s films and signature mise-en-scène, Justus Nieland argues that plastic is at once a key architectural and interior design dynamic in Lynch?s films, an uncertain way of feeling essential to Lynch?s art, and the prime matter of Lynch?s strange picture of the human organism. Nieland?s study offers striking new readings of Lynch?s major works (Eraserhead, Blue Velvet, Wild at Heart, Mulholland Dr., Inland Empire) and his early experimental films, placing Lynch?s experimentalism within the aesthetic traditions of modernism and the avant-garde; the genres of melodrama, film noir, and art cinema; architecture and design history; and contemporary debates about cinematic ontology in the wake of the digital. This inventive study argues that Lynch?s plastic concept of life--supplemented by technology, media, and sensuous networks of an electric world--is more alive today than ever. [PU: University of Illinois Press], Seiten: 208, University of Illinois Press, 2012<