1986, ISBN: 9780674445277

San Francisco, California: W H Freeman & Company, 1974. A stock image [photo] is an accurate representation of the listed book's cover design. Illustrated throughout B&W photo… Meer...

San Francisco, California: W H Freeman & Company, 1974. A stock image [photo] is an accurate representation of the listed book's cover design. Illustrated throughout B&W photographs and art reproductions [some duo-tone]and 3 color plates. Pages [137 including index] clean, unmarked, binding tight and square. Covers clean, colors bright, a little edge and handling wear. PO's name at title page. Media Mail, Priority & most international shipping include free tracking information. Every book listed is located in my smoke free and climate controlled shop. All are inspected by me and will have qualities and/or flaws described. . Second Printing. Trade Paperback. Very Good-. Illus. by Various Artists & Photographers. 4to - over 9 3/4 - 12" Tall., W H Freeman & Company, 1974, 3, viii+255 pages with index. Royal octavo (9 1/2" x 6 1/4") bound in original publisher's beige cloth with gilt lettering to spine in original jacket. First edition. Robinson's argument takes rise from a close analysis of social dynamics as represented in "Tom Sawyer". Robinson finds that Mark Twain's characters are engaged in an elaborate form of social play whose dominant feature is "bad faith," the broad spectrum of deceits people resort to in their quest for social stability and individual equanimity. Characters and author and audience, he argues, share very similar cultural predispositions to affirm and deny. Condition: a near fine copy in like jacket., Harvard University Press, 1986, 5<

1986, ISBN: 0674445279

gebonden uitgave

[EAN: 9780674445277], Gebraucht, guter Zustand, [SC: 69.87], [PU: Harvard University Press, Cambridge], BIOGRAPHY, Literary Criticism|General, Jacket, viii+255 pages with index. Royal oct… Meer...

[EAN: 9780674445277], Gebraucht, guter Zustand, [SC: 69.87], [PU: Harvard University Press, Cambridge], BIOGRAPHY, Literary Criticism|General, Jacket, viii+255 pages with index. Royal octavo (9 1/2" x 6 1/4") bound in original publisher's beige cloth with gilt lettering to spine in original jacket. First edition. Robinson's argument takes rise from a close analysis of social dynamics as represented in "Tom Sawyer". Robinson finds that Mark Twain's characters are engaged in an elaborate form of social play whose dominant feature is "bad faith," the broad spectrum of deceits people resort to in their quest for social stability and individual equanimity. Characters and author and audience, he argues, share very similar cultural predispositions to affirm and deny. Condition: a near fine copy in like jacket., Books<

1986, ISBN: 0674445279

gebonden uitgave

[EAN: 9780674445277], Gebraucht, guter Zustand, [PU: Harvard University Press, Cambridge], BIOGRAPHY, Literary Criticism|General, Jacket, viii+255 pages with index. Royal octavo (9 1/2" x… Meer...

[EAN: 9780674445277], Gebraucht, guter Zustand, [PU: Harvard University Press, Cambridge], BIOGRAPHY, Literary Criticism|General, Jacket, viii+255 pages with index. Royal octavo (9 1/2" x 6 1/4") bound in original publisher's beige cloth with gilt lettering to spine in original jacket. First edition. Robinson's argument takes rise from a close analysis of social dynamics as represented in "Tom Sawyer". Robinson finds that Mark Twain's characters are engaged in an elaborate form of social play whose dominant feature is "bad faith," the broad spectrum of deceits people resort to in their quest for social stability and individual equanimity. Characters and author and audience, he argues, share very similar cultural predispositions to affirm and deny. Condition: a near fine copy in like jacket., Books<

1986, ISBN: 9780674445277

viii+255 pages with index. Royal octavo (9 1/2" x 6 1/4") bound in original publisher's beige cloth with gilt lettering to spine in original jacket. First edition. Robinson's argument tak… Meer...

viii+255 pages with index. Royal octavo (9 1/2" x 6 1/4") bound in original publisher's beige cloth with gilt lettering to spine in original jacket. First edition. Robinson's argument takes rise from a close analysis of social dynamics as represented in "Tom Sawyer". Robinson finds that Mark Twain's characters are engaged in an elaborate form of social play whose dominant feature is "bad faith," the broad spectrum of deceits people resort to in their quest for social stability and individual equanimity. Characters and author and audience, he argues, share very similar cultural predispositions to affirm and deny. Condition: a near fine copy in like jacket., Harvard University Press, 1986, 5<