1985, ISBN: 9780813012865

Wim Wender's Euro-American Construction Site: "Paris, Texas "or "Texas, Paris," by Duco van OostrumDouble Vision: Scorsese and Hitchcock, by Barbara OdabashianTransformations of Terror: R… Meer...

Wim Wender's Euro-American Construction Site: "Paris, Texas "or "Texas, Paris," by Duco van OostrumDouble Vision: Scorsese and Hitchcock, by Barbara OdabashianTransformations of Terror: Reading Changes in Social Attitudes Through Film and Television Adaptations of Stevenson's "Dr. Jekyll and Mr. Hyde," by Brian RoseDecentering the Subject: David Hare's "Wetherby," by Nicholas O. PaganRepercussions of the Civil War in the Canary Islands, by Margarita M. LezcanoCinema with a Future: The Development of Film in Quebec as an Authentic Expression of Quebecois Culture, by Philip ReinesThe Crack in the Facade: Social Aftershocks of Mexico's 1985Earthquake, by Mary TylerFiction into Film: "Is Dying Hard Daddy?" Hemingway's "Indian Camp," by H.R. StonebackRear Window's Lisa Freemont: Masochistic Female Spectator or Post-War Socioeconomic Threat?, by Carol MasonRevolution as Theme in John Oliver Killens' "Youngblood" by Charles Wilson, Jr.Richard L. Chapple is professor and chair of the Department of Modern Languages and Linguistics at Florida State University. Media > Book, [PU: University of Florida Press]<

1994, ISBN: 9780813012865

University Press of Florida, 1994-01-20. First. Paperback. Used:Good., University Press of Florida, 1994-01-20, 0