A Corpus of Rembrandt Paintings: Volume II: 1631?1634 (Rembrandt Research Project Foundation, 2, Band 2) - eerste uitgave

EAN (ISBN-13): 9789024733392
ISBN (ISBN-10): 9024733391
Gebonden uitgave
pocket book
Verschijningsjaar: 1634
Uitgever: Springer

Boek bevindt zich in het datenbestand sinds 2007-05-28T19:31:27+02:00 (Amsterdam)
Detailpagina laatst gewijzigd op 2024-03-19T16:57:27+01:00 (Amsterdam)
ISBN/EAN: 9789024733392

ISBN - alternatieve schrijfwijzen:
90-247-3339-1, 978-90-247-3339-2
alternatieve schrijfwijzen en verwante zoekwoorden:
Auteur van het boek: haak, rembrandt, bruyn, van thiel
Titel van het boek: corpus rembrandt paintings, rembrandt research project, rembrandt corpus painting, looking paintings

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Gegevens van de uitgever

Auteur: J. Bruyn; B. Haak; S.H. Levie; P.J.J. van Thiel
Titel: Rembrandt Research Project Foundation; A Corpus of Rembrandt Paintings - Volume II: 1631–1634
Uitgeverij: Springer; Springer Netherland
900 Bladzijden
Verschijningsjaar: 1986-09-30
Dordrecht; NL
Vertaler: D. Cook-Radmore
Taal: Engels
854,93 € (DE)
878,90 € (AT)
1.066,08 CHF (CH)
Contact supplier
900 p.

BB; Hardcover, Softcover / Kunst/Bildende Kunst; Kunstformen; Verstehen; Dutch art; Museum; Rembrandt; Rembrandt Paintings; Rembrandt Research Project; Rembrandt van Rijn; culture; etching; paintings; Fine Art; Auseinandersetzen; BC

I Stylistic Features of the 1630S: The Portraits (J. B., E. V. D. W.).- II the Canvas Support (E. V. D. W.).- III Problems of Apprenticeship and Studio Collaboration (E. v. D. w.).- IV Patrons and Early Owners (J. B.).- V A Selection of Signatures 1632–1634(J. B.).- Catalogue.- Notes on the Catalogue.- Paintings by Rembrandt.- Paintings Rembrandt’s authorship of which cannot be positively either accepted or rejected.- Paintings Rembrandt’s authorship of which cannot be accepted.- Corrigenda et Addenda to Volume I Chapter II.- A15 Judas, repentant, returning the pieces of silver. England, private collection.- A17 An old man asleep by the fire, perhaps typifying Sloth. Turin, Galleria Sabauda.- A21 Self-portrait. The Hague, Koninklijk Kabinet van Schilderijen, Mauritshuis.- A23 Bust of a young man. Cleveland, Ohio, The Cleveland Museum of Art.- A28 Jeremiah lamenting the destruction of Jerusalem. Amsterdam, Rijksmuseum.- A32 Bust of an old woman. Windsor Castle, H.M. Queen Elizabeth II.- A35 Christ on the cross. Le Mas d’Agenais, Lot et Garonne, parish church.- A40 The artist in oriental costume, with a poodle at his feet. Paris, Musée du Petit Palais.- A40a Bust of an old man. Private collection.- A41 Bust of a young man in a plumed cap. Toledo, Ohio, The Toledo Museum of Art.- B7 Bust of an old man in a cap. The Hague, Koninklijk Kabinet van Schilderijen, Mauritshuis.- C6 The rest on the flight into Egypt. U.S.A., private collection.- C38 Bust of a young man (commonly called a self-portrait of Rembrandt). New York, N.Y., The Metropolitan Museum of Art.- C42 Bust of an old woman. Essen, coll. H. von Bohlen und Halbach.- C44 Bust of a young girl. Helsinki, Sinebrychoff Art Museum, The Fine Arts Academy of Finland.- Tables and Indexes.- Table of TechnicalReference Material.- Table of Dendrochronological Data.- Index of Paintings Catalogued in Volume II.- Present owners.- Previous owners.- Engravers.- Subjects.- Indexes of Comparative Material and Literary Sources.- Drawings and etchings by (or attributed to) Rembrandt.- Works by artists other than Rembrandt.- Literary sources.- Concordance.
This Corpus gives a full overview of the paintings attributed to Rembrandt in the given time frame (1631-1634) All paintings from this time frame are extensively discussed and described by the leading Rembrandt experts. For each painting attributed to Rembrandt in this time frame a thorough analysis is made, using all present day information and technologies, to decide whether the authenticity can be determined. This Corpus thus serves as the authoritative reference work of today for paintings attributed to Rembrandt. Together with the other Volumes in A Corpus of Rembrandt Paintings this Volume covers the full range of Rembrandt’s paintings and paintings attributed to him. This is the official publication of the work done by the Rembrandt Research Project based in Amsterdam, which has covered over thirty years of research.