Boden: Eine Reprise von Fotos der Farm Security Administration von Bill M - gebonden uitgave, pocketboek
ISBN: 9781942084129
In Ground, Bill McDowell has assembled a series of "killed" negatives from the FSA archives, many of which have never before been published. Bill McDowell is the 2013 recipient of the Pet… Meer...
In Ground, Bill McDowell has assembled a series of "killed" negatives from the FSA archives, many of which have never before been published. Bill McDowell is the 2013 recipient of the Peter S. Reed Foundation Grant, and has. The Nile on eBay FREE SHIPPING UK WIDE Ground by Bill McDowell, Jock Reynolds, Rosanne Cash, Wendell Berry, DJ Hellerman An artful selection of photographs commissioned by the FSA but 'killed' by Roy Stryker with some fantastic accompanying text. FORMATHardcover LANGUAGEEnglish CONDITIONBrand New Publisher Description In Ground, Bill McDowell has assembled a series of "killed" negatives from the FSA archives, many of which have never before been published. These include several photographs from 1936 that Walker Evans had made for Let Us Know Praise Famous Men, the book he published with James Agee. Also included are never before published photographs by Walker Evans, Russell Lee, Ben Shahn, Marion Post Wolcott, John Vachon, Paul Carter, Theodor Jung, Carl Mydans, and Arthur Rothstein. McDowell has poetically organized the photographs in Ground according to how and what they represent. While the book's images document 1930s agriculture and landscapes, they also have been chosen for the manner in which their black hole (created by Roy Stryker's hole punch) abstracts its subjects. McDowell feels that in today's culture the "killed" negatives' black hole has the appearance of being a contemporary mark, one current with the practice of intervention, alteration, and appropriation. This provides the photographs a temporal duality in which they present the post-Depression era through a contemporary filter. In our continuing struggle to recover from 2008's Great Recession, these photographs speak to now even as they confer on past government programs, race and class, damaged and bountiful land, drought, flood, and exodus.Bill McDowell is the 2013 recipient of the Peter S. Reed Foundation Grant, and has received the Aaron Siskind Individual Photographer's Fellowship, the New York Foundation on the Arts Photography Fellowship, as well as many other artist grants. He is a professor in the Department of Art & Art History at the University of Vermont. McDowell's photographs are represented in collections at the Yale University Art Gallery, International Museum of Photography at the George Eastman House, Museum of Fine Arts, Houston, Harry Ransom Center at the University of Texas at Austin, Deichtorhallen Museum, Santa Barbara Museum of Art, Light Work, Wellesley College, St. Lawrence University, and Rochester Institute of Technology.His selected solo exhibitions include Jan Kesner Gallery, in Los Angeles, Houston Center of Photography, Robert B. Menschel Gallery at Light Work, The University of Notre Dame, Kenyon College, and St. Lawrence University. His group shows include the Santa Barbara Museum of Art, Dallas Museum of Art, Blue Sky Gallery, Society for Contemporary Photography, in Kansas City, and the Triennial of Photography at the Deichtorhallen Museum, Hamburg.McDowell's project, Banner of Light: The Lily Dale Photographs, was published by Light Work in Contact Sheet 96, and his photographs have appeared in Art in America, Art Issues, The New Yorker, Russian Esquire, Guernica, Spot, and Exposure.Jock Reynolds, Artist and the Henry J. Heinz II Director of the Yale University Art GalleryJock Reynolds earned a B.A. in 1969 from the University of California, Santa Cruz, and an M.F.A. in 1972 from the University of California, Davis. From 1973 to 1983 he was an associate professor and director of the graduate program at the Center for Experimental and Interdisciplinary Art at San Francisco State University, and was also a cofounder of New Langton Arts, San Francisco's premier alternative artists' space. From 1983 to 1989 Mr. Reynolds served as the executive director of the Washington Project for the Arts, a multidisciplinary visual artists' association in Washington, D.C., before becoming the director of the Addison Gallery of American Art at Phillips Academy, Andover, Massachusetts, a position he held until September 1998, when he was appointed the Henry J. Heinz II Director of the Yale University Art Gallery and professor (adjunct). Mr. Reynolds has won numerous grants and awards, including two National Endowment for the Arts Visual Artists fellowships and many more. Author Biography Bill McDowell is the 2013 recipient of the Peter S. Reed Foundation Grant, and hasreceived the Aaron Siskind Individual Photographer s Fellowship, the New YorkFoundation on the Arts Photography Fellowship, as well as many other artist grants. He is a professor in the Department of Art & Art History at the University of Vermont. McDowell s photographs are represented in collections at the Yale University Art Gallery, International Museum of Photography at the George Eastman House, Museum of Fine Arts, Houston, Harry Ransom Center at the University of Texas at Austin, Deichtorhallen Museum, Santa Barbara Museum of Art, Light Work, Wellesley College, St. Lawrence University, and Rochester Institute of Technology. His selected solo exhibitions include Jan Kesner Gallery, in Los Angeles, Houston Center of Photography, Robert B. Menschel Gallery at Light Work, The University of Notre Dame, Kenyon College, and St. Lawrence University. His group shows include the Santa Barbara Museum of Art, Dallas Museum of Art, Blue Sky Gallery, Society for Contemporary Photography, in Kansas City, and the Triennial of Photography at the Deichtorhallen Museum, Hamburg. McDowell s project, Banner of Light: The Lily Dale Photographs, was published byLight Work in Contact Sheet 96, and his photographs have appeared in Art in America, Art Issues, The New Yorker, Russian Esquire, Guernica, Spot, and Exposure. Jock Reynolds, Artist and the Henry J. Heinz II Director of the Yale University ArtGallery Mr. Reynolds earned a B.A. in 1969 from the University of California, Santa Cruz, andan M.F.A. in 1972 from the University of California, Davis. From 1973 to 1983 he wasan associate professor and director of the graduate program at the Center forExperimental and Interdisciplinary Art at San Francisco State University, and was also acofounder of New Langton Arts, San Francisco s premier alternative artists space. From1983 to 1989 Mr. Reynolds served as the executive director of the Washington Projectfor the Arts, a multidisciplinary visual artists association in Washington, D.C., beforebecoming the director of the Addison Gallery of American Art at Phillips Academy, Andover, Massachusetts, a position he held until September 1998, when he wasappointed the Henry J. Heinz II Director of the Yale University Art Gallery and professor(adjunct). Mr. Reynolds has won numerous grants and awards, including two NationalEndowment for the Arts Visual Artists fellowships, a Fulbright fellowship, and multipleNational Endowment for the Arts/Art in Public Places project awards. Mr. Reynoldsfrequently collaborates in his work with Suzanne Hellmuth, his wife. Their performances, installations, and photographs have been commissioned and exhibited in many solo andgroup exhibitions and installations in Japan, Australia, France, the Netherlands, andacross the United States. Mr. Reynolds s and Ms. Hellmuth s artwork is represented inboth private and public collections, including the Smithsonian s National Museum ofAmerican Art, the Corcoran Gallery of Art, the Walker Art Center, the MinneapolisInstitute of Arts, and the University of Washington s Henry Art Gallery. Rosanne Cash: Singersongwriter and author. Rosanne Cash's fourteen albums have charted elevennumber-one singles. Her most recent album, The River and the Thread (2013) is akaleidoscopic examination of the geographic, emotional, and historic landscape of theAmerican South. The album s unique sound, which draws from country, blues, gospel, and rock, reflects the soulful mix of music that traces its history to the region.She is the author of four books, including Bodies of Water (1997), Songs Without Rhyme: Prose by Celebrated Songwriters (2001), Composed: A Memoir (2010), and the children'sbook Penelope Jane: A Fairy's Tale (2006). Her essays and fiction have appeared in TheNew York Times, Rolling Stone, and New York magazine. She lives in New York Citywith her husband, John Leventhal, and her children. Wendell Berry: Wendell Berry was born in Henry County, Kentucky, in 1934. He earned a bachelor sdegree from the University of Kentucky in 1956 and continued on to complete a master sdegree in 1957. In 1958, he received a Wallace Stegner Fellowship from StanfordUniversity. Berry has taught at Stanford University, Georgetown College, New York University, theUniversity of Cincinnati, and Bucknell University. He taught at his alma mater, theUniversity of Kentucky from 1964-77, and again from 1987-93.The author of more than 50 works of fiction, nonfiction, and poetry, Wendell Berry hasbeen the recipient of numerous awards and honors, including a Guggenheim FoundationFellowship (1962), the Vachel Lindsay Prize from Poetry (1962), a RockefellerFoundation Fellowship (1965), a National Institute of Arts and Letters award for writing(1971), the Emily Clark Balch Prize from The Virginia Quarterly Review (1974), theAmerican Academy of Arts and Letters Jean Stein Award (1987), a Lannan FoundationAward for Non-Fiction (1989), Membership in the Fellowship of Southern Writers(1991), the Ingersoll Foundation s T. S. Eliot Award (1994), the John Hay Award (1997), the Lyndhurst Prize (1997), and the Aitken-Taylor Award for Poetry from The SewaneeReview (1998). Most recently, he has been awarded the National Humanities Medal(2010) by Barack Obama, and gave 2012 Jefferson Lecture at the Kennedy Center inWashington, D.C. His books include the novel Hannah Coulter (2004), the essay collections Imagination inPlace (2010), Dj Hellerman, daylight Books<
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Ground: A Reprise of Photographs from the Farm Security Administration (Hardcover) - gebonden uitgave, pocketboek
2016, ISBN: 1942084129
[EAN: 9781942084129], Neubuch, [PU: Daylight Books, NC], Hardcover. In Ground, Bill McDowell has assembled a series of "killed" negatives from the FSA archives, many of which have never b… Meer...
[EAN: 9781942084129], Neubuch, [PU: Daylight Books, NC], Hardcover. In Ground, Bill McDowell has assembled a series of "killed" negatives from the FSA archives, many of which have never before been published. These include several photographs from 1936 that Walker Evans had made for Let Us Know Praise Famous Men, the book he published with James Agee. Also included are never before published photographs by Walker Evans, Russell Lee, Ben Shahn, Marion Post Wolcott, John Vachon, Paul Carter, Theodor Jung, Carl Mydans, and Arthur Rothstein. McDowell has poetically organized the photographs in Ground according to how and what they represent. While the book's images document 1930s agriculture and landscapes, they also have been chosen for the manner in which their black hole (created by Roy Stryker's hole punch) abstracts its subjects. McDowell feels that in today's culture the "killed" negatives' black hole has the appearance of being a contemporary mark, one current with the practice of intervention, alteration, and appropriation. This provides the photographs a temporal duality in which they present the post-Depression era through a contemporary filter. In our continuing struggle to recover from 2008's Great Recession, these photographs speak to now even as they confer on past government programs, race and class, damaged and bountiful land, drought, flood, and exodus. Bill McDowell is the 2013 recipient of the Peter S. Reed Foundation Grant, and has received the Aaron Siskind Individual Photographer's Fellowship, the New York Foundation on the Arts Photography Fellowship, as well as many other artist grants. He is a professor in the Department of Art & Art History at the University of Vermont. McDowell's photographs are represented in collections at the Yale University Art Gallery, International Museum of Photography at the George Eastman House, Museum of Fine Arts, Houston, Harry Ransom Center at the University of Texas at Austin, Deichtorhallen Museum, Santa Barbara Museum of Art, Light Work, Wellesley College, St. Lawrence University, and Rochester Institute of Technology. His selected solo exhibitions include Jan Kesner Gallery, in Los Angeles, Houston Center of Photography, Robert B. Menschel Gallery at Light Work, The University of Notre Dame, Kenyon College, and St. Lawrence University. His group shows include the Santa Barbara Museum of Art, Dallas Museum of Art, Blue Sky Gallery, Society for Contemporary Photography, in Kansas City, and the Triennial of Photography at the Deichtorhallen Museum, Hamburg. McDowell's project, Banner of Light: The Lily Dale Photographs, was published by Light Work in Contact Sheet 96, and his photographs have appeared in Art in America, Art Issues, The New Yorker, Russian Esquire, Guernica, Spot, and Exposure. Jock Reynolds, Artist and the Henry J. Heinz II Director of the Yale University Art Gallery Jock Reynolds earned a B.A. in 1969 from the University of California, Santa Cruz, and an M.F.A. in 1972 from the University of California, Davis. From 1973 to 1983 he was an associate professor and director of the graduate program at the Center for Experimental and Interdisciplinary Art at San Francisco State University, and was also a cofounder of New Langton Arts, San Francisco's premier alternative artists' space. From 1983 to 1989 Mr. Reynolds served as the executive director of the Washington Project for the Arts, a multidisciplinary visual artists' association in Washington, D.C., before becoming the director of the Addison Gallery of American Art at Phillips Academy, Andover, Massachusetts, a position he held until September 1998, when he was appointed the Henry J. Heinz II Director of the Yale University Art Gallery and professor (adjunct). Mr. Reynolds has won numerous grants and awards, including two National Endowment for the Arts Visual Artists fellowships and many more. An artful selection of photographs commissioned by the FSA but Shipping may be from multiple locations in the US or from the UK, depending on stock availability., Books<
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2013, ISBN: 9781942084129
In Ground, Bill McDowell has assembled a series of killed negatives from the FSA archives, many of which have never before been published. These include several photographs from 1936 that… Meer...
In Ground, Bill McDowell has assembled a series of killed negatives from the FSA archives, many of which have never before been published. These include several photographs from 1936 that Walker Evans had made for Let Us Know Praise Famous Men, the book he published with James Agee. Also included are never before published photographs by Walker Evans, Russell Lee, Ben Shahn, Marion Post Wolcott, John Vachon, Paul Carter, Theodor Jung, Carl Mydans, and Arthur Rothstein.McDowell has poetically organized the photographs in Ground according to how and what they represent. While the book's images document 1930s agriculture and landscapes, they also have been chosen for the manner in which their black hole (created by Roy Stryker's hole punch) abstracts its subjects. McDowell feels that in today's culture the killed negatives' black hole has the appearance of being a contemporary mark, one current with the practice of intervention, alteration, and appropriation. This provides the photographs a temporal duality in which they present the post-Depression era through a contemporary filter. In our continuing struggle to recover from 2008's Great Recession, these photographs speak to now even as they confer on past government programs, race and class, damaged and bountiful land, drought, flood, and exodus.Bill McDowell is the 2013 recipient of the Peter S. Reed Foundation Grant, and has received the Aaron Siskind Individual Photographer’s Fellowship, the New York Foundation on the Arts Photography Fellowship, as well as many other artist grants. He is a professor in the Department of Art & Art History at the University of Vermont. McDowell’s photographs are represented in collections at the Yale University Art Gallery, International Museum of Photography at the George Eastman House, Museum of Fine Arts, Houston, Harry Ransom Center at the University of Texas at Austin, Deichtorhallen Museum, Santa Barbara Museum of Art, Light Work, Wellesley College, St. Lawrence University, and Rochester Institute of Technology.His selected solo exhibitions include Jan Kesner Gallery, in Los Angeles, Houston Center of Photography, Robert B. Menschel Gallery at Light Work, The University of Notre Dame, Kenyon College, and St. Lawrence University. His group shows include the Santa Barbara Museum of Art, Dallas Museum of Art, Blue Sky Gallery, Society for Contemporary Photography, in Kansas City, and the Triennial of Photography at the Deichtorhallen Museum, Hamburg.McDowell’s project, Banner of Light: The Lily Dale Photographs, was published by Light Work in Contact Sheet 96, and his photographs have appeared in Art in America, Art Issues, The New Yorker, Russian Esquire, Guernica, Spot, and Exposure.Jock Reynolds, Artist and the Henry J. Heinz II Director of the Yale University Art GalleryJock Reynolds earned a B.A. in 1969 from the University of California, Santa Cruz, and an M.F.A. in 1972 from the University of California, Davis. From 1973 to 1983 he was an associate professor and director of the graduate program at the Center for Experimental and Interdisciplinary Art at San Francisco State University, and was also a cofounder of New Langton Arts, San Francisco’s premier alternative artists’ space. From 1983 to 1989 Mr. Reynolds served as the executive director of the Washington Project for the Arts, a multidisciplinary visual artists’ association in Washington, D.C., before becoming the director of the Addison Gallery of American Art at Phillips Academy, Andover, Massachusetts, a position he held until September 1998, when he was appointed the Henry J. Heinz II Director of the Yale University Art Gallery and professor (adjunct). Mr. Reynolds has won numerous grants and awards, including two National Endowment for the Arts Visual Artists fellowships and many more. Trade Books>Hardcover>Art,Design & Photography>Photography>Photography, Daylight Books Core >2<
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Ground : A Reprise of Photographs from the Farm Security Administration by Bill McDowell - gebruikt boek
2013, ISBN: 9781942084129
In Ground , Bill McDowell has assembled a series of "killed" negatives from the FSA archives, many of which have never before been published. These include several photographs from 1936 t… Meer...
In Ground , Bill McDowell has assembled a series of "killed" negatives from the FSA archives, many of which have never before been published. These include several photographs from 1936 that Walker Evans had made for Let Us Know Praise Famous Men , the book he published with James Agee. Also included are never before published photographs by Walker Evans, Russell Lee, Ben Shahn, Marion Post Wolcott, John Vachon, Paul Carter, Theodor Jung, Carl Mydans, and Arthur Rothstein. McDowell has poetically organized the photographs in Ground according to how and what they represent. While the book's images document 1930s agriculture and landscapes, they also have been chosen for the manner in which their black hole (created by Roy Stryker's hole punch) abstracts its subjects. McDowell feels that in today's culture the "killed" negatives' black hole has the appearance of being a contemporary mark, one current with the practice of intervention, alteration, and appropriation. This provides the photographs a temporal duality in which they present the post-Depression era through a contemporary filter. In our continuing struggle to recover from 2008's Great Recession, these photographs speak to now even as they confer on past government programs, race and class, damaged and bountiful land, drought, flood, and exodus. Bill McDowell is the 2013 recipient of the Peter S. Reed Foundation Grant, and has received the Aaron Siskind Individual Photographer's Fellowship, the New York Foundation on the Arts Photography Fellowship, as well as many other artist grants. He is a professor in the Department of Art & Art History at the University of Vermont. McDowell's photographs are represented in collections at the Yale University Art Gallery, International Museum of Photography at the George Eastman House, Museum of Fine Arts, Houston, Harry Ransom Center at the University of Texas at Austin, Deichtorhallen Museum, Santa Barbara Museum of Art, Light Work, Wellesley College, St. Lawrence University, and Rochester Institute of Technology. His selected solo exhibitions include Jan Kesner Gallery, in Los Angeles, Houston Center of Photography, Robert B. Menschel Gallery at Light Work, The University of Notre Dame, Kenyon College, and St. Lawrence University. His group shows include the Santa Barbara Museum of Art, Dallas Museum of Art, Blue Sky Gallery, Society for Contemporary Photography, in Kansas City, and the Triennial of Photography at the Deichtorhallen Museum, Hamburg. McDowell's project, Banner of Light: The Lily Dale Photographs, was published by Light Work in Contact Sheet 96, and his photographs have appeared in Art in America, Art Issues, The New Yorker, Russian Esquire, Guernica, Spot, and Exposure. Jock Reynolds, Artist and the Henry J. Heinz II Director of the Yale University Art Gallery Jock Reynolds earned a B.A. in 1969 from the University of California, Santa Cruz, and an M.F.A. in 1972 from the University of California, Davis. From 1973 to 1983 he was an associate professor and director of the graduate program at the Center for Experimental and Interdisciplinary Art at San Francisco State University, and was also a cofounder of New Langton Arts, San Francisco's premier alternative artists' space. From 1983 to 1989 Mr. Reynolds served as the executive director of the Washington Project for the Arts, a multidisciplinary visual artists' association in Washington, D.C., before becoming the director of the Addison Gallery of American Art at Phillips Academy, Andover, Massachusetts, a position he held until September 1998, when he was appointed the Henry J. Heinz II Director of the Yale University Art Gallery and professor (adjunct). Mr. Reynolds has won numerous grants and awards, including two National Endowment for the Arts Visual Artists fellowships and many more. Media > Book<
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Ground : A Reprise of Photographs from the Farm Security Administration by Bill McDowell - gebruikt boek
2013, ISBN: 9781942084129
In Ground , Bill McDowell has assembled a series of "killed" negatives from the FSA archives, many of which have never before been published. These include several photographs from 1936 t… Meer...
In Ground , Bill McDowell has assembled a series of "killed" negatives from the FSA archives, many of which have never before been published. These include several photographs from 1936 that Walker Evans had made for Let Us Know Praise Famous Men , the book he published with James Agee. Also included are never before published photographs by Walker Evans, Russell Lee, Ben Shahn, Marion Post Wolcott, John Vachon, Paul Carter, Theodor Jung, Carl Mydans, and Arthur Rothstein. McDowell has poetically organized the photographs in Ground according to how and what they represent. While the book's images document 1930s agriculture and landscapes, they also have been chosen for the manner in which their black hole (created by Roy Stryker's hole punch) abstracts its subjects. McDowell feels that in today's culture the "killed" negatives' black hole has the appearance of being a contemporary mark, one current with the practice of intervention, alteration, and appropriation. This provides the photographs a temporal duality in which they present the post-Depression era through a contemporary filter. In our continuing struggle to recover from 2008's Great Recession, these photographs speak to now even as they confer on past government programs, race and class, damaged and bountiful land, drought, flood, and exodus. Bill McDowell is the 2013 recipient of the Peter S. Reed Foundation Grant, and has received the Aaron Siskind Individual Photographer's Fellowship, the New York Foundation on the Arts Photography Fellowship, as well as many other artist grants. He is a professor in the Department of Art & Art History at the University of Vermont. McDowell's photographs are represented in collections at the Yale University Art Gallery, International Museum of Photography at the George Eastman House, Museum of Fine Arts, Houston, Harry Ransom Center at the University of Texas at Austin, Deichtorhallen Museum, Santa Barbara Museum of Art, Light Work, Wellesley College, St. Lawrence University, and Rochester Institute of Technology. His selected solo exhibitions include Jan Kesner Gallery, in Los Angeles, Houston Center of Photography, Robert B. Menschel Gallery at Light Work, The University of Notre Dame, Kenyon College, and St. Lawrence University. His group shows include the Santa Barbara Museum of Art, Dallas Museum of Art, Blue Sky Gallery, Society for Contemporary Photography, in Kansas City, and the Triennial of Photography at the Deichtorhallen Museum, Hamburg. McDowell's project, Banner of Light: The Lily Dale Photographs, was published by Light Work in Contact Sheet 96, and his photographs have appeared in Art in America, Art Issues, The New Yorker, Russian Esquire, Guernica, Spot, and Exposure. Jock Reynolds, Artist and the Henry J. Heinz II Director of the Yale University Art Gallery Jock Reynolds earned a B.A. in 1969 from the University of California, Santa Cruz, and an M.F.A. in 1972 from the University of California, Davis. From 1973 to 1983 he was an associate professor and director of the graduate program at the Center for Experimental and Interdisciplinary Art at San Francisco State University, and was also a cofounder of New Langton Arts, San Francisco's premier alternative artists' space. From 1983 to 1989 Mr. Reynolds served as the executive director of the Washington Project for the Arts, a multidisciplinary visual artists' association in Washington, D.C., before becoming the director of the Addison Gallery of American Art at Phillips Academy, Andover, Massachusetts, a position he held until September 1998, when he was appointed the Henry J. Heinz II Director of the Yale University Art Gallery and professor (adjunct). Mr. Reynolds has won numerous grants and awards, including two National Endowment for the Arts Visual Artists fellowships and many more. Media ><
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Boden: Eine Reprise von Fotos der Farm Security Administration von Bill M - gebonden uitgave, pocketboek
ISBN: 9781942084129
In Ground, Bill McDowell has assembled a series of "killed" negatives from the FSA archives, many of which have never before been published. Bill McDowell is the 2013 recipient of the Pet… Meer...
In Ground, Bill McDowell has assembled a series of "killed" negatives from the FSA archives, many of which have never before been published. Bill McDowell is the 2013 recipient of the Peter S. Reed Foundation Grant, and has. The Nile on eBay FREE SHIPPING UK WIDE Ground by Bill McDowell, Jock Reynolds, Rosanne Cash, Wendell Berry, DJ Hellerman An artful selection of photographs commissioned by the FSA but 'killed' by Roy Stryker with some fantastic accompanying text. FORMATHardcover LANGUAGEEnglish CONDITIONBrand New Publisher Description In Ground, Bill McDowell has assembled a series of "killed" negatives from the FSA archives, many of which have never before been published. These include several photographs from 1936 that Walker Evans had made for Let Us Know Praise Famous Men, the book he published with James Agee. Also included are never before published photographs by Walker Evans, Russell Lee, Ben Shahn, Marion Post Wolcott, John Vachon, Paul Carter, Theodor Jung, Carl Mydans, and Arthur Rothstein. McDowell has poetically organized the photographs in Ground according to how and what they represent. While the book's images document 1930s agriculture and landscapes, they also have been chosen for the manner in which their black hole (created by Roy Stryker's hole punch) abstracts its subjects. McDowell feels that in today's culture the "killed" negatives' black hole has the appearance of being a contemporary mark, one current with the practice of intervention, alteration, and appropriation. This provides the photographs a temporal duality in which they present the post-Depression era through a contemporary filter. In our continuing struggle to recover from 2008's Great Recession, these photographs speak to now even as they confer on past government programs, race and class, damaged and bountiful land, drought, flood, and exodus.Bill McDowell is the 2013 recipient of the Peter S. Reed Foundation Grant, and has received the Aaron Siskind Individual Photographer's Fellowship, the New York Foundation on the Arts Photography Fellowship, as well as many other artist grants. He is a professor in the Department of Art & Art History at the University of Vermont. McDowell's photographs are represented in collections at the Yale University Art Gallery, International Museum of Photography at the George Eastman House, Museum of Fine Arts, Houston, Harry Ransom Center at the University of Texas at Austin, Deichtorhallen Museum, Santa Barbara Museum of Art, Light Work, Wellesley College, St. Lawrence University, and Rochester Institute of Technology.His selected solo exhibitions include Jan Kesner Gallery, in Los Angeles, Houston Center of Photography, Robert B. Menschel Gallery at Light Work, The University of Notre Dame, Kenyon College, and St. Lawrence University. His group shows include the Santa Barbara Museum of Art, Dallas Museum of Art, Blue Sky Gallery, Society for Contemporary Photography, in Kansas City, and the Triennial of Photography at the Deichtorhallen Museum, Hamburg.McDowell's project, Banner of Light: The Lily Dale Photographs, was published by Light Work in Contact Sheet 96, and his photographs have appeared in Art in America, Art Issues, The New Yorker, Russian Esquire, Guernica, Spot, and Exposure.Jock Reynolds, Artist and the Henry J. Heinz II Director of the Yale University Art GalleryJock Reynolds earned a B.A. in 1969 from the University of California, Santa Cruz, and an M.F.A. in 1972 from the University of California, Davis. From 1973 to 1983 he was an associate professor and director of the graduate program at the Center for Experimental and Interdisciplinary Art at San Francisco State University, and was also a cofounder of New Langton Arts, San Francisco's premier alternative artists' space. From 1983 to 1989 Mr. Reynolds served as the executive director of the Washington Project for the Arts, a multidisciplinary visual artists' association in Washington, D.C., before becoming the director of the Addison Gallery of American Art at Phillips Academy, Andover, Massachusetts, a position he held until September 1998, when he was appointed the Henry J. Heinz II Director of the Yale University Art Gallery and professor (adjunct). Mr. Reynolds has won numerous grants and awards, including two National Endowment for the Arts Visual Artists fellowships and many more. Author Biography Bill McDowell is the 2013 recipient of the Peter S. Reed Foundation Grant, and hasreceived the Aaron Siskind Individual Photographer s Fellowship, the New YorkFoundation on the Arts Photography Fellowship, as well as many other artist grants. He is a professor in the Department of Art & Art History at the University of Vermont. McDowell s photographs are represented in collections at the Yale University Art Gallery, International Museum of Photography at the George Eastman House, Museum of Fine Arts, Houston, Harry Ransom Center at the University of Texas at Austin, Deichtorhallen Museum, Santa Barbara Museum of Art, Light Work, Wellesley College, St. Lawrence University, and Rochester Institute of Technology. His selected solo exhibitions include Jan Kesner Gallery, in Los Angeles, Houston Center of Photography, Robert B. Menschel Gallery at Light Work, The University of Notre Dame, Kenyon College, and St. Lawrence University. His group shows include the Santa Barbara Museum of Art, Dallas Museum of Art, Blue Sky Gallery, Society for Contemporary Photography, in Kansas City, and the Triennial of Photography at the Deichtorhallen Museum, Hamburg. McDowell s project, Banner of Light: The Lily Dale Photographs, was published byLight Work in Contact Sheet 96, and his photographs have appeared in Art in America, Art Issues, The New Yorker, Russian Esquire, Guernica, Spot, and Exposure. Jock Reynolds, Artist and the Henry J. Heinz II Director of the Yale University ArtGallery Mr. Reynolds earned a B.A. in 1969 from the University of California, Santa Cruz, andan M.F.A. in 1972 from the University of California, Davis. From 1973 to 1983 he wasan associate professor and director of the graduate program at the Center forExperimental and Interdisciplinary Art at San Francisco State University, and was also acofounder of New Langton Arts, San Francisco s premier alternative artists space. From1983 to 1989 Mr. Reynolds served as the executive director of the Washington Projectfor the Arts, a multidisciplinary visual artists association in Washington, D.C., beforebecoming the director of the Addison Gallery of American Art at Phillips Academy, Andover, Massachusetts, a position he held until September 1998, when he wasappointed the Henry J. Heinz II Director of the Yale University Art Gallery and professor(adjunct). Mr. Reynolds has won numerous grants and awards, including two NationalEndowment for the Arts Visual Artists fellowships, a Fulbright fellowship, and multipleNational Endowment for the Arts/Art in Public Places project awards. Mr. Reynoldsfrequently collaborates in his work with Suzanne Hellmuth, his wife. Their performances, installations, and photographs have been commissioned and exhibited in many solo andgroup exhibitions and installations in Japan, Australia, France, the Netherlands, andacross the United States. Mr. Reynolds s and Ms. Hellmuth s artwork is represented inboth private and public collections, including the Smithsonian s National Museum ofAmerican Art, the Corcoran Gallery of Art, the Walker Art Center, the MinneapolisInstitute of Arts, and the University of Washington s Henry Art Gallery. Rosanne Cash: Singersongwriter and author. Rosanne Cash's fourteen albums have charted elevennumber-one singles. Her most recent album, The River and the Thread (2013) is akaleidoscopic examination of the geographic, emotional, and historic landscape of theAmerican South. The album s unique sound, which draws from country, blues, gospel, and rock, reflects the soulful mix of music that traces its history to the region.She is the author of four books, including Bodies of Water (1997), Songs Without Rhyme: Prose by Celebrated Songwriters (2001), Composed: A Memoir (2010), and the children'sbook Penelope Jane: A Fairy's Tale (2006). Her essays and fiction have appeared in TheNew York Times, Rolling Stone, and New York magazine. She lives in New York Citywith her husband, John Leventhal, and her children. Wendell Berry: Wendell Berry was born in Henry County, Kentucky, in 1934. He earned a bachelor sdegree from the University of Kentucky in 1956 and continued on to complete a master sdegree in 1957. In 1958, he received a Wallace Stegner Fellowship from StanfordUniversity. Berry has taught at Stanford University, Georgetown College, New York University, theUniversity of Cincinnati, and Bucknell University. He taught at his alma mater, theUniversity of Kentucky from 1964-77, and again from 1987-93.The author of more than 50 works of fiction, nonfiction, and poetry, Wendell Berry hasbeen the recipient of numerous awards and honors, including a Guggenheim FoundationFellowship (1962), the Vachel Lindsay Prize from Poetry (1962), a RockefellerFoundation Fellowship (1965), a National Institute of Arts and Letters award for writing(1971), the Emily Clark Balch Prize from The Virginia Quarterly Review (1974), theAmerican Academy of Arts and Letters Jean Stein Award (1987), a Lannan FoundationAward for Non-Fiction (1989), Membership in the Fellowship of Southern Writers(1991), the Ingersoll Foundation s T. S. Eliot Award (1994), the John Hay Award (1997), the Lyndhurst Prize (1997), and the Aitken-Taylor Award for Poetry from The SewaneeReview (1998). Most recently, he has been awarded the National Humanities Medal(2010) by Barack Obama, and gave 2012 Jefferson Lecture at the Kennedy Center inWashington, D.C. His books include the novel Hannah Coulter (2004), the essay collections Imagination inPlace (2010), Dj Hellerman, daylight Books<
Bill McDowell:
Ground: A Reprise of Photographs from the Farm Security Administration (Hardcover) - gebonden uitgave, pocketboek2016, ISBN: 1942084129
[EAN: 9781942084129], Neubuch, [PU: Daylight Books, NC], Hardcover. In Ground, Bill McDowell has assembled a series of "killed" negatives from the FSA archives, many of which have never b… Meer...
[EAN: 9781942084129], Neubuch, [PU: Daylight Books, NC], Hardcover. In Ground, Bill McDowell has assembled a series of "killed" negatives from the FSA archives, many of which have never before been published. These include several photographs from 1936 that Walker Evans had made for Let Us Know Praise Famous Men, the book he published with James Agee. Also included are never before published photographs by Walker Evans, Russell Lee, Ben Shahn, Marion Post Wolcott, John Vachon, Paul Carter, Theodor Jung, Carl Mydans, and Arthur Rothstein. McDowell has poetically organized the photographs in Ground according to how and what they represent. While the book's images document 1930s agriculture and landscapes, they also have been chosen for the manner in which their black hole (created by Roy Stryker's hole punch) abstracts its subjects. McDowell feels that in today's culture the "killed" negatives' black hole has the appearance of being a contemporary mark, one current with the practice of intervention, alteration, and appropriation. This provides the photographs a temporal duality in which they present the post-Depression era through a contemporary filter. In our continuing struggle to recover from 2008's Great Recession, these photographs speak to now even as they confer on past government programs, race and class, damaged and bountiful land, drought, flood, and exodus. Bill McDowell is the 2013 recipient of the Peter S. Reed Foundation Grant, and has received the Aaron Siskind Individual Photographer's Fellowship, the New York Foundation on the Arts Photography Fellowship, as well as many other artist grants. He is a professor in the Department of Art & Art History at the University of Vermont. McDowell's photographs are represented in collections at the Yale University Art Gallery, International Museum of Photography at the George Eastman House, Museum of Fine Arts, Houston, Harry Ransom Center at the University of Texas at Austin, Deichtorhallen Museum, Santa Barbara Museum of Art, Light Work, Wellesley College, St. Lawrence University, and Rochester Institute of Technology. His selected solo exhibitions include Jan Kesner Gallery, in Los Angeles, Houston Center of Photography, Robert B. Menschel Gallery at Light Work, The University of Notre Dame, Kenyon College, and St. Lawrence University. His group shows include the Santa Barbara Museum of Art, Dallas Museum of Art, Blue Sky Gallery, Society for Contemporary Photography, in Kansas City, and the Triennial of Photography at the Deichtorhallen Museum, Hamburg. McDowell's project, Banner of Light: The Lily Dale Photographs, was published by Light Work in Contact Sheet 96, and his photographs have appeared in Art in America, Art Issues, The New Yorker, Russian Esquire, Guernica, Spot, and Exposure. Jock Reynolds, Artist and the Henry J. Heinz II Director of the Yale University Art Gallery Jock Reynolds earned a B.A. in 1969 from the University of California, Santa Cruz, and an M.F.A. in 1972 from the University of California, Davis. From 1973 to 1983 he was an associate professor and director of the graduate program at the Center for Experimental and Interdisciplinary Art at San Francisco State University, and was also a cofounder of New Langton Arts, San Francisco's premier alternative artists' space. From 1983 to 1989 Mr. Reynolds served as the executive director of the Washington Project for the Arts, a multidisciplinary visual artists' association in Washington, D.C., before becoming the director of the Addison Gallery of American Art at Phillips Academy, Andover, Massachusetts, a position he held until September 1998, when he was appointed the Henry J. Heinz II Director of the Yale University Art Gallery and professor (adjunct). Mr. Reynolds has won numerous grants and awards, including two National Endowment for the Arts Visual Artists fellowships and many more. An artful selection of photographs commissioned by the FSA but Shipping may be from multiple locations in the US or from the UK, depending on stock availability., Books<
2013
ISBN: 9781942084129
In Ground, Bill McDowell has assembled a series of killed negatives from the FSA archives, many of which have never before been published. These include several photographs from 1936 that… Meer...
In Ground, Bill McDowell has assembled a series of killed negatives from the FSA archives, many of which have never before been published. These include several photographs from 1936 that Walker Evans had made for Let Us Know Praise Famous Men, the book he published with James Agee. Also included are never before published photographs by Walker Evans, Russell Lee, Ben Shahn, Marion Post Wolcott, John Vachon, Paul Carter, Theodor Jung, Carl Mydans, and Arthur Rothstein.McDowell has poetically organized the photographs in Ground according to how and what they represent. While the book's images document 1930s agriculture and landscapes, they also have been chosen for the manner in which their black hole (created by Roy Stryker's hole punch) abstracts its subjects. McDowell feels that in today's culture the killed negatives' black hole has the appearance of being a contemporary mark, one current with the practice of intervention, alteration, and appropriation. This provides the photographs a temporal duality in which they present the post-Depression era through a contemporary filter. In our continuing struggle to recover from 2008's Great Recession, these photographs speak to now even as they confer on past government programs, race and class, damaged and bountiful land, drought, flood, and exodus.Bill McDowell is the 2013 recipient of the Peter S. Reed Foundation Grant, and has received the Aaron Siskind Individual Photographer’s Fellowship, the New York Foundation on the Arts Photography Fellowship, as well as many other artist grants. He is a professor in the Department of Art & Art History at the University of Vermont. McDowell’s photographs are represented in collections at the Yale University Art Gallery, International Museum of Photography at the George Eastman House, Museum of Fine Arts, Houston, Harry Ransom Center at the University of Texas at Austin, Deichtorhallen Museum, Santa Barbara Museum of Art, Light Work, Wellesley College, St. Lawrence University, and Rochester Institute of Technology.His selected solo exhibitions include Jan Kesner Gallery, in Los Angeles, Houston Center of Photography, Robert B. Menschel Gallery at Light Work, The University of Notre Dame, Kenyon College, and St. Lawrence University. His group shows include the Santa Barbara Museum of Art, Dallas Museum of Art, Blue Sky Gallery, Society for Contemporary Photography, in Kansas City, and the Triennial of Photography at the Deichtorhallen Museum, Hamburg.McDowell’s project, Banner of Light: The Lily Dale Photographs, was published by Light Work in Contact Sheet 96, and his photographs have appeared in Art in America, Art Issues, The New Yorker, Russian Esquire, Guernica, Spot, and Exposure.Jock Reynolds, Artist and the Henry J. Heinz II Director of the Yale University Art GalleryJock Reynolds earned a B.A. in 1969 from the University of California, Santa Cruz, and an M.F.A. in 1972 from the University of California, Davis. From 1973 to 1983 he was an associate professor and director of the graduate program at the Center for Experimental and Interdisciplinary Art at San Francisco State University, and was also a cofounder of New Langton Arts, San Francisco’s premier alternative artists’ space. From 1983 to 1989 Mr. Reynolds served as the executive director of the Washington Project for the Arts, a multidisciplinary visual artists’ association in Washington, D.C., before becoming the director of the Addison Gallery of American Art at Phillips Academy, Andover, Massachusetts, a position he held until September 1998, when he was appointed the Henry J. Heinz II Director of the Yale University Art Gallery and professor (adjunct). Mr. Reynolds has won numerous grants and awards, including two National Endowment for the Arts Visual Artists fellowships and many more. Trade Books>Hardcover>Art,Design & Photography>Photography>Photography, Daylight Books Core >2<
Ground : A Reprise of Photographs from the Farm Security Administration by Bill McDowell - gebruikt boek
2013, ISBN: 9781942084129
In Ground , Bill McDowell has assembled a series of "killed" negatives from the FSA archives, many of which have never before been published. These include several photographs from 1936 t… Meer...
In Ground , Bill McDowell has assembled a series of "killed" negatives from the FSA archives, many of which have never before been published. These include several photographs from 1936 that Walker Evans had made for Let Us Know Praise Famous Men , the book he published with James Agee. Also included are never before published photographs by Walker Evans, Russell Lee, Ben Shahn, Marion Post Wolcott, John Vachon, Paul Carter, Theodor Jung, Carl Mydans, and Arthur Rothstein. McDowell has poetically organized the photographs in Ground according to how and what they represent. While the book's images document 1930s agriculture and landscapes, they also have been chosen for the manner in which their black hole (created by Roy Stryker's hole punch) abstracts its subjects. McDowell feels that in today's culture the "killed" negatives' black hole has the appearance of being a contemporary mark, one current with the practice of intervention, alteration, and appropriation. This provides the photographs a temporal duality in which they present the post-Depression era through a contemporary filter. In our continuing struggle to recover from 2008's Great Recession, these photographs speak to now even as they confer on past government programs, race and class, damaged and bountiful land, drought, flood, and exodus. Bill McDowell is the 2013 recipient of the Peter S. Reed Foundation Grant, and has received the Aaron Siskind Individual Photographer's Fellowship, the New York Foundation on the Arts Photography Fellowship, as well as many other artist grants. He is a professor in the Department of Art & Art History at the University of Vermont. McDowell's photographs are represented in collections at the Yale University Art Gallery, International Museum of Photography at the George Eastman House, Museum of Fine Arts, Houston, Harry Ransom Center at the University of Texas at Austin, Deichtorhallen Museum, Santa Barbara Museum of Art, Light Work, Wellesley College, St. Lawrence University, and Rochester Institute of Technology. His selected solo exhibitions include Jan Kesner Gallery, in Los Angeles, Houston Center of Photography, Robert B. Menschel Gallery at Light Work, The University of Notre Dame, Kenyon College, and St. Lawrence University. His group shows include the Santa Barbara Museum of Art, Dallas Museum of Art, Blue Sky Gallery, Society for Contemporary Photography, in Kansas City, and the Triennial of Photography at the Deichtorhallen Museum, Hamburg. McDowell's project, Banner of Light: The Lily Dale Photographs, was published by Light Work in Contact Sheet 96, and his photographs have appeared in Art in America, Art Issues, The New Yorker, Russian Esquire, Guernica, Spot, and Exposure. Jock Reynolds, Artist and the Henry J. Heinz II Director of the Yale University Art Gallery Jock Reynolds earned a B.A. in 1969 from the University of California, Santa Cruz, and an M.F.A. in 1972 from the University of California, Davis. From 1973 to 1983 he was an associate professor and director of the graduate program at the Center for Experimental and Interdisciplinary Art at San Francisco State University, and was also a cofounder of New Langton Arts, San Francisco's premier alternative artists' space. From 1983 to 1989 Mr. Reynolds served as the executive director of the Washington Project for the Arts, a multidisciplinary visual artists' association in Washington, D.C., before becoming the director of the Addison Gallery of American Art at Phillips Academy, Andover, Massachusetts, a position he held until September 1998, when he was appointed the Henry J. Heinz II Director of the Yale University Art Gallery and professor (adjunct). Mr. Reynolds has won numerous grants and awards, including two National Endowment for the Arts Visual Artists fellowships and many more. Media > Book<
Ground : A Reprise of Photographs from the Farm Security Administration by Bill McDowell - gebruikt boek
2013, ISBN: 9781942084129
In Ground , Bill McDowell has assembled a series of "killed" negatives from the FSA archives, many of which have never before been published. These include several photographs from 1936 t… Meer...
In Ground , Bill McDowell has assembled a series of "killed" negatives from the FSA archives, many of which have never before been published. These include several photographs from 1936 that Walker Evans had made for Let Us Know Praise Famous Men , the book he published with James Agee. Also included are never before published photographs by Walker Evans, Russell Lee, Ben Shahn, Marion Post Wolcott, John Vachon, Paul Carter, Theodor Jung, Carl Mydans, and Arthur Rothstein. McDowell has poetically organized the photographs in Ground according to how and what they represent. While the book's images document 1930s agriculture and landscapes, they also have been chosen for the manner in which their black hole (created by Roy Stryker's hole punch) abstracts its subjects. McDowell feels that in today's culture the "killed" negatives' black hole has the appearance of being a contemporary mark, one current with the practice of intervention, alteration, and appropriation. This provides the photographs a temporal duality in which they present the post-Depression era through a contemporary filter. In our continuing struggle to recover from 2008's Great Recession, these photographs speak to now even as they confer on past government programs, race and class, damaged and bountiful land, drought, flood, and exodus. Bill McDowell is the 2013 recipient of the Peter S. Reed Foundation Grant, and has received the Aaron Siskind Individual Photographer's Fellowship, the New York Foundation on the Arts Photography Fellowship, as well as many other artist grants. He is a professor in the Department of Art & Art History at the University of Vermont. McDowell's photographs are represented in collections at the Yale University Art Gallery, International Museum of Photography at the George Eastman House, Museum of Fine Arts, Houston, Harry Ransom Center at the University of Texas at Austin, Deichtorhallen Museum, Santa Barbara Museum of Art, Light Work, Wellesley College, St. Lawrence University, and Rochester Institute of Technology. His selected solo exhibitions include Jan Kesner Gallery, in Los Angeles, Houston Center of Photography, Robert B. Menschel Gallery at Light Work, The University of Notre Dame, Kenyon College, and St. Lawrence University. His group shows include the Santa Barbara Museum of Art, Dallas Museum of Art, Blue Sky Gallery, Society for Contemporary Photography, in Kansas City, and the Triennial of Photography at the Deichtorhallen Museum, Hamburg. McDowell's project, Banner of Light: The Lily Dale Photographs, was published by Light Work in Contact Sheet 96, and his photographs have appeared in Art in America, Art Issues, The New Yorker, Russian Esquire, Guernica, Spot, and Exposure. Jock Reynolds, Artist and the Henry J. Heinz II Director of the Yale University Art Gallery Jock Reynolds earned a B.A. in 1969 from the University of California, Santa Cruz, and an M.F.A. in 1972 from the University of California, Davis. From 1973 to 1983 he was an associate professor and director of the graduate program at the Center for Experimental and Interdisciplinary Art at San Francisco State University, and was also a cofounder of New Langton Arts, San Francisco's premier alternative artists' space. From 1983 to 1989 Mr. Reynolds served as the executive director of the Washington Project for the Arts, a multidisciplinary visual artists' association in Washington, D.C., before becoming the director of the Addison Gallery of American Art at Phillips Academy, Andover, Massachusetts, a position he held until September 1998, when he was appointed the Henry J. Heinz II Director of the Yale University Art Gallery and professor (adjunct). Mr. Reynolds has won numerous grants and awards, including two National Endowment for the Arts Visual Artists fellowships and many more. Media ><
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Gedetalleerde informatie over het boek. - Ground: A Reprise of Photographs from the Farm Security Administration Bill McDowell Author
EAN (ISBN-13): 9781942084129
ISBN (ISBN-10): 1942084129
Gebonden uitgave
pocket book
Verschijningsjaar: 2008
Uitgever: Daylight Books Core >2
Boek bevindt zich in het datenbestand sinds 2015-11-07T12:20:19+01:00 (Amsterdam)
Detailpagina laatst gewijzigd op 2024-04-20T22:08:18+02:00 (Amsterdam)
ISBN/EAN: 9781942084129
ISBN - alternatieve schrijfwijzen:
1-942084-12-9, 978-1-942084-12-9
alternatieve schrijfwijzen en verwante zoekwoorden:
Auteur van het boek: cash, wendell berry, bill, mcdowell, barbara walker, john carter, lawrence peter, jung heinz, american art association, carl jung, peter flood, marion heinz, ben walker, robert arthur, lawrence mark, grant john, peter held, reed john, aaron siskind, marion george, paul davis, shahn ben, ransom arthur, lee post, harry carter, james agee walker evans, russell robert john, john reynolds, lawrence fine, henry russell, carl mydans, james austin, davis black, jan post, roy james, dale russell, wellesley, exhibitions international, won lee
Titel van het boek: ground reprise photographs from the farm security administration, form, bill, photographs 1951 2000
Andere boeken die eventueel grote overeenkomsten met dit boek kunnen hebben:
Laatste soortgelijke boek:
0030306965895 X
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