
ISBN: 9789024734153
Beginning is the hardest ITPment, not because openers are all that scarce but because you're blowing into, cracking a universe. l Maurice Natanson q;>enings are already directed toward closings. The first question in presenting a body of work is where to cut in. This is an especially difficult question since the cut-in provides a perspecti ve on what follows. A cut is an angle of entry. Wherever I enter, from there, a realm unfolds itself. In that sense, my angle of entry is my point of view. A realm cut into has an orientation. It evidences a hierarchy of importance, relevance, accessability, value, or logic. Its content is no longer neutral and equivalent. From my perspective, the realm is not only differentiated in sUbstance but differential in significance. There is a relation between angles and attitudes. Where I look from is tied up with how I see. The first cut opens out into a frame of reference. What count as lines of evidence in that realm materialize along with its background expectancies, its assumptions, concentrations, and confusions, its coslTPlogy, quirks, and enchantments. Hence, once I am corrunitted to a perspective, I am implicated in a methodology, one possessed of puzzles of a certain shape, ITPving toward solutions wi thin its orthodoxy. Openings are directed toward closings. Another cut would open onto another realm. The realm of events I cut into is a Taleworld, inhabited by characters acting in their own space and time. Bücher > Fremdsprachige Bücher > Englische Bücher 241 x 160 x 21 mm , Springer Netherland, K. Young, Springer Netherland, ng
Orellfuessli.ch Nr. A1000782858. Verzendingskosten:Lieferzeiten außerhalb der Schweiz 3 bis 21 Werktage, , Versandfertig innert 6 - 9 Werktagen, zzgl. Versandkosten. (EUR 17.33) Details... |

1986, ISBN: 9789024734153
Beginning is the hardest ITPment, not because openers are all that scarce but because you're blowing into, cracking a universe. l Maurice Natanson q;enings are already directed toward closings. The first question in presenting a body of work is where to cut in. This is an especially difficult question since the cut-in provides a perspecti ve on what follows. A cut is an angle of entry. Wherever I enter, from there, a realm unfolds itself. In that sense, my angle of entry is my point of view. A realm cut into has an orientation. It evidences a hierarchy of importance, relevance, accessability, value, or logic. Its content is no longer neutral and equivalent. From my perspective, the realm is not only differentiated in sUbstance but differential in significance. There is a relation between angles and attitudes. Where I look from is tied up with how I see. The first cut opens out into a frame of reference. What count as lines of evidence in that realm materialize along with its background expectancies, its assumptions, concentrations, and confusions, its coslTPlogy, quirks, and enchantments. Hence, once I am corrunitted to a perspective, I am implicated in a methodology, one possessed of puzzles of a certain shape, ITPving toward solutions wi thin its orthodoxy. Openings are directed toward closings. Another cut would open onto another realm. The realm of events I cut into is a Taleworld, inhabited by characters acting in their own space and time. Buch (fremdspr.) K. Young gebundene Ausgabe, Springer Netherland, 31.12.1986, Springer Netherland, 1986
Orellfuessli.ch Nr. 5824640. Verzendingskosten:, Versandfertig innert 1 - 2 Wochen, zzgl. Versandkosten. (EUR 16.57) Details... |

1986, ISBN: 9789024734153
Hard cover, New., 268 p. Martinus Nijhoff Philosophy Library , 16. XIV, 268 p. Intended for college/higher education audience. Intended for professional and scholarly audience., Dordrecht, [PU: Kluwer Academic Publishers]
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Taleworlds and Storyrealms: The Phenomenology of Narrative (Martinus Nijhoff Philosophy Library) - eerste uitgave
1986, ISBN: 9024734150
[EAN: 9789024734153], Gebraucht, sehr guter Zustand, [PU: Springer], Great condition for a used book! Minimal wear.
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ISBN: 9789024734153
Beginning is the hardest ITPment, not because openers are all that scarce but because you're blowing into, cracking a universe. l Maurice Natanson q;>enings are already directed toward cl… Meer...
bij Orellfuessli.ch
1986, ISBN: 9789024734153
Beginning is the hardest ITPment, not because openers are all that scarce but because you're blowing into, cracking a universe. l Maurice Natanson q;enings are already directed toward clo… Meer...
1986
ISBN: 9789024734153
Hard cover, New., 268 p. Martinus Nijhoff Philosophy Library , 16. XIV, 268 p. Intended for college/higher education audience. Intended for professional and scholarly audience., Dordrecht… Meer...
Taleworlds and Storyrealms: The Phenomenology of Narrative (Martinus Nijhoff Philosophy Library) - eerste uitgave
1986, ISBN: 9024734150
[EAN: 9789024734153], Gebraucht, sehr guter Zustand, [PU: Springer], Great condition for a used book! Minimal wear.
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Titel: | |
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Gedetalleerde informatie over het boek. - Tale Worlds and Story Realms
EAN (ISBN-13): 9789024734153
ISBN (ISBN-10): 9024734150
Gebonden uitgave
Verschijningsjaar: 1986
Uitgever: Springer-Verlag GmbH
282 Bladzijden
Gewicht: 0,596 kg
Boek bevindt zich in het datenbestand sinds 2007-10-20T19:19:46+02:00 (Amsterdam)
Detailpagina laatst gewijzigd op 2022-01-28T17:20:44+01:00 (Amsterdam)
ISBN/EAN: 9024734150
ISBN - alternatieve schrijfwijzen:
90-247-3415-0, 978-90-247-3415-3
Gegevens van de uitgever
Auteur: K. Young
Titel: Martinus Nijhoff Philosophy Library; Taleworlds and Storyrealms - The Phenomenology of Narrative
Uitgeverij: Springer; Springer Netherland
268 Bladzijden
Verschijningsjaar: 1986-12-31
Dordrecht; NL
Gewicht: 1,290 kg
Taal: Engels
213,99 € (DE)
219,99 € (AT)
236,00 CHF (CH)
POD
XIV, 268 p.
BB; Book; Hardcover, Softcover / Philosophie/20., 21. Jahrhundert; Phänomenologie und Existenzphilosophie; Verstehen; body; event; logic; phenomenology; space; space and time; time; C; Phenomenology; Phenomenology; Religion and Philosophy; BC; EA
The Phenomenological Framework for Narrative Analysis.- One Edgework: Frame and Boundary in the Phenomenology of Narrative.- Two Multiple Contexting: The Story Context of Stories.- Three Presentation of Self in Storytelling.- Four Joint Storytelling: The Interplay of Discourse and Interaction.- Five Storyability and Eventfulness: Beyond Referential Theories of Narrative.- Six Taleworlds and Real: Ontological Puzzles about Narrative.- Appendix Transcription Devices.Andere boeken die eventueel grote overeenkomsten met dit boek kunnen hebben:
Laatste soortgelijke boek:
9789024734566 Taleworlds and Storyrealms (K.Galloway Young)
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