2004, ISBN: 9789053566251

gebonden uitgave

Facsimile Publisher, 2016. Softcover. New/New. {Size: 13.34 x 21.59 cms} Lang:- English, Vol:- Volume 1, Pages 658. It is the reprint edition of the original edition which was published… Meer...

Facsimile Publisher, 2016. Softcover. New/New. {Size: 13.34 x 21.59 cms} Lang:- English, Vol:- Volume 1, Pages 658. It is the reprint edition of the original edition which was published long back (1907). The book is printed in black on high quality paper with Matt Laminated colored dust cover. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. We tried to manage the best possible copy but in some cases, there may be some pages which are blur or missing or with black spots. We expect that you will understand our compulsion in these books. Print on Demand., Facsimile Publisher, 2016, Facsimile Publisher, 2016. Hardcover. New/New. {Size: 14.34 x 22.59 cms} Lang:- English, Vol:- Volume 1, Pages 658. It is the reprint edition of the original edition which was published long back (1907). The book is printed in black on high quality paper with Matt Laminated colored dust cover. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. We tried to manage the best possible copy but in some cases, there may be some pages which are blur or missing or with black spots. We expect that you will understand our compulsion in these books. Print on Demand., Facsimile Publisher, 2016, HardPress Publishing, 2012-01-10. Paperback. Good., HardPress Publishing, 2012-01-10, 2020. Paperback. New. Lang: - eng, Vol: - Volume 1, Pages 668. Reprinted in 2020 with the help of original edition published long back . This book is Printed in black & white, sewing binding for longer life with Matt laminated multi-Colour Soft Cover {HARDCOVER EDITION IS ALSO AVAILABLE}, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. (Any type of Customisation is possible with extra charges). Hope you will like it and give your comments and suggestions. Volume 1, 2020, Amsterdam Amsterdam University Press 2004. Hardcover, Bound, 416 pp., 17,3x22,5cm, with 61 illustrations, ISBN 9053566252. This is the first full-length study of the scholarly formation of the corpus of Rembrandt paintings at the end of the nineteenth century. From 1870 to 1935 the first true catalogues raisonnes of Rembrandt's paintings were produced, incorporating the results of individual connoisseurs' evaluations of authenticity and quality. The book concentrates on the written connoisseurship of Wilhelm von Bode, Abraham Bredius, Cornelis Hofstede de Groot and Wilhelm Valentiner, who, in their articles and catalogues, shaped the modern conception of Rembrandt as a painter through their delineation of his oeuvre. Their conception of Rembrandt was not challenged in print until the 1960s, and even today their decisions are referenced by other scholars. At a time when Rembrandt connoisseurship has again returned to the forefront of academic concerns with this artist, it is of great value to understand how earlier scholars reached their conclusions about the limits and characteristics of Rembrandt's painted oeuvre. In addition to analyzing their written work, the book includes discussions of the social context of their connoisseurial practices, as shaped by these scholars' museum careers and their relationships with dealers and collectors during a period of rapid expansion of the art market, through the founding and development of new museums in Europe and the US and the extraordinary boom in private collecting with the entry of American collectors into the Old Master market in the 1890s., Amsterdam Amsterdam University Press 2004<

2003, ISBN: 9053566252

[EAN: 9789053566251], [SC: 5.0], [PU: Amsterdam University Press], Jacket, Amsterdam : Amsterdam University Press, 2004. Hardcover. Dustjacket. 416 pp. Ills. - This is the first full-leng… Meer...

[EAN: 9789053566251], [SC: 5.0], [PU: Amsterdam University Press], Jacket, Amsterdam : Amsterdam University Press, 2004. Hardcover. Dustjacket. 416 pp. Ills. - This is the first full-length study of the scholarly formation of the corpus of Rembrandt paintings at the end of the nineteenth century. From 1870 to 1935 the first true catalogues raisonnes of Rembrandt's paintings were produced, incorporating the results of individual connoisseurs' evaluations of authenticity and quality. The book concentrates on the written connoisseurship of Wilhelm von Bode, Abraham Bredius, Cornelis Hofstede de Groot and Wilhelm Valentiner, who, in their articles and catalogues, shaped the modern conception of Rembrandt as a painter through their delineation of his oeuvre. Their conception of Rembrandt was not challenged in print until the 1960s, and even today their decisions are referenced by other scholars. At a time when Rembrandt connoisseurship has again returned to the forefront of academic concerns with this artist, it is of great value to understand how earlier scholars reached their conclusions about the limits and characteristics of Rembrandt's painted oeuvre. In addition to analyzing their written work, the book includes discussions of the social context of their connoisseurial practices, as shaped by these scholars' museum careers and their relationships with dealers and collectors during a period of rapid expansion of the art market, through the founding and development of new museums in Europe and the US and the extraordinary boom in private collecting with the entry of American collectors into the Old Master market in the 1890's. Condition : very good copy. ISBN 9789053566251. Keywords : , art, Books<

ISBN: 9789053566251

From 1870 to 1935, the first true "catalogues raisonnes" of Rembrandt's paintings were produced, incorporating the results of individual connoisseurs' evaluations of authenticity and qual… Meer...

From 1870 to 1935, the first true "catalogues raisonnes" of Rembrandt's paintings were produced, incorporating the results of individual connoisseurs' evaluations of authenticity and quality. This book, the first full-length study of this scholarly corpus, concentrates on the written connoisseurship of Wilhelm von Bode, Abraham Bredius, Cornelis Hofstede de Groot, and Wilhelm Valentiner, whose articles and catalogues first shaped the modern conception of Rembrandt as a painter. In addition to analyzing their written work, Scallen addresses the social context of their connoisseurial practices, as shaped by their museum careers and their relationships with dealers and collectors. Media > Book<

2003, ISBN: 9789053566251

gebonden uitgave

Amsterdam University Press, Gebundene Ausgabe, Auflage: 01, 220 Seiten, Publiziert: 2003-05-15T00:00:01Z, Produktgruppe: Book, 2.43 kg, Verkaufsrang: 52392, Geschichte & Kritik, Film, Kun… Meer...

Amsterdam University Press, Gebundene Ausgabe, Auflage: 01, 220 Seiten, Publiziert: 2003-05-15T00:00:01Z, Produktgruppe: Book, 2.43 kg, Verkaufsrang: 52392, Geschichte & Kritik, Film, Kunst & Kultur, Kategorien, Bücher, Einzelne Künstler, Amsterdam University Press, 2003<