The King-Hunt
- pocketboek2016, ISBN: 9780805047332
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Lifeway Press. Paperback. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex libr… Meer...
Lifeway Press. Paperback. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, will have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included., Lifeway Press, 2.5, Pocket Books. Mass Market Paperback. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, will have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included., Pocket Books, 2.5, Tor Books. Hardcover. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, will have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included., Tor Books, 2.5, New York: Fawcett Crest, 1967. Mass Market Paperback. Good. No Stock Photos! We photograph every item. edge wear, spine creasing. "I, The King is the story of Philip IV of Spain and of the women who most influenced his life. Among them was his first wife, Isabel of Bourbon, the beautiful child bride who became his wife and respected Regent; his 'true love' Inés Calderón, the charming young actress, who gave him his best-loved son; and Sor MarÃa, the Abbess, gifted with mystical powers, of a remote provincial convent, whose correspondence with the King, comprising more than 600 letters and covering a period of more than twenty years, remains a record of one of the most remarkable friendships in history.Philip was an arresting and attractive character. He was a patron of the arts and, under his sponsorship, painting and literature attained the degree of supremacy which made his era the Golden Age of Spanish culture. Moreover, he himself was an accomplished draftsman, sonneteer and muscian. His versatility did not end there. He was a superb horseman, a champion at cane tourneys and a sportsman who hunted in every sort of weather. As a lover, he was irresistible. But he lacked the energy to govern his kingdom himself and the will power to overcome the sins of the flesh. His downfall was the sad result of these shortcomings., Fawcett Crest, 1967, 2.5, Tor Books. Hardcover. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, will have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included., Tor Books, 2.5, CreateSpace Independent Publishing Platform. Paperback. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, will have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included., CreateSpace Independent Publishing Platform, 2.5, Paperback. Good., 2.5, Paperback. Very Good., 3, Paperback. Very Good., 3, Tor Books, 2016-10-13. Hardcover. Acceptable. 3.8071 in x 22.5888 in x 16.2437 in. Ex library book, usual markings. Clean copy. Hardback with dust cover., Tor Books, 2016-10-13, 2.5, Paperback. Very Good., 3, Tor Books. Used - Very Good. . . All orders guaranteed and ship within 24 hours. Your purchase supports More Than Words, a nonprofit job training program for youth, empowering youth to take charge of their lives by taking charge of a business., Tor Books, 3, Paperback. Very Good., 3, Paperback. Very Good., 3, Delmar, 1995. Third Edition. Softcover. Very Good Condition. Slight crease to front cover. Pages, text appear very clean and binding is solid. 214 pages. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Women & Feminism; ISBN: 1564142051. ISBN/EAN: 9781564142054. Pictures of this item not already displayed here available upon request. Inventory No: 1561027036. . 9781564142054, Delmar, 1995, 3, Blenheim PalaceWoodstock -- OxfordshireCopyright: His Grace the Duke of Marlborough (1988)Revised 1979, 7th Impression 1990designed by Bernard Crossland Associatesprinted at the Alden Press, OxfordPaperback8 1/4 x 11 3/4 inches, 49 pagesGuidebook with a history of the estateBlenheim Palace is a monumental country house situated in Woodstock, Oxfordshire, England. It is the principal residence of the dukes of Marlborough, and the only non-royal non-episcopal country house in England to hold the title of palace. The palace, one of England's largest houses, was built between 1705 and circa 1722. Blenheim Palace was designated a UNESCO World Heritage Site in 1987.The building of the palace was originally intended to be a reward to John Churchill, 1st Duke of Marlborough, from a grateful nation for the duke's military triumphs against the French and Bavarians during the War of the Spanish Succession, culminating in the 1704 Battle of Blenheim. However, soon after its construction began, the palace was to become the subject of political infighting; this led to Marlborough's exile, the fall from power of his duchess, and lasting damage to the reputation of the architect Sir John Vanbrugh.Designed in the rare, and short-lived, English Baroque style, architectural appreciation of the palace is as divided today as it was in the 1720s. It is unique in its combined usage as a family home, mausoleum and national monument. The palace is also notable as the birthplace and ancestral home of Sir Winston Churchill.Following the palace's completion, it became the home of the Churchill, later Spencer-Churchill, family for the next 300 years, and various members of the family have in that period wrought changes, in the interiors, park and gardens. At the end of the 19th century, the palace was saved from ruin by funds gained from the 9th Duke of Marlborough's marriage to American railroad heiress Consuelo Vanderbilt. The exterior of the palace remains in good repair.The estate given by the nation to Marlborough for the new palace was the manor of Woodstock, sometimes called the Palace of Woodstock, which had been a royal demesne, in reality little more than a deer park. Legend has obscured the manor's origins. King Henry I enclosed the park to contain the deer. Henry II housed his mistress Rosamund Clifford (sometimes known as "Fair Rosamund") there in a "bower and labyrinth"; a spring where she is said to have bathed remains, named after her. It seems the unostentatious hunting lodge was rebuilt many times, and had an uneventful history until Elizabeth I, before her succession, was imprisoned there by her half-sister Mary I between 1554 and 1555. Elizabeth had been implicated in the Wyatt plot, but her imprisonment at Woodstock was short, and the manor remained in obscurity until bombarded and ruined by Oliver Cromwell's troops during the Civil War. When the park was being re-landscaped as a setting for the palace the 1st Duchess wanted the historic ruins demolished, while Vanbrugh, an early conservationist, wanted them restored and made into a landscape feature. The Duchess, as so often in her disputes with her architect, won the day and the remains of the manor were swept away., Alden Press, 1990, 5, Piatkus, 2015-04-28. Paperback. New. 2.5888 cent in x 20.1777 cent in x 12.5888 cent in., Piatkus, 2015-04-28, 6, UsedGood. Cover has some rubbing and edgewear. Access codes, CD's, and other accessories may not be included., 0, The Splendid Century: French Art: 1600 -1715Publisher: The National Gallery of Art, The Toledo Museum of Art, and The Metropolitan Museum of Art 1960Paperback7 x 8.4 inches, unpaginated - approximately 260 pagesThe seventeenth century marked a golden age for French art in all fields. In the early part of the seventeenth century, late mannerist and early Baroque tendencies continued to flourish in the court of Marie de Medici and Louis XIII. Art from this period shows influences from both the north of Europe, namely the Dutch and Flemish schools, and from Roman painters of the Counter-Reformation. Artists in France frequently debated the contrasting merits of Peter Paul Rubens with his Flemish baroque, voluptuous lines and colors to Nicolas Poussin with his rational control, proportion, Roman classicist baroque style. Another proponent of classicism working in Rome was Claude Gellée, known as Le Lorrain, who defined the form of classical landscape.Many young French painters of the beginning of the century went to Rome to train themselves and soon assimilated Caravaggio's influence like Valentin de Boulogne and Simon Vouet. The later is credited with bringing the baroque in France and at his return in Paris in 1627 he was named first painter of the king. But French painting soon departed from the extravagance and naturalism of the Italian baroque and painters like Eustache Le Sueur and Laurent de La Hyre, following Poussin example developed a classicist way known as Parisian Atticism, inspired by Antiquity, and focusing on proportion, harmony and the importance of drawing. Even Vouet, after his return from Italy, changed his manner to a more measured but still highly decorative and elegant style.But at the same time there was still a strong Caravaggisti Baroque school represented in the period by the amazing candle-lit paintings of Georges de La Tour. The wretched and the poor were featured in a quasi-Dutch manner in the paintings by the three Le Nain brothers. In the paintings of Philippe de Champaigne there are both propagandistic portraits of Louis XIII' s minister Cardinal Richelieu and other more contemplative portraits of people in the Catholic Jansenist sect.In architecture, architects like Salomon de Brosse, François Mansart and Jacques Lemercier helped define the French form of the baroque, developing the formula of the urban hôtel particulier that was to influence all of Europe and strongly departed from the Italian equivalent, the palazzo. Many aristocratic castles were rebuilt in the new classic-baroque style, some of the most famous being Maisons and Cheverny, characterized by high roofs "à la française" and a form that retained the medieval model of the castle adorned with prominent towers.From the mid to late seventeenth century, French art is more often referred to by the term "Classicism" which implies an adherence to certain rules of proportion and sobriety uncharacteristic of the Baroque, as it was practiced in most of the rest of Europe during the same period. Under Louis XIV, the Baroque as it was practiced in Italy, was not in French taste, for instance, as Bernini's famous proposal for redesigning the Louvre was rejected by Louis XIV.Through propaganda, wars, and great architectural works, Louis XIV launched a vast program designed for the glorification of France and his name. The Palace of Versailles, initially a tiny hunting lodge built by his father, was transformed by Louis XIV into a marvelous palace for fêtes and parties, under the direction of architects Louis Le Vau (who had also built the château de Vaux-le-Vicomte) and Jules Hardouin Mansart (who built the church of the Invalides in Paris), painter and designer Charles Le Brun, and the landscape architect André Le Nôtre who perfected the rational form of the French garden that from Versailles spread in all of Europe.For sculpture Louis XIV's reign also proved an important moment thanks to the King's protection of artists like Pierre Puget, François Girardon and Antoine Coysevox. In Rome, Pierre Legros, working in a more baroque manner, was one of the most influential sculptors of the end of the century., The National Gallery of Art, The Toledo Museum of Art, and The Metropolitan Museum of Art, 1960, 3, Twelve. Hardcover. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, will have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included., Twelve, 2.5, Lifeway Press. Paperback. POOR. Noticeably used book. Heavy wear to cover. Pages contain marginal notes, underlining, and or highlighting. Possible ex library copy, with all the markings/stickers of that library. Accessories such as CD, codes, toys, and dust jackets may not be included., Lifeway Press, 1, Hardback. Very Good., 3, Hardback. Good., 2.5, Scholastic Press. Hardcover. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, will have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included., Scholastic Press, 2.5, Charles the Second: King of England, Scotland, and Irelandby Ronald Hutton (Author)Publisher: Oxford University Press; First Edition (1989)ISBN-10: 0198229119ISBN-13: 9780198229117Hardcover: 568 pagesItem Weight: 2.13 poundsDimensions: 6.44 x 1.48 x 9.5 inchesRonald Hutton is Britain's foremost historian of the English Restoration. His book The Restoration was hailed as "a real tour de force" by History, a work "to which all historians will have to refer," and immediately established itself as the definitive history of the period. Now, inCharles II, Hutton offers a comprehensive biography of the king who returned to England in triumph after the death of Cromwell, re-establishing the monarchy that continues to reign to this day.Hutton reveals the excitement and tragedy of Charles's youth, as the realm erupted into savage civil war, leading to the execution of his father King Charles I at the hands of the rebellious Parliament. His life turned into a long, desperate struggle to claim his crown, including acatastrophic invasion of Cromwell's England that ended in a lonely flight, as he hid in orchards, ditches, and the famous Boscobel Oak. Yet Charles persevered, and was finally recalled from exile by an exhausted nation in 1660.Charles emerges in this narrative as a "monarch in a masquerade," a charming, duplicitous, and astonishingly lucky king who spent less time governing than he did at play (when he wasn't hunting, racing, or sailing he was with one of a series of mistresses, producing seventeen acknowledgedbastards). Hutton vividly depicts him as a colorful and often underhanded ruler, physically brave in battle, but a moral coward in religion--first he promised to become a Presbyterian for Scottish aid, then later offered to convert to Catholicism for French help, eventually alienating everyone.His reign endured catastrophe and unrest, from the plague and the Great Fire of London, to defeat at the hands of the Dutch, to Protestant hysteria about a Catholic plot to seize the throne, to the disastrous results of his own secret diplomacy. But Charles in his good fortune survived all of it,beautifully rebuilding London after the fire and firmly anchoring a monarchy whose future had once been bleak.Chosen as a main selection of the History Book Club, Charles II presents an unmatched account of the private life and dramatic public career of this fascinating king. This lively and comprehensive biography, written by a major historian of the Restoration period, captures the politics andpersonalities of a mometentous era., Oxford University Press, 1989, 3, Scholastic Press. Hardcover. POOR. Noticeably used book. Heavy wear to cover. Pages contain marginal notes, underlining, and or highlighting. Possible ex library copy, with all the markings/stickers of that library. Accessories such as CD, codes, toys, and dust jackets may not be included., Scholastic Press, 1, UsedVeryGood There are handwriting on the inside front cover. May have been personalized. ., 0, Allen Lane, 2010. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:9781846143618, Allen Lane, 2010, 0, Scholastic Paperbacks. Good+. 1998. Paperback. 0590596802 . 9 oz.; 369 pages; Good++ Unread PB 2 small rips over edge creased corner o/w like new. Melayne and her young brother Sarrow are Talents, hunted by the King's relentless Seekers. If their Talent is discovered, they will be sent to their death. So they must hide...or die. ., Scholastic Paperbacks, 1998, 2.5, Edc Pub (Lib), 1987-06-01. Library Binding. Acceptable. in x in x in. Ex-library hardcover with sticker on spine and back and stamp inside cover., Edc Pub (Lib), 1987-06-01, 2.5, LifeWay, 2004. Wraps have only light wear, spine is unbent. Pages are clean with no markings in text. . Soft Cover. Very Good. 4to - over 9¾" - 12" tall., LifeWay, 2004, 3, Holt, Henry Co. Used - Very Good. . . All orders guaranteed and ship within 24 hours. Your purchase supports More Than Words, a nonprofit job training program for youth, empowering youth to take charge of their lives by taking charge of a business., Holt, Henry Co, 3<
