Reeder Jones, Courtney:Letters from Wupatki
- pocketboek 2019, ISBN: 9780816515073
gebonden uitgave
Mariner Books, 2008. Paperback. Very Good. From the Pulitzer Prize winner and best-selling author of Woman, a playful, passionate guide to the science all around us With the singular i… Meer...
Mariner Books, 2008. Paperback. Very Good. From the Pulitzer Prize winner and best-selling author of Woman, a playful, passionate guide to the science all around us With the singular intelligence and exuberance that made Woman an internatio nal sensation, Natalie Angier takes us on a whirligig tour of the scientifi c canon. She draws on conversations with hundreds of the world's top scient ists and on her own work as a Pulitzer Prize-winning writer for the New Yor k Times to create a thoroughly entertaining guide to scientific literacy. A ngier's gifts are on full display in The Canon, an ebullient celebration of science that stands to become a classic. The Canon is vital reading for anyone who wants to understand the great iss ues of our time -- from stem cells and bird flu to evolution and global war ming. And it's for every parent who has ever panicked when a child asked ho w the earth was formed or what electricity is. Angier's sparkling prose and memorable metaphors bring the science to life, reigniting our own childhoo d delight in discovering how the world works. "Of course you should know ab out science," writes Angier, "for the same reason Dr. Seuss counsels his re aders to sing with a Ying or play Ring the Gack: These things are fun and f un is good." The Canon is a joyride through the major scientific disciplines: physics, chemistry, biology, geology, and astronomy. Along the way, we learn what is actually happening when our ice cream melts or our coffee gets cold, what our liver cells do when we eat a caramel, why the horse is an example of evolution at work, and how we're all really made of stardust. It's Lewis Carroll meets Lewis Thomas -- a book that will enr., Mariner Books, 2008, Irving Berlin's Best for the Wurlitzer Organ, No. 2published by Irving Berlin Music CorporationTen Songs with music & lyricsPaperback12.1 x 9 inches, 23 pagesIrving Berlin (born Israel Beilin May 23 1888 September 22, 1989) was an American composer and lyricist, widely considered one of the greatest songwriters in American history. His music forms a great part of the Great American Songbook. Born in Imperial Russia, Berlin arrived in the United States at the age of five. He published his first song, "Marie from Sunny Italy", in 1907, receiving 33 cents for the publishing rights, and had his first major international hit, "Alexander's Ragtime Band" in 1911. He also was an owner of the Music Box Theatre on Broadway. It is commonly believed that Berlin could not read sheet music, and was such a limited piano player that he could only play in the key of F-sharp unless using his custom piano equipped with a transposing lever."Alexander's Ragtime Band" sparked an international dance craze in places as far away as Berlin's native Russia, which also "flung itself into the ragtime beat with an abandon bordering on mania." Over the years he was known for writing music and lyrics in the American vernacular: uncomplicated, simple and direct, with his stated aim being to "reach the heart of the average American," whom he saw as the "real soul of the country." In doing so, said Walter Cronkite, at Berlin's 100th birthday tribute, he "helped write the story of this country, capturing the best of who we are and the dreams that shape our lives."He wrote hundreds of songs, many becoming major hits, which made him famous before he turned thirty. During his 60-year career he wrote an estimated 1,500 songs, including the scores for 20 original Broadway shows and 15 original Hollywood films, with his songs nominated eight times for Academy Awards. Many songs became popular themes and anthems, including "Alexander's Ragtime Band", "Easter Parade", "Puttin' on the Ritz", "Cheek to Cheek", "White Christmas", "Happy Holiday", "Anything You Can Do (I Can Do Better)", and "There's No Business Like Show Business". His Broadway musical and 1943 film This is the Army, with Ronald Reagan, had Kate Smith singing Berlin's "God Bless America" which was first performed in 1938.Berlin's songs have reached the top of the charts 25 times and have been extensively re-recorded by numerous singers including The Andrews Sisters, Eddie Fisher, Al Jolson, Fred Astaire, Ethel Merman, Louis Armstrong, Frank Sinatra, Dean Martin, Elvis Presley, Judy Garland, Barbra Streisand, Linda Ronstadt, Rosemary Clooney, Cher, Diana Ross, Bing Crosby, Sarah Vaughan, Ruth Etting, Fanny Brice, Marilyn Miller, Rudy Valee, Nat King Cole, Billie Holiday, Doris Day, Jerry Garcia, Willie Nelson, Bob Dylan, Leonard Cohen, Ella Fitzgerald, Michael Buble, Lady Gaga, and Christina Aguilera.Composer Douglas Moore sets Berlin apart from all other contemporary songwriters, and includes him instead with Stephen Foster, Walt Whitman, and Carl Sandburg, as a "great American minstrel"someone who has "caught and immortalized in his songs what we say, what we think about, and what we believe." Composer George Gershwin called him "the greatest songwriter that has ever lived", and composer Jerome Kern concluded that "Irving Berlin has no place in American musiche is American music."The New York Times, after his death in 1989, wrote, "Irving Berlin set the tone and the tempo for the tunes America played and sang and danced to for much of the 20th century." An immigrant from Russia, his life became the "classic rags-to-riches story that he never forgot could have happened only in America." During his career he wrote an estimated 1,500 songs and was a legend by the time he turned 30. He went on to write the scores for 20 original Broadway shows and 15 original Hollywood films, with his songs nominated for Academy Awards on eight occasions. Music historian Susannah McCorkle writes that "in scope, quantity, and quality his work was amazing." Others, such as Broadway musician Anne Phillips, says simply that "the man is an American institution."During his six-decade career, from 1907 to 1966, he produced sheet music, Broadway shows, recordings, and scores played on radio, in films and on television, and his tunes continue to evoke powerful emotions for millions around the world. He wrote songs like "Alexander's Ragtime Band," "Cheek to Cheek", "There's No Business Like Show Business", "Blue Skies" and "Puttin' On the Ritz." Some of his songs have become holiday anthems, such as "Easter Parade", "White Christmas" and "Happy Holiday". "White Christmas" alone sold over 50 million records, the top single selling song in recording history, won an ASCAP and an Academy Award, and is one of the most frequently played songs ever written.In 1938, "God Bless America" became the unofficial national anthem of the United States, and on September 11, 2001, members of the House of Representatives stood on the steps of the Capitol and solemnly sang "God Bless America" together. The song returned to no. 1 shortly after 9/11, when Celine Dion recorded it as the title track of a 9/11 benefit album. The following year, the Postal Service issued a commemorative stamp of Berlin. By then, the Boy Scouts and Girl Scouts of New York had received more than $10 million in royalties from "God Bless America" as a result of Berlin's donation of royalties. According to music historian Gary Giddins, "No other songwriter has written as many anthems.... No one else has written as many pop songs, period... His gift for economy, directness, and slang, presents Berlin as an obsessive, often despairing commentator on the passing scene."In 1934, Time put him on its cover and inside hailed "this itinerant son of a Russian cantor" as "an American institution." And again, in 1943, the same magazine described his songs as follows:They possess a permanence not generally associated with Tin Pan Alley products and it is more than remotely possible that in days to come Berlin will be looked upon as the Stephen Foster of the 20th century.At various times, his songs were also rallying cries for different causes: He produced musical editorials supporting Al Smith and Dwight Eisenhower as presidential candidates, he wrote songs opposing Prohibition, defending the gold standard, calming the wounds of the Great Depression, and helping the war against Hitler, and in 1950 he wrote an anthem for the state of Israel. Biographer David Leopold adds that "We all know his songs... they are all part of who we are."At his 100th-birthday celebration in May 1988, violinist Isaac Stern said, "The career of Irving Berlin and American music were intertwined foreverAmerican music was born at his piano," while songwriter Sammy Cahn pointed out: "If a man, in a lifetime of 50 years, can point to six songs that are immediately identifiable, he has achieved something. Irving Berlin can sing 60 that are immediately identifiable... You couldn't have a holiday without his permission." Composer Douglas Moore added:It's a rare gift which sets Irving Berlin apart from all other contemporary songwriters. It is a gift which qualifies him, along with Stephen Foster, Walt Whitman, Vachel Lindsay and Carl Sandburg, as a great American minstrel. He has caught and immortalized in his songs what we say, what we think about, and what we believe.ASCAP's records show that 25 of Berlin's songs reached the top of the charts and were re-recorded by dozens of famous singers over the years, such as Eddie Fisher, Al Jolson, Bing Crosby, Frank Sinatra, Barbra Streisand, Linda Ronstadt, Rosemary Clooney, Doris Day, Diana Ross, Nat King Cole and Ella Fitzgerald. In 1924, when Berlin was 36, his biography, The Story of Irving Berlin, was being written by Alexander Woollcott. In a letter to Woollcott, Jerome Kern offered what one writer said "may be the last word" on the significance of Irving Berlin:Irving Berlin has no place in American musiche is American music. Emotionally, he honestly absorbs the vibrations emanating from the people, manners and life of his time and, in turn, gives these impressions back to the worldsimplified, clarified and glorified.Composer George Gershwin (18981937) also tried to describe the importance of Berlin's compositions:I want to say at once that I frankly believe that Irving Berlin is the greatest songwriter that has ever lived.... His songs are exquisite cameos of perfection, and each one of them is as beautiful as its neighbor. Irving Berlin remains, I think, America's Schubert. But apart from his genuine talent for song-writing, Irving Berlin has had a greater influence upon American music than any other one man. It was Irving Berlin who was the very first to have created a real, inherent American music.... Irving Berlin was the first to free the American song from the nauseating sentimentality which had previously characterized it, and by introducing and perfecting ragtime he had actually given us the first germ of an American musical idiom; he had sown the first seeds of an American music., Irving Berlin Music Corporation, 1955, Random House, 2000. Hardcover. Very Good/Very Good. Ted Conover, the intrepid author of Coyotes, about the world of illegal Mex ican immigrants, spent a year as a prison guard at Sing Sing. Newjack, his account of that experience, is a milestone in American journalism: a book t hat casts new and unexpected light on this nation's prison crisis and sets a new standard for courageous, in-depth reporting. At the infamous Sing Sing, once a model prison but now New York State's mos t troubled maximum-security facility, Conover goes to work as a gallery off icer, working shifts in which he alone must supervise scores of violent inn er-city felons. He soon learns the impossibility of doing his job by the bo ok. What should he do when he feels the hair-raising tingle that tells him a fight is about to break out? When he loses a key in a tussle? When a pris oner punches him in the head? Little by little, he learns to walk the fine line between leniency and tyranny that distinguishes a good guard. Along the way, we meet a cast of characters that includes a tough but appea ling supervisor named Mama Cradle; a range of mentally ill prisoners, or "b ugs"; some of the jail's more flamboyant transvestites; and a philosophical , charismatic inmate who points out to Conover that the United States is bu ilding new prisons for future felons who are now only four and five years o ld. Conover also gives us a history of Sing Sing (it was built by inmates, and for decades was the nation's capital of capital punishment) in a chapte r that serves as a brilliant short course in America's penal system. With empathy and insight, Newjack tells the story of a harsh, hidden world and dramatizes the conflict betwee., Random House, 2000, 2019. Paperback. New. Lang: - French, Pages 18. Reprinted in 2019 with the help of original edition published long back [1813]. This book is Printed in black & white, sewing binding for longer life with Matt laminated multi-Colour Soft Cover {HARDCOVER EDITION IS ALSO AVAILABLE}, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. (Any type of Customisation is possible with extra charges). Hope you will like it and give your comments and suggestions., 2019, 2019. Paperback. New. Lang: - eng, Pages 20. Reprinted in 2019 with the help of original edition published long back [1916]. This book is Printed in black & white, sewing binding for longer life with Matt laminated multi-Colour Soft Cover {HARDCOVER EDITION IS ALSO AVAILABLE}, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. (Any type of Customisation is possible with extra charges). Hope you will like it and give your comments and suggestions., 2019, This book is in very good condition with minimal wear to pages as well as cover. When David and Courtney Reeder Jones moved into two rooms reached by ladder in a northern Arizona Indian ruin, they had been married only two weeks. Except for the ruin's cement floors, which were originally hardened mud, and skylights instead of smokeholes, the rooms were exactly as they had been 800 years before.The year was 1938, and the newlyweds had come to Wupatki National Monument as full-time National Park Service caretakers for the ruin. Remote in time and place, their story as described in Courtney's letters will take readers into a dramatic landscape of red rocks, purple volcanoes, and endless blue sky. Here, some 60 years ago, two young people came to terms with their new life together and with their nearly total reliance upon each other and their Navajo neighbors."They helped us in any way that a neighbor would, and we helped them as we could," wrote Courtney in her memoirs years later. Vivid and engaging, her letters home spill over with descriptions of their friendship with local Navajo families, their sings and celebrations, and her good luck in being able to be a part of it all.Letters from Wupatki captures a more innocent era in southwestern archaeology and the history of the National Park Service before the post-war years brought paved roads, expanded park facilities, and ever-increasing crowds of visitors. Courtney's letters to her family and friends reflect all the charm of the earlier time as they convey the sense of rapid transition that came after the war.Tracking those changes in the development of Wupatki National Monument and the National Park Service, the letters also--and perhaps more important--reveal changes in the Joneses themselves. Of particular interest to anthropologists and historians, their story also gives the general reader captivating glimpses of a partnership between two people who only grew stronger for the struggles they shared together., University of Arizona Press, 1995<
