1998, ISBN: 0816627738

[EAN: 9780816627738], Gebraucht, sehr guter Zustand, [SC: 4.09], [PU: University of Minnesota Press, United States, Minnesota], AMELIA JONES BODY ART PERFORMING THE SUBJECT, The 1990s hav… Meer...

[EAN: 9780816627738], Gebraucht, sehr guter Zustand, [SC: 4.09], [PU: University of Minnesota Press, United States, Minnesota], AMELIA JONES BODY ART PERFORMING THE SUBJECT, The 1990s have seen an explosion of interest in body art, in which the artist's body is integral to the work of art. With the revoking of NEA funding for such artists as Karen Finley, Tim Miller and others, public awareness and media coverage of body-oriented performances have increased. Yet the roots of body art extend to the 1960s and before. In this book, Amelia Jones explores body art projects from the 1960s and 1970s and relates their impact to the work of body artists active today, providing a conceptual framework for defining postmodernism in the visual arts. Jones begins with a discussion of the shifting intellectual terrain of the 1950s and 1960s, focusing on the work of Ana Mendieta. Moving to an examination of the reception of Jackson Pollock's performative acts of painting, she argues that Pollock is a pivotal figure between modernism and postmodernism. The book continues with explorations of Vito Acconci and Hannah Wilke, whose practices exemplify a new kind of performance that arose in the late 1960s, one that represents a dramatic shift in the conception of the artistic subject. Jones then surveys the work of a younger generation of artists - incuding Laurie Anderson, Orlan, Maureen Connor, Lyle Ashton Harris, Laura Aguilar and Bob Flanagan - whose recent work integrates technology and issues of identity to continue to expand the critique begun in earlier body art projects. Embracing a mix of methodologies and perspectives (including feminism, queer theory, philosophy, psychoanalysis and literary theory), this examination of body art provides historical insight and context that rethinks the parameters of postmodern culture. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged., Books<

1998, ISBN: 0816627738

[EAN: 9780816627738], Gebraucht, sehr guter Zustand, [SC: 4.11], [PU: University of Minnesota Press, United States, Minnesota], AMELIA JONES BODY ART PERFORMING THE SUBJECT, The 1990s hav… Meer...

[EAN: 9780816627738], Gebraucht, sehr guter Zustand, [SC: 4.11], [PU: University of Minnesota Press, United States, Minnesota], AMELIA JONES BODY ART PERFORMING THE SUBJECT, The 1990s have seen an explosion of interest in body art, in which the artist's body is integral to the work of art. With the revoking of NEA funding for such artists as Karen Finley, Tim Miller and others, public awareness and media coverage of body-oriented performances have increased. Yet the roots of body art extend to the 1960s and before. In this book, Amelia Jones explores body art projects from the 1960s and 1970s and relates their impact to the work of body artists active today, providing a conceptual framework for defining postmodernism in the visual arts. Jones begins with a discussion of the shifting intellectual terrain of the 1950s and 1960s, focusing on the work of Ana Mendieta. Moving to an examination of the reception of Jackson Pollock's performative acts of painting, she argues that Pollock is a pivotal figure between modernism and postmodernism. The book continues with explorations of Vito Acconci and Hannah Wilke, whose practices exemplify a new kind of performance that arose in the late 1960s, one that represents a dramatic shift in the conception of the artistic subject. Jones then surveys the work of a younger generation of artists - incuding Laurie Anderson, Orlan, Maureen Connor, Lyle Ashton Harris, Laura Aguilar and Bob Flanagan - whose recent work integrates technology and issues of identity to continue to expand the critique begun in earlier body art projects. Embracing a mix of methodologies and perspectives (including feminism, queer theory, philosophy, psychoanalysis and literary theory), this examination of body art provides historical insight and context that rethinks the parameters of postmodern culture. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged., Books<

1998, ISBN: 0816627738

[EAN: 9780816627738], Gebraucht, guter Zustand, [SC: 4.11], [PU: University of Minnesota Press, United States, Minnesota], AMELIA JONES BODY ART PERFORMING THE SUBJECT, The 1990s have see… Meer...

[EAN: 9780816627738], Gebraucht, guter Zustand, [SC: 4.11], [PU: University of Minnesota Press, United States, Minnesota], AMELIA JONES BODY ART PERFORMING THE SUBJECT, The 1990s have seen an explosion of interest in body art, in which the artist's body is integral to the work of art. With the revoking of NEA funding for such artists as Karen Finley, Tim Miller and others, public awareness and media coverage of body-oriented performances have increased. Yet the roots of body art extend to the 1960s and before. In this book, Amelia Jones explores body art projects from the 1960s and 1970s and relates their impact to the work of body artists active today, providing a conceptual framework for defining postmodernism in the visual arts. Jones begins with a discussion of the shifting intellectual terrain of the 1950s and 1960s, focusing on the work of Ana Mendieta. Moving to an examination of the reception of Jackson Pollock's performative acts of painting, she argues that Pollock is a pivotal figure between modernism and postmodernism. The book continues with explorations of Vito Acconci and Hannah Wilke, whose practices exemplify a new kind of performance that arose in the late 1960s, one that represents a dramatic shift in the conception of the artistic subject. Jones then surveys the work of a younger generation of artists - incuding Laurie Anderson, Orlan, Maureen Connor, Lyle Ashton Harris, Laura Aguilar and Bob Flanagan - whose recent work integrates technology and issues of identity to continue to expand the critique begun in earlier body art projects. Embracing a mix of methodologies and perspectives (including feminism, queer theory, philosophy, psychoanalysis and literary theory), this examination of body art provides historical insight and context that rethinks the parameters of postmodern culture. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine., Books<

1998, ISBN: 0816627738

[EAN: 9780816627738], Gebraucht, sehr guter Zustand, [PU: Univ Of Minnesota Press], Very Good condition. Shows only minor signs of wear, and very minimal markings inside (if any)., Books

1998, ISBN: 9780816627738

Paperback, Very good. Used with light corner wear. No markings in text. Binding is tight., Performing Arts, Modern, Art, [PU: Univ Of Minnesota Press]