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Heidegger on Art and Art Works - J. J. Kockelmans
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Heidegger on Art and Art Works - pocketboek

1985, ISBN: 9024731445

[EAN: 9789024731442], Neubuch, [SC: 0.0], [PU: Springer Netherlands], CONTEMPORARYART; GEORGWILHELMFRIEDRICHHEGEL; IMMANUELKANT; JOHANNWOLFGANGVONGOETHE; KANT; MARTINHEIDEGGER; MIDDLEAGES… Meer...

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J. J. Kockelmans:

Heidegger on Art and Art Works - pocketboek

ISBN: 9789024731442

[ED: Taschenbuch], [PU: Springer Netherlands], Neuware - This book grew from a series of lectures presented in 1983 in the context of the Summer Program in Phenomenology at The Pennsylvan… Meer...

Verzendingskosten:Versandkostenfrei, Versand nach Deutschland. (EUR 0.00) BuchWeltWeit Inh. Ludwig Meier e.K.
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Heidegger on Art and Art Works (Phaenomenologica, 99, Band 99) - Kockelmans, J. J.
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Kockelmans, J. J.:
Heidegger on Art and Art Works (Phaenomenologica, 99, Band 99) - pocketboek

2013

ISBN: 9789024731442

Springer, Taschenbuch, Auflage: Softcover reprint of the original 1st ed. 1985, 264 Seiten, Publiziert: 2013-10-04T00:00:01Z, Produktgruppe: Buch, Hersteller-Nr.: biography, 0.38 kg, Ästh… Meer...

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Kockelmans, J. J.:
Heidegger on Art and Art Works (Phaenomenologica, 99, Band 99) - pocketboek

2013, ISBN: 9789024731442

Springer, Taschenbuch, Auflage: Softcover reprint of the original 1st ed. 1985, 264 Seiten, Publiziert: 2013-10-04T00:00:01Z, Produktgruppe: Buch, Hersteller-Nr.: biography, 0.38 kg, Ästh… Meer...

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Kockelmans, J.J.:
Heidegger on Art and Art Works (Phaenomenologica 99) - gebruikt boek

1985, ISBN: 9789024731442

Martinus Nijhoff, Phaenomenologica 99. VERY GOOD+ condition, would be better but head of spine bumped, which has caused a couple of creases to front and rear wraps in that proximity, othe… Meer...

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Gedetalleerde informatie over het boek. - Heidegger on Art and Art Works (Phaenomenologica, 99, Band 99)


EAN (ISBN-13): 9789024731442
ISBN (ISBN-10): 9024731445
Gebonden uitgave
pocket book
Verschijningsjaar: 1985
Uitgever: Springer

Boek bevindt zich in het datenbestand sinds 2007-10-05T15:43:54+02:00 (Amsterdam)
Detailpagina laatst gewijzigd op 2024-03-14T16:10:36+01:00 (Amsterdam)
ISBN/EAN: 9789024731442

ISBN - alternatieve schrijfwijzen:
90-247-3144-5, 978-90-247-3144-2
alternatieve schrijfwijzen en verwante zoekwoorden:
Auteur van het boek: joseph kockelmans, may joseph, kockel
Titel van het boek: heidegger art and art works, phaenomenologica


Gegevens van de uitgever

Auteur: J.J. Kockelmans
Titel: Phaenomenologica; Heidegger on Art and Art Works
Uitgeverij: Springer; Springer Netherland
249 Bladzijden
Verschijningsjaar: 1985-04-30
Dordrecht; NL
Gewicht: 0,460 kg
Taal: Engels
160,49 € (DE)
164,99 € (AT)
177,00 CHF (CH)
POD
XIV, 249 p.

BC; Phenomenology; Hardcover, Softcover / Philosophie/20., 21. Jahrhundert; Phänomenologie und Existenzphilosophie; Verstehen; Contemporary art; Georg Wilhelm Friedrich Hegel; Immanuel Kant; Johann Wolfgang von Goethe; Kant; Martin Heidegger; Middle Ages; Renaissance; concept; experience; history of literature; phenomenology; romanticism; subject; time; Phenomenology; BB

I. Some Observations on the History of Aesthetics and on the Manner in which Heidegger Has Tried to Retrieve Some of its Essential Moments.- § 1. Introduction. Aesthetics: The Discipline and the Name.- I. The Classical Conceptions of Beauty and Art.- § 2. Plato’s Conception of Beauty and Art.- § 3. From Aristotle to the Middle Ages.- § 4. The Middle Ages and the Renaissance.- a) Medieval Aesthetics. Aquinas.- b) The Renaissance.- II. Modern Aesthetics.- § 5. Baumgarten, Burke, and Herder.- a) Rationalism. Baumgarten.- b) Empiricism. Burke.- c) Romanticism. Herder.- § 6. Kant and Goethe.- III. Hegel.- § 7. Hegel’s Aesthetics. Aesthetics and Art History.- § 8. On Beauty and Art in Hegel.- § 9. The Beauty of Art and its Particular Forms.- IV. The Century after Hegel.- § 10. Richard Wagner.- § 11. Nietzsche’s Concern with Aesthetics.- a) Nietzsche’s Metaphysics. Will-to-Power. The Basic Questions of Philosophy.- b) Five Basic Theses on Art and their Implication.- § 12. Nietzsche on the Essence of Art.- a) On Rapture (Rausch).- b) Rapture and the Form-Creating Force.- c) Art in the Grand Style.- d) On Truth and Art.- § 13. Neo-Kantianism and the Hermeneutic Tradition.- II. Heidegger’s “On the Origin of the Work of Art”.- I. Introductory Reflections. — The Historical Context of the Lectures. — Their Subject Matter and Method.- Art. I. The Historical Context and the Character of the Lectures.- § 14. The Historical Context of the Holzwege Essay on Art.- a) From Being and Time to “The Origin of the Work of Art”.- b) The Epilogue and its Implications.- § 15. How Is Heidegger’s Essay on the Art Work to Be Interpreted?.- Art. II. The Subject Matter and the Method of the Lectures.- § 16. Origin and Coming-to-Presence. Hermeneutic Phenomenology.- a) Origin and Coming-to-Presence. — The Question of Method.- b) Destructive Retrieve.- c) Phenomenology: The Method of Ontology.- 1. Phenomenon.- 2. Apophantic Logos and Truth.- 3. The Preliminary Conception of Phenomenology.- d) Hermeneutic Phenomenology.- § 17. The Hermeneutic Circle.- a) From Work to Art and from Art to Work. The Circle.- b) Understanding, Interpretation, and the Hermeneutic “As”.- c) The Hermeneutic Circle in Being and Time.- d) The Circle in Hegel and Heidegger.- II. The Thing and The Work.- Art. I. The Ontological Question Concerning the Thing-Being of the Thing.- § 18. The Art Work Does Have a Thingly Character.- a) Art Works Are Things.- b) Traditional Interpretations of the Thing-Being of the Thing.- § 19. Toward the Genuine Origin of the Hylemorphic Structure. — Retrospect.- a) Equipment between Thing and Work.- b) Retrospect on the Critical Reflections on the Three Thing-Conceptions.- Art. II. From Equipment to Work of Art.- § 20. Elucidation of the Equipment-Being of Equipment by Means of a Work of Art.- a) A Pair of Farmer’s Shoes as an Example of a Piece of Equipment.- b) The Illumination of the Equipment-Being of Equipment with the Help of an Immediate Experience with a Work of Art: van Gogh, Schapiro, Derrida.- § 21. The Truth Establishes Itself in the Work.- a) Reliability and the Hylemorphic Structure.- b) The First Characterization of the Work-Being of the Work: In It the Truth Establishes Itself. On the Essence of Art and the Artistically Beautiful.- c) Summary and Prospect.- III. Art Work and Truth.- Art. I. Some Essential Characteristics of Art Works.- § 22. How to Unfold the Essential Characteristics of Works of Art?.- a) The Art Work Stands on Its Own (Eigenständigkeit).- b) The Coming-to-Pass of the Truth of Beings in a Greek Temple.- § 23. The Setting-Up and the Opening-Up of a World.- § 24. The Second Characteristic of the Work-Being of the Work. — The Unity of the Two Essential Characteristics.- a) The Making-Present of the Earth.- b) The Intimacy of the Battle between World and Earth.- Art. II. The Coming-to-Pass of the Truth in the Work of Art.- § 25. Heidegger’s Conception of the Essence of Truth.- § 26. Truth as Correspondence and Truth as Non-Concealment. Truth and Work.- a) Truth as Non-Concealment.- b) The Strife between Truth and Untruth and the Battle between World and Earth. The Beautiful versus the True.- c) From Work and Truth to Truth and Art.- IV. Truth and Art.- Art. I. Artistic Production. The Work as Having-Been-Produced.- § 27. Artistic Production and the Clearing of the Openness in the Work.- a) Toward the Essence of Artistic Production.- b) The Establishment of the Clearing of the Openness of the Truth in the Work.- § 28. The Coming-toPass of the Truth Is Fixed as Gestalt. Having-Been-Produced.- a) The Coming-to-Pass of Non-Concealment Becomes Fixed as Gestalt.- b) Having-Been-Produced Is an Integral Aspect of the Work of Art.- Art. II. The Art Work Is to Be Kept in the Truth.- § 29. Art Works Are to Be Preserved.- a) Preservation as the Standing within the Coming-to-Pass of the Truth.- b) Preservation and Experiencing Works of Art.- § 30. Once More the Thingly Character of the Work.- a) From the Thingly Character to the Earthy Character of the Work.- b) Why Does the Thing Belong to the Earth?.- V. On the Essence of Art. Its Coming-to-Presence and Its Abidance.- § 31. Toward the Essence of Art.- a) Art as the Origin of the Work, the Artist, and the Preserver.- b) Poetizing Is the Essence of Art.- c) The Essence of Art, Language, and Truth.- § 32. On the Coming-to-Presence of Poetizing.- a) Poetizing as the Originating, Founding, and Granting Institution of the Truth.- b) Art as Original Leap (Ur-Sprung).- § 33. On Thinking and Poetizing.- § 34. The Relevance of these Reflections for Contemporary Art.- Conclusion: Heidegger on Art.- Notes.

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