2007, ISBN: 9789042023055

This volume on avant-garde film has emerged as part of a wider reassessment of 20th century avant-garde art, literature and film carried out in the framework of a research project at the … Meer...

This volume on avant-garde film has emerged as part of a wider reassessment of 20th century avant-garde art, literature and film carried out in the framework of a research project at the University of Edinburgh. It paves the way for a fresh assessment of avant-garde film and develops its theory as an integral part of a newly defined conception of the avant-garde as a whole, by closing the gap between theoretical approaches towards the avant-garde as defined on the basis of art and literature on the one hand and avant-garde cinema on the other. It gathers contributions by the most esteemed scholars in the field of avant-garde studies relating to the 'classical' avant-garde cinema of the 1920s, to new trends emerging in the 1950s and 1960s and to the impact that innovative technologies have recently had on the further development of avant-garde and experimental film. The contributions reflect the broad range of different moving-image media that make up what we refer to today simply as 'film', at the same time as reconsidering the applicability of the label 'avant-garde', to offer a comprehensive and updated framework that will prove invaluable to scholars of both Moving Image Studies and Art History disciplines. Buch (fremdspr.) Brill Academic Publishers gebundene Ausgabe, Brill Academic Publishers, 01.01.2007, Brill Academic Publishers, 2007<

2007, ISBN: 9789042023055

This volume on avant-garde film has emerged as part of a wider reassessment of 20th century avant-garde art, literature and film carried out in the framework of a research project at the … Meer...

This volume on avant-garde film has emerged as part of a wider reassessment of 20th century avant-garde art, literature and film carried out in the framework of a research project at the University of Edinburgh. It paves the way for a fresh assessment of avant-garde film and develops its theory as an integral part of a newly defined conception of the avant-garde as a whole, by closing the gap between theoretical approaches towards the avant-garde as defined on the basis of art and literature on the one hand and avant-garde cinema on the other. It gathers contributions by the most esteemed scholars in the field of avant-garde studies relating to the 'classical' avant-garde cinema of the 1920s, to new trends emerging in the 1950s and 1960s and to the impact that innovative technologies have recently had on the further development of avant-garde and experimental film. The contributions reflect the broad range of different moving-image media that make up what we refer to today simply as 'film', at the same time as reconsidering the applicability of the label 'avant-garde', to offer a comprehensive and updated framework that will prove invaluable to scholars of both Moving Image Studies and Art History disciplines. Buch (fremdspr.) Brill Academic Publishers gebundene Ausgabe, Brill Academic Publishers, 01.01.2007, Brill Academic Publishers, 2007<

2007, ISBN: 9789042023055

Editions Rodopi BV. Gebundene Ausgabe, 405 Seiten, Publiziert: 2007-11-30T00:00:01Z, Produktgruppe: Book, Hersteller-Nr.: 1, black & white illustrations, 1.7 kg, Verkaufsrang: 7961997, So… Meer...

Editions Rodopi BV. Gebundene Ausgabe, 405 Seiten, Publiziert: 2007-11-30T00:00:01Z, Produktgruppe: Book, Hersteller-Nr.: 1, black & white illustrations, 1.7 kg, Verkaufsrang: 7961997, Sozialwissenschaft, Kategorien, Bücher, Bühne, Film, Kunst & Kultur, Ausrüstung, Techniken & Referenz, Fotografie, Film- & Videokunst, Kunst & Fotografie, Genres, Fremdsprachige Bücher, Filme, Unterhaltung & Kultur, Sozialwissenschaften, Sachbücher, Editions Rodopi BV., 2007<