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Illusions of Reality: Naturalist Painting, Photography and Cinema, 1875-1918, - Gabriel P. Weisberg, Edwin Becker, Maartje de Haan, David Jackson, Willa Silvermanand and Jean-François Rauzier;
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Gabriel P. Weisberg, Edwin Becker, Maartje de Haan, David Jackson, Willa Silvermanand and Jean-François Rauzier;:
Illusions of Reality: Naturalist Painting, Photography and Cinema, 1875-1918, - gebonden uitgave, pocketboek

2010, ISBN: 9789061539414

ID: 3760182780

[SC: 6.85], [PU: Brussels Fonds Mercator 2010], ART GABRIEL P. WEISBERG, EDWIN BECKER, MAARTJE DE HAAN, DAVID JACKSON, WILLA SILVERMANAND EN JEAN-FRANÇOIS RAUZIER ILLUSIONS OF REALITY: NATURALIST PAINTING, PHOTOGRAPHY AND CINEMA, 1875-1918 FONDS MERCATOR 978 90 6153 941 4, Jacket, Hardcover with dust-jacket, 25,1 x 30,1 cm, 224pp., 226 colour illustrations, of which 90 full pages. ISBN 9789061539414. Capturing realistic images on canvas has been a staple of western art since the renaissance development of scientific perspective. At the end of the nineteenth century, however, artists attempted not only to paint realistically, but also to create images that reflected the reality of the world around them. Naturalist painters portrayed life as they observed it, utilizing their academic artistic training to illustrate the existence of everyday people. Illusions of Reality: Naturalist Painting, Photography and Cinema, 1875-1918, published in association with an eponymous exhibition developed by the Van Gogh Museum in Amsterdam, traces the relationship between several art forms that utilize the Naturalist aesthetic. Painting, literature, theatre, photography and film, and the important relationship between these art forms, are examined within the context of Naturalism as a vehicle for understanding the lives of ordinary people at a time of great social, economic and cultural transformation. The cultural and technological threads that wove these diverse art forms together emerged earlier in the nineteenth century with the development of photography. In the 1840, painters began to experiment with the use of the camera as a tool for composition, and by the 1870s, Naturalists novelists, such as Emile Zola, recognized that the camera could supplement their written notes in documenting scenes from daily life. Likewise, the theatre became more receptive to producing plays about social and cultural concerns, broadening the repertoire to include dramas based on contemporary issues. The advent of film in the late nineteenth century added yet another dimension to the Naturalist aesthetic, basing this new art form on the models provided by large-scale narrative painting, Naturalist photography, and contemporary, socially conscious theatre productions. In a series of essays, the authors of Illusions of Reality: Naturalist Painting, Photography and Cinema, 1875-1918 explore the international scope of Naturalism through a number of interwoven themes. The livres of ordinary people are at the heart of Naturalist art in any medium, and so the themes of these works reflect the common concerns shared by urban an rural populations in both Europe and North America. The social ills created by industrialization are frequent themes, as are the social responses to these problems in the form of public education and newly energized religious faith. Likewise, the transformation brought about by industrialization led many artists to focus on the loss of traditional agrarian culture as well as the political upheaval caused by working conditions in the factories. In short, Illusions of Reality: Naturalist Painting, Photography and Cinema, 1875-1918 offers a fresh interpretation of how Naturalist artists, and the aesthetic the espoused, attempted to understand and explain the rapid and profound changes of their own time. Accompanies the exhibitions in the Van Gogh Museum Amsterdam, 8 October 2010 - 16 January 2011, and in the Ateneum Art Museum, Helsinki, February - June 2011. 0 g.

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Illusions of Reality: Naturalist Painting, Photography and Cinema, 1875-1918, - Gabriel P. Weisberg, Edwin Becker, Maartje de Haan, David Jackson, Willa Silvermanand and Jean-François Rauzier;
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Gabriel P. Weisberg, Edwin Becker, Maartje de Haan, David Jackson, Willa Silvermanand and Jean-François Rauzier;:
Illusions of Reality: Naturalist Painting, Photography and Cinema, 1875-1918, - gebonden uitgave, pocketboek

2010, ISBN: 9789061539414

ID: 507920543

Brussels Fonds Mercator 2010. Hardcover with dust-jacket, 25,1 x 30,1 cm, 224pp., 226 colour illustrations, of which 90 full pages. ISBN 9789061539414. Capturing realistic images on canvas has been a staple of western art since the renaissance development of scientific perspective. At the end of the nineteenth century, however, artists attempted not only to paint realistically, but also to create images that reflected the reality of the world around them. Naturalist painters portrayed life as they observed it, utilizing their academic artistic training to illustrate the existence of everyday people. Illusions of Reality: Naturalist Painting, Photography and Cinema, 1875-1918, published in association with an eponymous exhibition developed by the Van Gogh Museum in Amsterdam, traces the relationship between several art forms that utilize the Naturalist aesthetic. Painting, literature, theatre, photography and film, and the important relationship between these art forms, are examined within the context of Naturalism as a vehicle for understanding the lives of ordinary people at a time of great social, economic and cultural transformation. The cultural and technological threads that wove these diverse art forms together emerged earlier in the nineteenth century with the development of photography. In the 1840, painters began to experiment with the use of the camera as a tool for composition, and by the 1870s, Naturalists novelists, such as Emile Zola, recognized that the camera could supplement their written notes in documenting scenes from daily life. Likewise, the theatre became more receptive to producing plays about social and cultural concerns, broadening the repertoire to include dramas based on contemporary issues. The advent of film in the late nineteenth century added yet another dimension to the Naturalist aesthetic, basing this new art form on the models provided by large-scale narrative painting, Naturalist photography, and contemporary, socially conscious theatre productions. In a series of essays, the authors of Illusions of Reality: Naturalist Painting, Photography and Cinema, 1875-1918 explore the international scope of Naturalism through a number of interwoven themes. The livres of ordinary people are at the heart of Naturalist art in any medium, and so the themes of these works reflect the common concerns shared by urban an rural populations in both Europe and North America. The social ills created by industrialization are frequent themes, as are the social responses to these problems in the form of public education and newly energized religious faith. Likewise, the transformation brought about by industrialization led many artists to focus on the loss of traditional agrarian culture as well as the political upheaval caused by working conditions in the factories. In short, Illusions of Reality: Naturalist Painting, Photography and Cinema, 1875-1918 offers a fresh interpretation of how Naturalist artists, and the aesthetic the espoused, attempted to understand and explain the rapid and profound changes of their own time. Accompanies the exhibitions in the Van Gogh Museum Amsterdam, 8 October 2010 - 16 January 2011, and in the Ateneum Art Museum, Helsinki, February - June 2011., Brussels Fonds Mercator 2010

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Illusions of Reality: Naturalist Painting, Photography, Theatre and Cinema, 1875-1918
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ISBN: 9789061539414

ID: 978906153941

Capturing realistic images on canvas has been a staple aspiration of western art since the Renaissance development of scientific perspective. At the end of the nineteenth century, however, animated by the invention of photography and cinema, artists began attempting not only to paint realistically but also to create images that projected the ethical content of the world around them. Illusions of Reality: Naturalist Painting, Photography and Cinema, 1875-1918 traces the development of Naturalism within painting, literature, theater, photography and film, and the relationship among these art forms, paying attention to the way painters such as Jules Adler, Thomas Anshutz, Jules Bastien-Lepage, Emile Claus, Thomas Eakins, Christian Krohg, Gari Melchers, Jules-Alexis Muenier, Fernand Pelez, Jean-André Rixens and Anders Zorn, filmmakers such as André Antoine, Albert Capellani and Léon Lhermitte and photographers such as Peter Henry Emerson, used Naturalism as a vehicle for understanding the lives of ordinary people at a time of great social transformation. Practitioners of Naturalism frequently concerned themselves with the social ills created by industrialization, as well as the social responses to these problems in both public education and religion. Likewise, the transformation brought about by industrialization led many artists to focus on the loss of traditional agrarian culture as well as the political upheaval caused by working conditions in the factories. Technological advances in art, from the development of photography in the first half of the nineteenth century to the emergence of film toward the end of the century, contributed to the interaction among art forms and the attention toward social conditions. Edited by Gabriel P. Weisberg, Professor of Art History at the University of Minnesota, with essays by Weisberg, David Jackson, Willa Silverman and Maartje de Haan, Illusions of Reality offers a fresh interpretation of how Naturalist artists, and the aesthetic they espoused, attempted to understand and explain the rapid and profound changes of their time. Books, Illusions of Reality: Naturalist Painting, Photography, Theatre and Cinema, 1875-1918 Books, Mercatorfonds/Van Gogh Museum

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Illusions of Reality - Becker, Edwin; Jackson, David; Silverman, Willa; Weisberg, Gabriel; de Haan, Maartje
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Becker, Edwin; Jackson, David; Silverman, Willa; Weisberg, Gabriel; de Haan, Maartje:
Illusions of Reality - gebruikt boek

ISBN: 9061539412

ID: 11170464

Capturing realistic images on canvas has been a staple aspiration of western art since the Renaissance development of scientific perspective. At the end of the nineteenth century, however, animated by the invention of photography and cinema, artists began attempting not only to paint realistically but also to create images that projected the ethical content of the world around them. Illusions of Reality: Naturalist Painting, Photography and Cinema, 1875-1918 traces the development of Naturalism within painting, literature, theater, photography and film, and the relationship among these art forms, paying attention to the way painters such as Jules Adler, Thomas Anshutz, Jules Bastien-Lepage, Emile Claus, Thomas Eakins, Christian Krohg, Gari Melchers, Jules-Alexis Muenier, Fernand Pelez, Jean-Andre Rixens and Anders Zorn, filmmakers such as Andre Antoine, Albert Capellani and Leon Lhermitte and photographers such as Peter Henry Emerson, used Naturalism as a vehicle for understanding the lives of ordinary people at a time of great social transformation. Practitioners of Naturalism frequently concerned themselves with the social ills created by industrialization, as well as the social responses to these problems in both public education and religion. Likewise, the transformation brought about by industrialization led many artists to focus on the loss of traditional agrarian culture as well as the political upheaval caused by working conditions in the factories. Technological adva art,arts music and photography Arts, Music & Photography, Mercatorfonds N. V.

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Illusions of Reality: Naturalist Painting, Photography, Theatre and Cinema, 1875-1918 - Gabriel P. Weisberg
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Gabriel P. Weisberg:
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ISBN: 9789061539414

ID: 120037847_us

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Illusions of Reality: Naturalist Painting, Photography, Theatre and Cinema, 1875-1918

Capturing realistic images on canvas has been a staple aspiration of western art since the Renaissance development of scientific perspective. At the end of the nineteenth century, however, animated by the invention of photography and cinema, artists began attempting not only to paint realistically but also to create images that projected the ethical content of the world around them. Illusions of Reality: Naturalist Painting, Photography and Cinema, 1875-1918 traces the development of Naturalism within painting, literature, theater, photography and film, and the relationship among these art forms, paying attention to the way painters such as Jules Adler, Thomas Anshutz, Jules Bastien-Lepage, Emile Claus, Thomas Eakins, Christian Krohg, Gari Melchers, Jules-Alexis Muenier, Fernand Pelez, Jean-André Rixens and Anders Zorn, filmmakers such as André Antoine, Albert Capellani and Léon Lhermitte and photographers such as Peter Henry Emerson, used Naturalism as a vehicle for understanding the lives of ordinary people at a time of great social transformation. Practitioners of Naturalism frequently concerned themselves with the social ills created by industrialization, as well as the social responses to these problems in both public education and religion. Likewise, the transformation brought about by industrialization led many artists to focus on the loss of traditional agrarian culture as well as the political upheaval caused by working conditions in the factories. Technological advances in art, from the development of photography in the first half of the nineteenth century to the emergence of film toward the end of the century, contributed to the interaction among art forms and the attention toward social conditions. Edited by Gabriel P. Weisberg, Professor of Art History at the University of Minnesota, with essays by Weisberg, David Jackson, Willa Silverman and Maartje de Haan, Illusions of Reality offers a fresh interpretation of how Naturalist artists, and the aesthetic they espoused, attempted to understand and explain the rapid and profound changes of their time.

Gedetalleerde informatie over het boek. - Illusions of Reality: Naturalist Painting, Photography, Theatre and Cinema, 1875-1918


EAN (ISBN-13): 9789061539414
ISBN (ISBN-10): 9061539412
Gebonden uitgave
pocket book
Verschijningsjaar: 2011
Uitgever: EXHIBITIONS INTL
223 Bladzijden
Gewicht: 1,683 kg
Taal: eng/Englisch

Boek bevindt zich in het datenbestand sinds 16.02.2011 02:23:27
Boek voor het laatst gevonden op 13.08.2018 21:43:11
ISBN/EAN: 9789061539414

ISBN - alternatieve schrijfwijzen:
90-6153-941-2, 978-90-6153-941-4


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