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Orchestration of the Arts - A Creative Symbiosis of Existential Powers - nieuw boek

2013, ISBN: 9789401734110

The Vibrating Interplay of Sound, Color, Image, Gesture, Movement, Rhythm, Fragrance, Word, Touch, eBooks, eBook Download (PDF), [PU: Springer Netherlands], Springer Netherlands, 2013

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Gedetalleerde informatie over het boek. - The Orchestration of the Arts - A Creative Symbiosis of Existential Powers


EAN (ISBN-13): 9789401734110
Verschijningsjaar: 3
Uitgever: Springer Netherlands

Boek bevindt zich in het datenbestand sinds 2015-06-22T18:45:16+02:00 (Amsterdam)
Detailpagina laatst gewijzigd op 2024-02-20T03:35:58+01:00 (Amsterdam)
ISBN/EAN: 9789401734110

ISBN - alternatieve schrijfwijzen:
978-94-017-3411-0
alternatieve schrijfwijzen en verwante zoekwoorden:
Titel van het boek: orchestration, the art power, got the rhythm, creative, symbiosis, husserliana, powers


Gegevens van de uitgever

Auteur: M. Kronegger
Titel: Analecta Husserliana; The Orchestration of the Arts — A Creative Symbiosis of Existential Powers - The Yearbook of Phenomenological Research; The Vibrating Interplay of Sound, Color, Image, Gesture, Movement, Rhythm, Fragrance, Word, Touch
Uitgeverij: Springer; Springer Netherland
476 Bladzijden
Verschijningsjaar: 2013-03-09
Dordrecht; NL
Taal: Engels
213,99 € (DE)
220,00 € (AT)
236,00 CHF (CH)
Available
XIV, 476 p.

EA; E107; eBook; Nonbooks, PBS / Philosophie/20., 21. Jahrhundert; Phänomenologie und Existenzphilosophie; Verstehen; Roman Ingarden; Vienna; apocalypse; color; composition; design; drama; etching; history of literature; human culture; interpret; knowledge; media; nature; present; C; Phenomenology; Aesthetics; Comparative Literature; Philosophy; Philosophy of Mind; Religion and Philosophy; Philosophie Ästhetik; Vergleichende Literaturwissenschaft; Philosophie; Philosophie des Geistes; BC

Section One Music, Literature, History, Architecture, Staging, Painting, Decoration: Within a Symphony of the Arts.- Paradox and Metaphor: An Integrity of the Arts.- Aesthetic Symbiosis and Spiritual Quest: Grünewald’s Isenheim Altarpiece in Hindemith’s Opera Mathis der Maler.- The Ambiguity of Baroque Enchantment: Operatic Mise en Abyme.- The Musicalization of Prose: Prolegomena to the Experience of Literature in Musical Form.- Calderón’s Dramatic Technique: The Orchestration of the Arts, From Drama to Opera.- Baroque Splendor: Vierzehnheiligen Church and Bach’s B-Minor Mass.- Section Two Sharing in Creative and Cosmic Synergies.- Orchestration of the Universe: Reflections on Tagore’s Creativity.- The Synergies of Mind and Muse: Reflections on Nineteenth-Century Thought and A Comparative Analysis of Dante Gabriel Rosetti’s Poem and Painting The Blessed Damozel and Claude Debussy’s La Demoiselle Elue.- The Interdependency of Literature, Architecture, Theater and Music as an Expression of Baroque Absolutism at the Hapsburg Court in Vienna.- Literature and Architecture as a Metaphor of “Grandeur” and “Decadence”.- Louis Sullivan: The Life-Enhancing Symbiosis of Music, Language, Architecture, and Ornament.- An Orchestration of the Arts in Wallace Stevens’ “Peter Quince at the Clavier”.- Section Three the Symbiosis and the Interaction of the Arts.- The Harmonic Conceit: Music, Nature and Mind in Wordworth’s Prelude.- Histoire de L’Aveugle: “Matiérisme”’s Critique of Vision.- Images of Water and the Sea in Tristan L’Hermite’s “La Mer” and in Painting.- Section Four Arts Interacting with Our Perception of Nature and Human Life.- Fire and Ice: Le Vrai Magique.- W. E. B. du Bois’ The Souls of Black Folk as an Example of theTragic.- The Blending of Natures and the Perception of the Real.- The Symbiosis and the Interaction of the Arts: Cesário Verde, Poet / Painter.- This is Mine, and I Can Hold It: Edna St. Vincent Millay and her Music.- Section Five The Poetic Inter-Reflection of the Arts.- The Terpsichorean Poem.- A Study in Nostalgia: The Orchestration of Life in Façade. The Edith Sitwell—William Walton Musico-Poetic Collaboration.- Interreflection of Complementary Expressive Means in Combined-Media Art Performances.- The Orchestration of the Arts in Leila Sebbar’s Shérazade, 17 ans, brune, frisée, les yeux verts.- Beauty and the Dialogue of the Arts: Considerations about Gadamer.- Section Six Arts Nurturing Human Culture.- A Look at Modernism from the Keyboard: The Piano in the Parlor and Abstract Art.- Pierre Puvis de Chavannes, Richard Wagner and Émile Bernard: Composition and Meaning in the Late Nineteenth Century.- The Temporal Character of Catherine Schieve’s Slide Opera.- An Unfolding of Theory and Practice: From Ingarden to a Phenomenological Aesthetic for Opera.- Emotion, Metaphor, Music, and Humor.- The Cultural Milieu of Francis Poulenc (1899–1963) and his “Musique de Tous les Jours” (including a brief survey of his works for piano).- Index of Names.

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