The Orchestration of the Arts — A Creative Symbiosis of Existential Powers - nieuw boek

EAN (ISBN-13): 9780792360087
ISBN (ISBN-10): 0792360087
Gebonden uitgave
pocket book
Verschijningsjaar: 2000
Uitgever: M. Kronegger
488 Bladzijden
Gewicht: 0,871 kg
Taal: eng/Englisch

Boek bevindt zich in het datenbestand sinds 2007-05-30T11:23:25+02:00 (Amsterdam)
Detailpagina laatst gewijzigd op 2024-04-23T13:13:33+02:00 (Amsterdam)
ISBN/EAN: 9780792360087

ISBN - alternatieve schrijfwijzen:
0-7923-6008-7, 978-0-7923-6008-7
alternatieve schrijfwijzen en verwante zoekwoorden:
Auteur van het boek: learning international, schölz schölz, roman ingarden, color universal
Titel van het boek: color sound, analecta husserliana, interplay, orchestration, touch the sound, rhythm, arts the, word sound and image, creative, fragrance colour, rhythms and colours, art touch, art and power images, vibrating power, color his own, not his image, gestur, who who arts, the phenomenological movement, symbiosis, powers

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Gegevens van de uitgever

Auteur: M. Kronegger
Titel: Analecta Husserliana; The Orchestration of the Arts — A Creative Symbiosis of Existential Powers - The Vibrating Interplay of Sound, Color, Image, Gesture, Movement, Rhythm, Fragrance, Word, Touch
Uitgeverij: Springer; Springer Netherland
476 Bladzijden
Verschijningsjaar: 2000-06-30
Dordrecht; NL
Taal: Engels
213,99 € (DE)
219,99 € (AT)
236,00 CHF (CH)
Available
XIV, 476 p.

BB; Hardcover, Softcover / Philosophie/20., 21. Jahrhundert; Phänomenologie und Existenzphilosophie; Verstehen; Roman Ingarden; Vienna; apocalypse; color; composition; design; drama; etching; history of literature; human culture; interpret; knowledge; media; nature; present; Phenomenology; Aesthetics; Comparative Literature; Philosophy; Philosophy of Mind; Philosophie Ästhetik; Vergleichende Literaturwissenschaft; Philosophie; Philosophie des Geistes; BC

Section One Music, Literature, History, Architecture, Staging, Painting, Decoration: Within a Symphony of the Arts.- Paradox and Metaphor: An Integrity of the Arts.- Aesthetic Symbiosis and Spiritual Quest: Grünewald’s Isenheim Altarpiece in Hindemith’s Opera Mathis der Maler.- The Ambiguity of Baroque Enchantment: Operatic Mise en Abyme.- The Musicalization of Prose: Prolegomena to the Experience of Literature in Musical Form.- Calderón’s Dramatic Technique: The Orchestration of the Arts, From Drama to Opera.- Baroque Splendor: Vierzehnheiligen Church and Bach’s B-Minor Mass.- Section Two Sharing in Creative and Cosmic Synergies.- Orchestration of the Universe: Reflections on Tagore’s Creativity.- The Synergies of Mind and Muse: Reflections on Nineteenth-Century Thought and A Comparative Analysis of Dante Gabriel Rosetti’s Poem and Painting The Blessed Damozel and Claude Debussy’s La Demoiselle Elue.- The Interdependency of Literature, Architecture, Theater and Music as an Expression of Baroque Absolutism at the Hapsburg Court in Vienna.- Literature and Architecture as a Metaphor of “Grandeur” and “Decadence”.- Louis Sullivan: The Life-Enhancing Symbiosis of Music, Language, Architecture, and Ornament.- An Orchestration of the Arts in Wallace Stevens’ “Peter Quince at the Clavier”.- Section Three the Symbiosis and the Interaction of the Arts.- The Harmonic Conceit: Music, Nature and Mind in Wordworth’s Prelude.- Histoire de L’Aveugle: “Matiérisme”’s Critique of Vision.- Images of Water and the Sea in Tristan L’Hermite’s “La Mer” and in Painting.- Section Four Arts Interacting with Our Perception of Nature and Human Life.- Fire and Ice: Le Vrai Magique.- W. E. B. du Bois’ The Souls of Black Folk as an Example of theTragic.- The Blending of Natures and the Perception of the Real.- The Symbiosis and the Interaction of the Arts: Cesário Verde, Poet / Painter.- This is Mine, and I Can Hold It: Edna St. Vincent Millay and her Music.- Section Five The Poetic Inter-Reflection of the Arts.- The Terpsichorean Poem.- A Study in Nostalgia: The Orchestration of Life in Façade. The Edith Sitwell—William Walton Musico-Poetic Collaboration.- Interreflection of Complementary Expressive Means in Combined-Media Art Performances.- The Orchestration of the Arts in Leila Sebbar’s Shérazade, 17 ans, brune, frisée, les yeux verts.- Beauty and the Dialogue of the Arts: Considerations about Gadamer.- Section Six Arts Nurturing Human Culture.- A Look at Modernism from the Keyboard: The Piano in the Parlor and Abstract Art.- Pierre Puvis de Chavannes, Richard Wagner and Émile Bernard: Composition and Meaning in the Late Nineteenth Century.- The Temporal Character of Catherine Schieve’s Slide Opera.- An Unfolding of Theory and Practice: From Ingarden to a Phenomenological Aesthetic for Opera.- Emotion, Metaphor, Music, and Humor.- The Cultural Milieu of Francis Poulenc (1899–1963) and his “Musique de Tous les Jours” (including a brief survey of his works for piano).- Index of Names.