ISBN: 0691021457
[EAN: 9780691021454], Used, good, [PU: Princeton University Press], 0691021457 Black cloth boards, no jacket as issued. Book is in excellent condition, text is unmarked and pages are tight.
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ISBN: 0691021457
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1996, ISBN: 0691021457
[EAN: 9780691021454], Used, good, [PU: Princeton Univ Pr], Former Library book. Shows some signs of wear, and may have some markings on the inside.
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1996, ISBN: 9780691021454
Princeton University Press, 1996-07-08. Hardcover. Good., Princeton University Press, 1996-07-08
Biblio.co.uk |
1996, ISBN: 9780691021454
Princeton Univ Pr, 1996-07-08. Hardcover. Used:Good., Princeton Univ Pr, 1996-07-08
Biblio.co.uk |
ISBN: 0691021457
[EAN: 9780691021454], Used, good, [PU: Princeton University Press], 0691021457 Black cloth boards, no jacket as issued. Book is in excellent condition, text is unmarked and pages are tight.
ISBN: 0691021457
Free US Delivery | ISBN: 0691021457, Nonfiction, 465**, Mishawaka,IN,USA, [ST: 2019-05-16T23:36:51.000Z], [ET: 2020-04-16T23:36:51.000Z], [LT: FixedPrice], Very Good, [PU: Princeton Unive… Meer...
1996
ISBN: 0691021457
[EAN: 9780691021454], Used, good, [PU: Princeton Univ Pr], Former Library book. Shows some signs of wear, and may have some markings on the inside.
1996, ISBN: 9780691021454
Princeton University Press, 1996-07-08. Hardcover. Good., Princeton University Press, 1996-07-08
1996, ISBN: 9780691021454
Princeton Univ Pr, 1996-07-08. Hardcover. Used:Good., Princeton Univ Pr, 1996-07-08
Bibliografische gegevens van het best passende boek
auteur: | |
Titel: | |
ISBN: |
Why does the distinction between high and popular art persist in spite of postmodernist predictions that it should vanish? Departing from the conventional view that such distinctions are class-related, Wesley Shrum concentrates instead on the way individuals form opinions about culture through the mediation of critics. He shows that it is the extent to which critics shape the reception of an art form that determines its place in the cultural hierarchy. Those who patronize "lowbrow" art--stand-up comedy, cabaret, movies, and popular music--do not heed critical opinions nearly as much as do those who patronize "highbrow" art--theater, opera, and classical music. Thus the role of critics is crucial to understanding the nature of cultural hierarchy and its persistence. Shrum supports his argument through an inquiry into the performing arts, focusing on the Edinburgh Fringe, the world's largest and most diverse art festival.
Beginning with eighteenth-century London playhouses and print media, where performance art criticism flourished, Shrum examines the triangle of mediation involving critics, spectators, and performers. The Fringe is shown to parallel modern art worlds, where choices proliferate along with the demand for guidance. Using interviews with critics and performers, analysis of audiences, and published reviews as well as dramatic vignettes, Shrum reveals the impact of critics on high art forms and explores the "status bargain" in which consumers are influenced by experts in return for prestige.
Gedetalleerde informatie over het boek. - Fringe and Fortune
EAN (ISBN-13): 9780691021454
ISBN (ISBN-10): 0691021457
Gebonden uitgave
Verschijningsjaar: 1996
Uitgever: Princeton Univ Pr
Boek bevindt zich in het datenbestand sinds 2018-11-01T08:39:01+01:00 (Amsterdam)
Detailpagina laatst gewijzigd op 2020-04-14T05:19:50+02:00 (Amsterdam)
ISBN/EAN: 9780691021454
ISBN - alternatieve schrijfwijzen:
0-691-02145-7, 978-0-691-02145-4
Andere boeken die eventueel grote overeenkomsten met dit boek kunnen hebben:
Laatste soortgelijke boek:
9780691026572 Fringe and Fortune: The Role of Critics in High and Popular Art (Shrum, Wesley Monroe, Jr.)
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