From the foreword:"A sensitive recuperation of a past cultural moment and a contribution to our current one, Mishkin’s study both participates in our present national conve… Meer...
From the foreword:"A sensitive recuperation of a past cultural moment and a contribution to our current one, Mishkin’s study both participates in our present national conversation and prepares the way for future ones.""Looks at literary movements on two different continents and from two different periods . . . and finds significant parallels and interrelations between them. The effect is to illuminate both. There is no other study like it, on this scale."—Richard Bizot, University of North FloridaDrawing fascinating comparisons between two literary movements for social justice, Tracy Mishkin explores the link between the Irish Renaissance that began in the 1880s and the African-American movement of the 1920s known as the Harlem Renaissance. Starting with evidence that Ireland’s Abbey Theatre tours of the United States before World War I influenced such African-Americans as Alain Locke and James Weldon Johnson, Mishkin offers the first full-scale discussion of the historical similarities and differences of the two movements. Both rose from the ashes of history—from people suffering years of oppression during which their native languages were lost or stolen—to confront issues of language and identity; and both had to combat negative mainstream representation of their people, all the while debating how to create their own literature. Included throughout is the work of women who participated in both movements but who often have been marginalized in their histories. Going beyond national boundaries, Mishkin takes the study of interracial literary influence across the Atlantic and establishes important parallels between the Harlem and Irish Renaissances.Tracy Mishkin is assistant professor of English at Georgia College and State University in Milledgeville, and editor of Literary Influence and African-American Writers. New Textbooks>Hardcover>Classics>Lit Studies>Lit History & Ref, University Press of Florida Core >2 >T<
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From the foreword:""A sensitive recuperation of a past cultural moment and a contribution to our current one, Mishkin''s study both participates in our present national conversation and p… Meer...
From the foreword:""A sensitive recuperation of a past cultural moment and a contribution to our current one, Mishkin''s study both participates in our present national conversation and prepares the way for future ones.""""Looks at literary movements on two different continents and from two different periods . . . and finds significant parallels and interrelations between them. The effect is to illuminate both. There is no other study like it, on this scale.""-Richard Bizot, University of North FloridaDrawing fascinating comparisons between two literary movements for social justice, Tracy Mishkin explores the link between the Irish Renaissance that began in the 1880s and the African-American movement of the 1920s known as the Harlem Renaissance. Starting with evidence that Ireland''s Abbey Theatre tours of the United States before World War I influenced such African-Americans as Alain Locke and James Weldon Johnson, Mishkin offers the first full-scale discussion of the historical similarities and differences of the two movements. Both rose from the ashes of history-from people suffering years of oppression during which their native languages were lost or stolen-to confront issues of language and identity; and both had to combat negative mainstream representation of their people, all the while debating how to create their own literature. Included throughout is the work of women who participated in both movements but who often have been marginalized in their histories. Going beyond national boundaries, Mishkin takes the study of interracial literary influence across the Atlantic and establishes important parallels between the Harlem and Irish Renaissances. Tracy Mishkin is assistant professor of English at Georgia College and State University in Milledgeville, and editor of Literary Influence and African-American Writers. | The Harlem and Irish Renaissances by Tracy Mishkin Hardcover | Indigo Chapters Books > Literary Criticism > Criticism & Theory P10106, Tracy Mishkin<
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From the foreword:"A sensitive recuperation of a past cultural moment and a contribution to our current one, Mishkin''s study both participates in our present national conversation and pr… Meer...
From the foreword:"A sensitive recuperation of a past cultural moment and a contribution to our current one, Mishkin''s study both participates in our present national conversation and prepares the way for future ones.""Looks at literary movements on two different continents and from two different periods . . . and finds significant parallels and interrelations between them. The effect is to illuminate both. There is no other study like it, on this scale."--Richard Bizot, University of North FloridaDrawing fascinating comparisons between two literary movements for social justice, Tracy Mishkin explores the link between the Irish Renaissance that began in the 1880s and the African-American movement of the 1920s known as the Harlem Renaissance. Starting with evidence that Ireland''s Abbey Theatre tours of the United States before World War I influenced such African-Americans as Alain Locke and James Weldon Johnson, Mishkin offers the first full-scale discussion of the historical similarities and differences of the two movements. Both rose from the ashes of history--from people suffering years of oppression during which their native languages were lost or stolen--to confront issues of language and identity; and both had to combat negative mainstream representation of their people, all the while debating how to create their own literature. Included throughout is the work of women who participated in both movements but who often have been marginalized in their histories. Going beyond national boundaries, Mishkin takes the study of interracial literary influence across the Atlantic and establishes important parallels between the Harlem and Irish Renaissances.Tracy Mishkin is assistant professor of English at Georgia College and State University in Milledgeville, and editor of Literary Influence and African-American Writers. Books > Literary Criticism > Criticism & Theory List_Books, [PU: University of Florida Press]<
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From the foreword:"A sensitive recuperation of a past cultural moment and a contribution to our current one, Mishkin''s study both participates in our present national conversation and pr… Meer...
From the foreword:"A sensitive recuperation of a past cultural moment and a contribution to our current one, Mishkin''s study both participates in our present national conversation and prepares the way for future ones.""Looks at literary movements on two different continents and from two different periods . . . and finds significant parallels and interrelations between them. The effect is to illuminate both. There is no other study like it, on this scale."--Richard Bizot, University of North FloridaDrawing fascinating comparisons between two literary movements for social justice, Tracy Mishkin explores the link between the Irish Renaissance that began in the 1880s and the African-American movement of the 1920s known as the Harlem Renaissance. Starting with evidence that Ireland''s Abbey Theatre tours of the United States before World War I influenced such African-Americans as Alain Locke and James Weldon Johnson, Mishkin offers the first full-scale discussion of the historical similarities and differences of the two movements. Both rose from the ashes of history--from people suffering years of oppression during which their native languages were lost or stolen--to confront issues of language and identity; and both had to combat negative mainstream representation of their people, all the while debating how to create their own literature. Included throughout is the work of women who participated in both movements but who often have been marginalized in their histories. Going beyond national boundaries, Mishkin takes the study of interracial literary influence across the Atlantic and establishes important parallels between the Harlem and Irish Renaissances.Tracy Mishkin is assistant professor of English at Georgia College and State University in Milledgeville, and editor of Literary Influence and African-American Writers. Books > Literary Criticism > Criticism & Theory List_Books, [PU: University of Florida Press]<
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From the foreword:"A sensitive recuperation of a past cultural moment and a contribution to our current one, Mishkin''s study both participates in our present national conversation and pr… Meer...
From the foreword:"A sensitive recuperation of a past cultural moment and a contribution to our current one, Mishkin''s study both participates in our present national conversation and prepares the way for future ones.""Looks at literary movements on two different continents and from two different periods . . . and finds significant parallels and interrelations between them. The effect is to illuminate both. There is no other study like it, on this scale."--Richard Bizot, University of North FloridaDrawing fascinating comparisons between two literary movements for social justice, Tracy Mishkin explores the link between the Irish Renaissance that began in the 1880s and the African-American movement of the 1920s known as the Harlem Renaissance. Starting with evidence that Ireland''s Abbey Theatre tours of the United States before World War I influenced such African-Americans as Alain Locke and James Weldon Johnson, Mishkin offers the first full-scale discussion of the historical similarities and differences of the two movements. Both rose from the ashes of history--from people suffering years of oppression during which their native languages were lost or stolen--to confront issues of language and identity; and both had to combat negative mainstream representation of their people, all the while debating how to create their own literature. Included throughout is the work of women who participated in both movements but who often have been marginalized in their histories. Going beyond national boundaries, Mishkin takes the study of interracial literary influence across the Atlantic and establishes important parallels between the Harlem and Irish Renaissances.Tracy Mishkin is assistant professor of English at Georgia College and State University in Milledgeville, and editor of Literary Influence and African-American Writers. Books List_Books, [PU: University of Florida Press]<
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From the foreword:"A sensitive recuperation of a past cultural moment and a contribution to our current one, Mishkin’s study both participates in our present national conve… Meer...
From the foreword:"A sensitive recuperation of a past cultural moment and a contribution to our current one, Mishkin’s study both participates in our present national conversation and prepares the way for future ones.""Looks at literary movements on two different continents and from two different periods . . . and finds significant parallels and interrelations between them. The effect is to illuminate both. There is no other study like it, on this scale."—Richard Bizot, University of North FloridaDrawing fascinating comparisons between two literary movements for social justice, Tracy Mishkin explores the link between the Irish Renaissance that began in the 1880s and the African-American movement of the 1920s known as the Harlem Renaissance. Starting with evidence that Ireland’s Abbey Theatre tours of the United States before World War I influenced such African-Americans as Alain Locke and James Weldon Johnson, Mishkin offers the first full-scale discussion of the historical similarities and differences of the two movements. Both rose from the ashes of history—from people suffering years of oppression during which their native languages were lost or stolen—to confront issues of language and identity; and both had to combat negative mainstream representation of their people, all the while debating how to create their own literature. Included throughout is the work of women who participated in both movements but who often have been marginalized in their histories. Going beyond national boundaries, Mishkin takes the study of interracial literary influence across the Atlantic and establishes important parallels between the Harlem and Irish Renaissances.Tracy Mishkin is assistant professor of English at Georgia College and State University in Milledgeville, and editor of Literary Influence and African-American Writers. New Textbooks>Hardcover>Classics>Lit Studies>Lit History & Ref, University Press of Florida Core >2 >T<
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From the foreword:""A sensitive recuperation of a past cultural moment and a contribution to our current one, Mishkin''s study both participates in our present national conversation and p… Meer...
From the foreword:""A sensitive recuperation of a past cultural moment and a contribution to our current one, Mishkin''s study both participates in our present national conversation and prepares the way for future ones.""""Looks at literary movements on two different continents and from two different periods . . . and finds significant parallels and interrelations between them. The effect is to illuminate both. There is no other study like it, on this scale.""-Richard Bizot, University of North FloridaDrawing fascinating comparisons between two literary movements for social justice, Tracy Mishkin explores the link between the Irish Renaissance that began in the 1880s and the African-American movement of the 1920s known as the Harlem Renaissance. Starting with evidence that Ireland''s Abbey Theatre tours of the United States before World War I influenced such African-Americans as Alain Locke and James Weldon Johnson, Mishkin offers the first full-scale discussion of the historical similarities and differences of the two movements. Both rose from the ashes of history-from people suffering years of oppression during which their native languages were lost or stolen-to confront issues of language and identity; and both had to combat negative mainstream representation of their people, all the while debating how to create their own literature. Included throughout is the work of women who participated in both movements but who often have been marginalized in their histories. Going beyond national boundaries, Mishkin takes the study of interracial literary influence across the Atlantic and establishes important parallels between the Harlem and Irish Renaissances. Tracy Mishkin is assistant professor of English at Georgia College and State University in Milledgeville, and editor of Literary Influence and African-American Writers. | The Harlem and Irish Renaissances by Tracy Mishkin Hardcover | Indigo Chapters Books > Literary Criticism > Criticism & Theory P10106, Tracy Mishkin<
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From the foreword:"A sensitive recuperation of a past cultural moment and a contribution to our current one, Mishkin''s study both participates in our present national conversation and pr… Meer...
From the foreword:"A sensitive recuperation of a past cultural moment and a contribution to our current one, Mishkin''s study both participates in our present national conversation and prepares the way for future ones.""Looks at literary movements on two different continents and from two different periods . . . and finds significant parallels and interrelations between them. The effect is to illuminate both. There is no other study like it, on this scale."--Richard Bizot, University of North FloridaDrawing fascinating comparisons between two literary movements for social justice, Tracy Mishkin explores the link between the Irish Renaissance that began in the 1880s and the African-American movement of the 1920s known as the Harlem Renaissance. Starting with evidence that Ireland''s Abbey Theatre tours of the United States before World War I influenced such African-Americans as Alain Locke and James Weldon Johnson, Mishkin offers the first full-scale discussion of the historical similarities and differences of the two movements. Both rose from the ashes of history--from people suffering years of oppression during which their native languages were lost or stolen--to confront issues of language and identity; and both had to combat negative mainstream representation of their people, all the while debating how to create their own literature. Included throughout is the work of women who participated in both movements but who often have been marginalized in their histories. Going beyond national boundaries, Mishkin takes the study of interracial literary influence across the Atlantic and establishes important parallels between the Harlem and Irish Renaissances.Tracy Mishkin is assistant professor of English at Georgia College and State University in Milledgeville, and editor of Literary Influence and African-American Writers. Books > Literary Criticism > Criticism & Theory List_Books, [PU: University of Florida Press]<
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From the foreword:"A sensitive recuperation of a past cultural moment and a contribution to our current one, Mishkin''s study both participates in our present national conversation and pr… Meer...
From the foreword:"A sensitive recuperation of a past cultural moment and a contribution to our current one, Mishkin''s study both participates in our present national conversation and prepares the way for future ones.""Looks at literary movements on two different continents and from two different periods . . . and finds significant parallels and interrelations between them. The effect is to illuminate both. There is no other study like it, on this scale."--Richard Bizot, University of North FloridaDrawing fascinating comparisons between two literary movements for social justice, Tracy Mishkin explores the link between the Irish Renaissance that began in the 1880s and the African-American movement of the 1920s known as the Harlem Renaissance. Starting with evidence that Ireland''s Abbey Theatre tours of the United States before World War I influenced such African-Americans as Alain Locke and James Weldon Johnson, Mishkin offers the first full-scale discussion of the historical similarities and differences of the two movements. Both rose from the ashes of history--from people suffering years of oppression during which their native languages were lost or stolen--to confront issues of language and identity; and both had to combat negative mainstream representation of their people, all the while debating how to create their own literature. Included throughout is the work of women who participated in both movements but who often have been marginalized in their histories. Going beyond national boundaries, Mishkin takes the study of interracial literary influence across the Atlantic and establishes important parallels between the Harlem and Irish Renaissances.Tracy Mishkin is assistant professor of English at Georgia College and State University in Milledgeville, and editor of Literary Influence and African-American Writers. Books > Literary Criticism > Criticism & Theory List_Books, [PU: University of Florida Press]<
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From the foreword:"A sensitive recuperation of a past cultural moment and a contribution to our current one, Mishkin''s study both participates in our present national conversation and pr… Meer...
From the foreword:"A sensitive recuperation of a past cultural moment and a contribution to our current one, Mishkin''s study both participates in our present national conversation and prepares the way for future ones.""Looks at literary movements on two different continents and from two different periods . . . and finds significant parallels and interrelations between them. The effect is to illuminate both. There is no other study like it, on this scale."--Richard Bizot, University of North FloridaDrawing fascinating comparisons between two literary movements for social justice, Tracy Mishkin explores the link between the Irish Renaissance that began in the 1880s and the African-American movement of the 1920s known as the Harlem Renaissance. Starting with evidence that Ireland''s Abbey Theatre tours of the United States before World War I influenced such African-Americans as Alain Locke and James Weldon Johnson, Mishkin offers the first full-scale discussion of the historical similarities and differences of the two movements. Both rose from the ashes of history--from people suffering years of oppression during which their native languages were lost or stolen--to confront issues of language and identity; and both had to combat negative mainstream representation of their people, all the while debating how to create their own literature. Included throughout is the work of women who participated in both movements but who often have been marginalized in their histories. Going beyond national boundaries, Mishkin takes the study of interracial literary influence across the Atlantic and establishes important parallels between the Harlem and Irish Renaissances.Tracy Mishkin is assistant professor of English at Georgia College and State University in Milledgeville, and editor of Literary Influence and African-American Writers. Books List_Books, [PU: University of Florida Press]<
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Gedetalleerde informatie over het boek. - The Harlem and Irish Renaissances by Tracy Mishkin Hardcover | Indigo Chapters
EAN (ISBN-13): 9780813016115 ISBN (ISBN-10): 0813016118 Gebonden uitgave Verschijningsjaar: 1998 Uitgever: Tracy Mishkin 148 Bladzijden Gewicht: 0,390 kg Taal: eng/Englisch
Boek bevindt zich in het datenbestand sinds 2008-07-26T09:54:48+02:00 (Amsterdam) Detailpagina laatst gewijzigd op 2022-11-26T16:39:43+01:00 (Amsterdam) ISBN/EAN: 0813016118
ISBN - alternatieve schrijfwijzen: 0-8130-1611-8, 978-0-8130-1611-5 alternatieve schrijfwijzen en verwante zoekwoorden: Auteur van het boek: tracy, mishkin, link, richard florida, richard rose, james weldon johnson Titel van het boek: identity, the irish language, irish language culture, the harlem renaissance
