1968, ISBN: b6303dfe38d4cf52735a5b10c0dedbe8

pocketboek

Gebraucht, guter Zustand, [SC: 20.0], [PU: tuttgart / Dusseldorf: Domberger / Galerie Schmela], ART, POETRY, Jacket, 4° - unpaginated, with original slipcase. limited to 2500 copies;Text … Meer...

Gebraucht, guter Zustand, [SC: 20.0], [PU: tuttgart / Dusseldorf: Domberger / Galerie Schmela], ART, POETRY, Jacket, 4° - unpaginated, with original slipcase. limited to 2500 copies;Text in english and german 10 original color silk screens with accompanying text, original flexible printed gray boards. In fine condition Robert Indiana (born Robert Clark; September 13, 1928 – May 19, 2018) was an American artist associated with the pop art movement. His iconic image LOVE was first created in 1964 in the form of a card which he sent to several friends and acquaintances in the art world. In 1965, Robert Indiana was invited to propose an artwork to be featured on the Museum of Modern Art's annual Christmas card. Indiana submitted several 12” square oil on canvas variations based on his LOVE image. The museum selected the most intense color combination in red, blue, and green. It became one of the most popular cards the museum has ever offered.[1] Indiana continued to develop his LOVE series, and in 1966, worked with Marian Goodman of Multiples, Inc. to make his first LOVE sculpture in aluminum. In 1970, Indiana completed his first monumental LOVE sculpture in Cor-Ten steel which is in the collection of the Indianapolis Museum of Art. Robert White Creeley (May 21, 1926 – March 30, 2005)[1] was an American poet and author of more than sixty books. He is usually associated with the Black Mountain poets, though his verse aesthetic diverged from that school. He was close with Charles Olson, Robert Duncan, Allen Ginsberg, John Wieners and Ed Dorn. He served as the Samuel P. Capen Professor of Poetry and the Humanities at State University of New York at Buffalo. In 1991, he joined colleagues Susan Howe, Charles Bernstein, Raymond Federman, Robert Bertholf, and Dennis Tedlock in founding the Poetics Program at Buffalo. Creeley lived in Waldoboro, Buffalo, and Providence, where he taught at Brown University. He was a recipient of the Lannan Foundation Lifetime Achievement Award., Books<

1968, ISBN: b6303dfe38d4cf52735a5b10c0dedbe8

pocketboek

Gebraucht, guter Zustand, [SC: 18.5], [PU: tuttgart / Dusseldorf: Domberger / Galerie Schmela], ART, POETRY, Jacket, 4° - unpaginated, with original slipcase. limited to 2500 copies;Text … Meer...

Gebraucht, guter Zustand, [SC: 18.5], [PU: tuttgart / Dusseldorf: Domberger / Galerie Schmela], ART, POETRY, Jacket, 4° - unpaginated, with original slipcase. limited to 2500 copies;Text in english and german 10 original color silk screens with accompanying text, original flexible printed gray boards. In fine condition Robert Indiana (born Robert Clark; September 13, 1928 – May 19, 2018) was an American artist associated with the pop art movement. His iconic image LOVE was first created in 1964 in the form of a card which he sent to several friends and acquaintances in the art world. In 1965, Robert Indiana was invited to propose an artwork to be featured on the Museum of Modern Art's annual Christmas card. Indiana submitted several 12” square oil on canvas variations based on his LOVE image. The museum selected the most intense color combination in red, blue, and green. It became one of the most popular cards the museum has ever offered.[1] Indiana continued to develop his LOVE series, and in 1966, worked with Marian Goodman of Multiples, Inc. to make his first LOVE sculpture in aluminum. In 1970, Indiana completed his first monumental LOVE sculpture in Cor-Ten steel which is in the collection of the Indianapolis Museum of Art. Robert White Creeley (May 21, 1926 – March 30, 2005)[1] was an American poet and author of more than sixty books. He is usually associated with the Black Mountain poets, though his verse aesthetic diverged from that school. He was close with Charles Olson, Robert Duncan, Allen Ginsberg, John Wieners and Ed Dorn. He served as the Samuel P. Capen Professor of Poetry and the Humanities at State University of New York at Buffalo. In 1991, he joined colleagues Susan Howe, Charles Bernstein, Raymond Federman, Robert Bertholf, and Dennis Tedlock in founding the Poetics Program at Buffalo. Creeley lived in Waldoboro, Buffalo, and Providence, where he taught at Brown University. He was a recipient of the Lannan Foundation Lifetime Achievement Award., Books<

1968, ISBN: b6303dfe38d4cf52735a5b10c0dedbe8

pocketboek

Gebraucht, guter Zustand, [PU: tuttgart / Dusseldorf: Domberger / Galerie Schmela], ART, POETRY, Jacket, 4° - unpaginated, with original slipcase. limited to 2500 copies;Text in english a… Meer...

Gebraucht, guter Zustand, [PU: tuttgart / Dusseldorf: Domberger / Galerie Schmela], ART, POETRY, Jacket, 4° - unpaginated, with original slipcase. limited to 2500 copies;Text in english and german 10 original color silk screens with accompanying text, original flexible printed gray boards. In fine condition Robert Indiana (born Robert Clark; September 13, 1928 – May 19, 2018) was an American artist associated with the pop art movement. His iconic image LOVE was first created in 1964 in the form of a card which he sent to several friends and acquaintances in the art world. In 1965, Robert Indiana was invited to propose an artwork to be featured on the Museum of Modern Art's annual Christmas card. Indiana submitted several 12” square oil on canvas variations based on his LOVE image. The museum selected the most intense color combination in red, blue, and green. It became one of the most popular cards the museum has ever offered.[1] Indiana continued to develop his LOVE series, and in 1966, worked with Marian Goodman of Multiples, Inc. to make his first LOVE sculpture in aluminum. In 1970, Indiana completed his first monumental LOVE sculpture in Cor-Ten steel which is in the collection of the Indianapolis Museum of Art. Robert White Creeley (May 21, 1926 – March 30, 2005)[1] was an American poet and author of more than sixty books. He is usually associated with the Black Mountain poets, though his verse aesthetic diverged from that school. He was close with Charles Olson, Robert Duncan, Allen Ginsberg, John Wieners and Ed Dorn. He served as the Samuel P. Capen Professor of Poetry and the Humanities at State University of New York at Buffalo. In 1991, he joined colleagues Susan Howe, Charles Bernstein, Raymond Federman, Robert Bertholf, and Dennis Tedlock in founding the Poetics Program at Buffalo. Creeley lived in Waldoboro, Buffalo, and Providence, where he taught at Brown University. He was a recipient of the Lannan Foundation Lifetime Achievement Award., Books<

1968, ISBN: b6303dfe38d4cf52735a5b10c0dedbe8

gebonden uitgave

Gebraucht, sehr guter Zustand, [PU: Edition Domberger - Galerie Schmela, Stuttgart and Dusseldorf West Germany], AL ART 20TH CENTURY POETRY POET LITERARY LITERATURE LITERARY-ARTISTIC COLL… Meer...

Gebraucht, sehr guter Zustand, [PU: Edition Domberger - Galerie Schmela, Stuttgart and Dusseldorf West Germany], AL ART 20TH CENTURY POETRY POET LITERARY LITERATURE LITERARY-ARTISTIC COLLABORATION NUMBERS ROBERT INDIANA CREELEY EDITION DOMBERGER - GALERIE SCHMELA SILK SCREEN PRINTS, A literary & artistic collaboration between Indiana & Creeley, a limited edition of 2500, with ten silk-screen illustrated plates. Text in English & German, printed in red & black; edited by Dr. Dieter Honisch, translation of the poems by Klaus Reichert. Approx. 8 1/4" x 10"; dustjacket over stiff paper, in title-printed dark gray cardstock slipcase. Slight wear; in very good condition.<

1968, ISBN: b6303dfe38d4cf52735a5b10c0dedbe8

Stuttgart and Dusseldorf West Germany: Edition Domberger - Galerie Schmela , 1968. A literary & artistic collaboration between Indiana & Creeley, a limited edition of 2500, with t… Meer...

Stuttgart and Dusseldorf West Germany: Edition Domberger - Galerie Schmela , 1968. A literary & artistic collaboration between Indiana & Creeley, a limited edition of 2500, with ten silk-screen illustrated plates. Text in English & German, printed in red & black; edited by Dr. Dieter Honisch, translation of the poems by Klaus Reichert. Approx. 8 1/4" x 10"; dustjacket over stiff paper, in title-printed dark gray cardstock slipcase. Slight wear; in very good condition.. First Edition. Slipcase. Very Good. Illus. by Robert Indiana., Edition Domberger - Galerie Schmela, 1968, 3<