Birdsall, J. Neville:Textual Criticism and New Testament Studies
- eerste uitgave 2000, ISBN: 9780704407183
pocketboek, gebonden uitgave
Plume, 1997. Plume 1997 Fine/ Review"My mother died at the moment I was born, and so for my whole life there was nothing standing between myself and eternity," writes Jamaica… Meer...
Plume, 1997. Plume 1997 Fine/ Review"My mother died at the moment I was born, and so for my whole life there was nothing standing between myself and eternity," writes Jamaica Kincaid in this disturbing, compelling novel set on the island of Dominica. Born to a doomed Carib woman and a Scottish African policeman of increasing swagger and wealth, narrator Xuela spends a lifetime unanchored by family or love. She disdains the web of small and big lies that link others, allowing only pungent, earthy sensuality--a mix of blood and dirt and sex--to move her. Even answering its siren call, though, Xuela never loses sight of the sharp loss that launched her into the world and the doors through which she will take her leave. From Kincaid's third novel (after Annie John) is presented as the mesmerizing, harrowing, richly metaphorical autobiography of 70-year-old Xuela Claudette Richardson. Earthy, intractably antisocial, acridly introspective, morbidly obsessed with history and identity, conquest and colonialism, language and silence, Xuela recounts her life on the island of Dominica in the West Indies. In Kincaid's characteristically lucid, singsong prose, Xuela traces her evolution from a young girl to an old woman while interrogating the mysteries of her hybrid cultural origins and her parents, who failed to be parents: her mother died during childbirth; her often absent father, a cruel and petty island official, cultivates a veneer of respectability ("another skin over his real skin"), rendering him unrecognizable to his daughter. At 14, Xuela undertakes an affair with one of her father's friends, becomes pregnant and aborts the child. Experiencing that trauma as a rebirth ("I was a new person then"), she inaugurates a life of deliberate infertility, eventually becoming the assistant to a European doctor, whom she later marries. Xuela's Dominica, two generations after slavery, is a "false paradise" of reckless fathers and barren matrilinear relations, of tropical ferment, fecundity, witchcraft and slums, whose denizens resemble the walking dead. With aphoristic solemnity at times evocative of Ecclesiastes, Kincaid explores the full paradoxes of this extraordinary story, which, Xuela concludes, is at once the testament of the mother she never knew, of the mother she never allowed herself to be and of the children she refused to have. 75,000 first printing; major ad/ promo; author tour; translation, first serial, dramatic rights: Wylie, Aitken & Stone. 1995. Paperback. Fine., Plume, 1997, Doubleday, 2000-02-01. Hardcover. Very Good. 0385497466 Review John Grisham's novels have all been so systematically successful that it is easy to forget he is just one man toiling away silently with a pen, experimenting and improving with each book. While not as gifted a prose stylist as Scott Turow, Grisham is among the best plotters in the thriller business, and he infuses his books with a moral valence and creative vision that set them apart from their peers. The Brethren is in many respects his most daring book yet. The novel grows from two separate subplots. In the first, three imprisoned ex-judges (the "brethren" in the title), frustrated by their loss of power and influence, concoct an elaborate blackmail scheme that preys on wealthy, closeted gay men. The second story traces the rise of presidential candidate Aaron Lake, a puppet essentially created by CIA director Teddy Maynard to fulfill Maynard's plans for restoring the power of his beleaguered agency. Grisham's tight control of the two meandering threads leaves the reader guessing through most of the opening chapters how and when these two worlds will collide. Also impressive is Grisham's careful portraiture. Justice Hatlee Beech in particular is a fascinating, tragic anti-hero: a millionaire judge with an appointment for life who was rendered divorced, bankrupt, and friendless after his conviction for a drunk-driving homicide. The book's cynical view of presidential politics and criminal justice casts a somewhat gloomy shadow over the tale. CIA director Teddy Maynard is an all-powerful demon with absolute knowledge and control of the public will and public funds. Even his candidate, Congressman Lake, is a pawn in Maynard's egomaniacal game of ad campaigns, illicit contributions, and international intrigue. In the end, The Brethren marks a transition in Grisham's career toward a more thoughtful narrative style with less interest in the big-payoff blockbuster ending. But that's not to say that the last 50 pages won't keep your reading light turned on late. --Patrick O'Kelley From Publishers Weekly Only a few megaselling authors of popular fiction deviate dramatically from formula--most notably Stephen King but recently Grisham, too. He's serializing a literary novel, A Painted House, in the Oxford American; his last thriller (The Testament) emphasized spirituality as intensely as suspense; and his deeply absorbing new novel dispenses with a staple not only of his own work but of most commercial fiction: the hero. The novel does feature three antiheroes of a sort, the brethren of the title, judges serving time in a federal prison in Florida for white-collar offenses. They're a hard bunch to root for, though, as their main activity behind bars is running a blackmail scheme in which they bait, hook and squeeze wealthy, closeted gay men through a magazine ad supposedly placed by "Ricky," a young incarcerated gay looking for companionship. Then there's the two-bit alcoholic attorney who's abetting them by running their mail and depositing their dirty profits in an overseas bank. Scarcely more appealing is the big fish the trio snare, Congressman Anthony Lake, who meanwhile is busy selling his lifelong integrity when the director of the CIA offers to lever him into the White House in exchange for a doubling of federal defense spending upon Lake's inauguration. The expertly orchestrated and very complex plot follows these evildoers through their illicit enterprises, devoting considerable attention to the CIA's staging of Lake's presidential campaign and even more to that agency's potentially lethal pursuit of the brethren once it learns that the three are threatening to out candidate Lake. Every personage in this novel lies, cheats, steals and/or kills, and while Grisham's fans may miss the stalwart lawyer-heroes and David vs. Goliath slant of his earlier work, all will be captivated by this clever thriller that presents as crisp a cast as he's yet devised, and as grippingly sardonic yet bitingly moral a scenario as he's ever imagined. Agent, David Gernert. 2.8 million first printing. (Feb. 1) Copyrig, Doubleday, 2000-02-01, Birmingham: University of Birmingham. 12pp stapled pa, very good, small corner tear with loss, ownership signature, inaugural lecture . Very Good. Soft cover. 1st Edition. 1984., University of Birmingham, 1984<
