2009, ISBN: 145891142X, Lieferbar binnen 4-6 Wochen

Internationaler Buchtitel. In englischer Sprache. Verlag: Cambridge Scholars Publishing, 202 Seiten, L=152mm, B=229mm, H=12mm, Gew.=304gr, Kartoniert/Broschiert, Klappentext: Purchase of … Meer...

Internationaler Buchtitel. In englischer Sprache. Verlag: Cambridge Scholars Publishing, 202 Seiten, L=152mm, B=229mm, H=12mm, Gew.=304gr, Kartoniert/Broschiert, Klappentext: Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free. This is an OCR edition with typos. Excerpt from book: CHAPTER IV. ITALIAN PAINTING. FLORENTINE OR TUSCAN SCHOOL (Continued). Early Renaissance Period, 1400-1500. Masolino (1383- probably 1447), called da Panicale from the place of his birth, was sculptor as well as painter. His works give evidence of a careful observation of nature, are truthful in drawing and modelling, and show a knowledge of linear perspective. They possess a certain dramatic grouping of figures. His costumes are evidently realistic studies from those of his time. He is the natural precursor of Masaccio. There has been much controversy among critics regarding the works attributed to Masolino. Those only which are absolutely "beyond dispute, because signed by the painter, are: Frescoes on the walls of the church of Castiglione d' Olona, near Milan. In the choir of this church are pictures representing scenes in the Lives of the Virgin, St. Laurence, and St. Stephen, while in the Baptistery are scenes in the Life of St. John and figures of the four Evangelists. In the famous series of frescoes in Brancacci Chapel, Santa Maria del Carmine, Florence, are three, " Healing of the Cripple," " Raising of Tabitha," " Fall of Adam and Eve," which the chief weight of authority to-day attributes to Masolino, although some careful critics (notably Crowe and Cavalcaselle) refuse to acknowledge them as his. In a chapel of San Clemente, Rome, are frescoes representing scenes in the Lives of St. Clement and St. Catherine of Alexandria, etc., which were formerly attributed to Masaccio, and which are now recognized as being the work of Masolino. Masaccio (Tommaso Guidi, 1401-1428), the greatest master in the history of modern art after Giotto, was born in San Giovanni, in the Val d' Arno. The name Masaccio, which means Slovenly Tom, was given him on account...<

1400, ISBN: 9781458911421

pocketboek

[ED: Softcover], [PU: Cambridge Scholars Publishing], Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free. This… Meer...

[ED: Softcover], [PU: Cambridge Scholars Publishing], Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free. This is an OCR edition with typos. Excerpt from book: CHAPTER IV. ITALIAN PAINTING. FLORENTINE OR TUSCAN SCHOOL (Continued). Early Renaissance Period, 1400-1500. Masolino (1383- probably 1447), called da Panicale from the place of his birth, was sculptor as well as painter. His works give evidence of a careful observation of nature, are truthful in drawing and modelling, and show a knowledge of linear perspective. They possess a certain dramatic grouping of figures. His costumes are evidently realistic studies from those of his time. He is the natural precursor of Masaccio. There has been much controversy among critics regarding the works attributed to Masolino. Those only which are absolutely "beyond dispute, because signed by the painter, are: Frescoes on the walls of the church of Castiglione d' Olona, near Milan. In the choir of this church are pictures representing scenes in the Lives of the Virgin, St. Laurence, and St. Stephen, while in the Baptistery are scenes in the Life of St. John and figures of the four Evangelists. In the famous series of frescoes in Brancacci Chapel, Santa Maria del Carmine, Florence, are three, " Healing of the Cripple," " Raising of Tabitha," " Fall of Adam and Eve," which the chief weight of authority to-day attributes to Masolino, although some careful critics (notably Crowe and Cavalcaselle) refuse to acknowledge them as his. In a chapel of San Clemente, Rome, are frescoes representing scenes in the Lives of St. Clement and St. Catherine of Alexandria, etc., which were formerly attributed to Masaccio, and which are now recognized as being the work of Masolino. Masaccio (Tommaso Guidi, 1401-1428), the greatest master in the history of modern art after Giotto, was born in San Giovanni, in the Val d' Arno. The name Masaccio, which means Slovenly Tom, was given him on account...Versandfertig in 6-10 Tagen<

1400, ISBN: 9781458911421

pocketboek

[ED: Softcover], [PU: Cambridge Scholars Publishing], Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free. This… Meer...

[ED: Softcover], [PU: Cambridge Scholars Publishing], Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free. This is an OCR edition with typos. Excerpt from book: CHAPTER IV. ITALIAN PAINTING. FLORENTINE OR TUSCAN SCHOOL (Continued). Early Renaissance Period, 1400-1500. Masolino (1383- probably 1447), called da Panicale from the place of his birth, was sculptor as well as painter. His works give evidence of a careful observation of nature, are truthful in drawing and modelling, and show a knowledge of linear perspective. They possess a certain dramatic grouping of figures. His costumes are evidently realistic studies from those of his time. He is the natural precursor of Masaccio. There has been much controversy among critics regarding the works attributed to Masolino. Those only which are absolutely "beyond dispute, because signed by the painter, are: Frescoes on the walls of the church of Castiglione d' Olona, near Milan. In the choir of this church are pictures representing scenes in the Lives of the Virgin, St. Laurence, and St. Stephen, while in the Baptistery are scenes in the Life of St. John and figures of the four Evangelists. In the famous series of frescoes in Brancacci Chapel, Santa Maria del Carmine, Florence, are three, " Healing of the Cripple," " Raising of Tabitha," " Fall of Adam and Eve," which the chief weight of authority to-day attributes to Masolino, although some careful critics (notably Crowe and Cavalcaselle) refuse to acknowledge them as his. In a chapel of San Clemente, Rome, are frescoes representing scenes in the Lives of St. Clement and St. Catherine of Alexandria, etc., which were formerly attributed to Masaccio, and which are now recognized as being the work of Masolino. Masaccio (Tommaso Guidi, 1401-1428), the greatest master in the history of modern art after Giotto, was born in San Giovanni, in the Val d' Arno. The name Masaccio, which means Slovenly Tom, was given him on account...Versandfertig in 6-10 Tagen<