2010, ISBN: 9042031581

pocketboek

[EAN: 9789042031586], Gebraucht, sehr guter Zustand, [PU: Editions Rodopi], COMPARATIVE STUDY ANALYSIS LITERATURE MUSIC ESSAYS METAFICTION METALEPSIS FUNCTIONS SELF REFERENTIALITY DISRUPT… Meer...

[EAN: 9789042031586], Gebraucht, sehr guter Zustand, [PU: Editions Rodopi], COMPARATIVE STUDY ANALYSIS LITERATURE MUSIC ESSAYS METAFICTION METALEPSIS FUNCTIONS SELF REFERENTIALITY DISRUPTING AESTHETIC ILLUSION FOREGROUNDING ARTIFICIALITY ART OBJECT HISTORICAL GENERIC RANGE CASE STUDIES LITERARY WORKS LAURENCE STERNE POSTMODERNIST AUTHORS MUSICAL COMPOSITIONS FROM BAROQUE COUNTERPOINT MODERN OPERA POPULAR NARRATIVE FRAMING QUOTATION DIRECT AUTHORIAL ADDRESS TYPOLOGY METAREFERENTIAL STRATEGIES KEY RESOURCE SCHOLARS NARRATOLOGY MUSICOLOGY INTERMEDIAL REFLECTION CREATION MISE EN ABYME TROMPE L OEIL INTERMEDIALITY SEMIOTICS AESTHETICS STRUCTURALISM POSTSTRUCTURALISM ROMANTIC IRONY PARODY PASTICHE IMPLIED AUTHOR UNRELIABLE NARRATOR DIEGESIS EXTRADIEGETIC INTRADIEGETIC BREAKING FRAME LEITMOTIF PROGRAM FUGUE THEMATICS THEORY FOURTH WALL BORROWING INFLUENCE INTERTEXTUALITY MAHLER SYMPHONIES BACH REFERENCE POSTMODERNISM ITALO CALVINO POSTMODERN NOVELS REFLEXIVE JOHN FOWLES FRENCH LIEUTENANT S WOMAN COMPARISON FILM CINEMA DOCUMENTARY PHILOSOPHY FICTION REALITY DEBATE TECHNIQUES REFERENTIAL WRITING DEVICES CREATIVE INSPIRATION METAREFERENCE REFLEXIVITY VERFREMDUNGSEFFEKT ARS POETICA LUDIC ONTOLOGICAL BOUNDARIES TRISTRAM SHANDY, Paperback, x + 192 pages, NOT ex-library. Gentle handling wear, a bit of rubbing to the covers' edges. Book is clean and bright with unmarked text, free of inscriptions and stamps, firmly bound. Straight spine. -- This is an interdisciplinary collection of essays exploring the phenomenon of self-reference and metareference across literature, music, opera, and film. Originally delivered at the Sixth International Conference on Word and Music Studies in Edinburgh in 2007, the nine contributions in this volume illuminate how works in various media reflect on their own construction, status, and mediality, engaging with theoretical, historical, and intermedial perspectives. Central to the volume is the concept of metareference, defined as a self-conscious reflection by a medium on itself or on medial conditions more generally. Werner Wolf's opening chapter frames the theoretical stakes of applying this notion to instrumental music, proposing a careful analysis of Mozart's Ein musikalischer Spaß as a form of musical self-parody and commentary. This theoretical model is expanded in Robert Samuels's essay on Mahler, which explores how allusion and quotation within Mahler's symphonic writing create layers of intra- and intertextual meaning, highlighting the complexities of musical self-reference. Several essays turn to opera as a site of explicit self-reflexivity. Frieder von Ammon examines how contemporary works engage in recursive commentary on the operatic genre itself, while Walter Bernhart's study of Schreker's Christophorus shows how a single opera can stage its own medium as a theme. Michael Halliwell and Simon Williams address modern adaptations and stagings, arguing that productions like Robert Carsen's Les Contes d'Hoffmann engage with self-reflection theatrically and thematically. Bernhard Kuhn expands this view by analyzing Pagliacci as a metareferential work in both stage and cinematic forms. The volume's engagement with intermediality is further enriched by Peter Dayan's reading of Erik Satie's piano pieces as works negotiating the boundaries between music and verbal self-reference. Joachim Grage's closing essay discusses Hans Christian Andersen's lesser-known musical novels, highlighting how literary texts can embed and reflect on musical structures and forms. By spanning genres, historical periods, and media, this volume offers a wide-ranging investigation into how self-reference functions across cultural forms. It contributes significantly to word and music studies, operatic scholarship, and broader debates on intermediality, making a case for self-reflection as a key modality in modern artistic expression. -- Contents: Preface; Metamusic? Potentials and Limits of 'Metareference' in Instrumental Music: Theoretical Reflections and a Case Study (Mozart's Ein musikalischer Spaß) / Werner Wolf; Mahler within Mahler: Allusion as Quotation, Self-Reference, and Metareference / Robert Samuels; Medial Self-Reference between Words and Music in Erik Satie's Piano Pieces / Peter Dayan; Opera on Opera (on Opera): Self-Referential Negotiations of a Difficult Genre / Frieder von Ammon; Christophorus, oder "Die Vision einer Oper": Franz Schreker's Opera as a Metareferential Work / Walter Bernhart; 'The Play's the Thing': Self- and Metareference in Contemporary Operatic Adaptation of Twentieth-Century Drama / Michael Halliwell; Robert Carsen's Production of Les Contes d'Hoffmann: An Exercise in Theatrical Self-Reflection / Simon Williams; Leoncavallo's Pagliacci: Operatic Metareference on Stage and on Film / Bernhard Kuhn; Intermedial Reference as Metareference: Hans Christian Andersen's Musical Novels / Joachim Grage; Notes on Contributors, Books<

2010, ISBN: 9042031581

[EAN: 9789042031586], Gebraucht, sehr guter Zustand, [SC: 0.0], [PU: Brill Academic Pub], Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag od… Meer...

[EAN: 9789042031586], Gebraucht, sehr guter Zustand, [SC: 0.0], [PU: Brill Academic Pub], Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages., Books<

ISBN: 9789042031586

Brill Rodopi. Paperback. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex libra… Meer...

Brill Rodopi. Paperback. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, will have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included., Brill Rodopi, 2.5<