2010, ISBN: 9789042031586
Buch, Softcover, This volume contains a selection of nine essays with an interdisciplinary perspective. They were originally presented at the Sixth International Conference on Word and Music Studies, which was held at Edinburgh University in June 2007 and was organized by the International Association for Word and Music Studies (WMA). The contributions to this volume focus on self-reference in various systematic, historical and intermedial ways. Self-reference - including, as a special case, metareference (the self-conscious reflection on music, literature and other medial concerns) - is explored, among others, in instrumental music by Mozart, Mahler and Satie, in the structure and performance of (meta-)operas, in operatic adaptations of drama and filmic adaptations of opera, as well as in intermedial novelistic references to music. The essays cover a historical range from the 18th century to the present and are of interest to literary and opera scholars and students, musicologists as well as all readers generally interested in medial self-reference and intermediality studies. Paperback, [PU: Editions Rodopi B.V.], Editions Rodopi B.V., 2010
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2007, ISBN: 9789042031586
Paperback, [PU: Brill], This volume contains a selection of nine essays with an interdisciplinary perspective. They were originally presented at the Sixth International Conference on Word and Music Studies, which was held at Edinburgh University in June 2007 and was organized by the International Association for Word and Music Studies (WMA). The contributions to this volume focus on self-reference in various systematic, historical and intermedial ways. Self-reference - including, as a special case, metareference (the self-conscious reflection on music, literature and other medial concerns) - is explored, among others, in instrumental music by Mozart, Mahler and Satie, in the structure and performance of (meta-)operas, in operatic adaptations of drama and filmic adaptations of opera, as well as in intermedial novelistic references to music. The essays cover a historical range from the 18th century to the present and are of interest to literary and opera scholars and students, musicologists as well as all readers generally interested in medial self-reference and intermediality studies., Literary Studies: General
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ISBN: 9789042031586
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2010, ISBN: 9789042031586
Buch, Softcover, [PU: Editions Rodopi B.V.], Editions Rodopi B.V., 2010
lehmanns.de Verzendingskosten:Versand in 10-20 Tagen. (EUR 0.00) Details... |

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2010, ISBN: 9789042031586
Buch, Softcover, This volume contains a selection of nine essays with an interdisciplinary perspective. They were originally presented at the Sixth International Conference on Word and Mu… Meer...

2007, ISBN: 9789042031586
Paperback, [PU: Brill], This volume contains a selection of nine essays with an interdisciplinary perspective. They were originally presented at the Sixth International Conference on Word… Meer...
ISBN: 9789042031586
[ED: Softcover], [PU: Rodopi], ungelesen, DE, [SC: 3.00], leichte Gebrauchsspuren, privates Angebot, Banküberweisung
auteur: | |
Titel: | |
ISBN: |
Gedetalleerde informatie over het boek. - Self-Reference in Literature and Music
EAN (ISBN-13): 9789042031586
ISBN (ISBN-10): 9042031581
pocket book
Verschijningsjaar: 2010
Uitgever: Editions Rodopi B.V.
212 Bladzijden
Gewicht: 0,318 kg
Taal: eng/Englisch
Boek bevindt zich in het datenbestand sinds 2011-04-30T12:46:30+02:00 (Amsterdam)
Detailpagina laatst gewijzigd op 2022-04-26T16:52:15+02:00 (Amsterdam)
ISBN/EAN: 9789042031586
ISBN - alternatieve schrijfwijzen:
90-420-3158-1, 978-90-420-3158-6
Gegevens van de uitgever
Auteur: Walter Bernhart; Werner Wolf
Titel: Self-Reference in Literature and Other Media.
Uitgeverij: Editions Rodopi
Verschijningsjaar: 2010-11-04
Gewicht: 0,202 kg
Taal: Engels
40,00 € (DE)
41,20 € (AT)
Not available (reason unspecified)
BA; PB; Hardcover, Softcover / Sprachwissenschaft, Literaturwissenschaft/Allgemeine und Vergleichende Literaturwissenschaft; Literaturwissenschaft: allgemein
Contents Preface Werner Wolf: Metamusic? Potentials and Limits of ‘Metareference’ in Instrumental Music: Theoretical Reflections and a Case Study (Mozart’s Ein musikalischer Spaß) Robert Samuels: Mahler within Mahler: Allusion as Quotation, Self-Reference, and Metareference Peter Dayan: Medial Self-Reference between Words and Music in Erik Satie’s Piano Pieces Frieder von Ammon: Opera on Opera (on Opera): Self-Referential Negotiations of a Difficult Genre Walter Bernhart: Christophorus, oder “Die Vision einer Oper”: Franz Schreker’s Opera as a Metareferential Work Michael Halliwell: ‘The Play’s the Thing’: Self- and Metareference in Contemporary Operatic Adaptation of Twentieth-Century Drama Simon Williams: Robert Carsen’s Production of Les Contes d’Hoffmann: An Exercise in Theatrical Self-Reflection Bernhard Kuhn: Leoncavallo’s Pagliacci: Operatic Metareference on Stage and on Film Joachim Grage: Intermedial Reference as Metareference: Hans Christian Andersen’s Musical Novels Notes on ContributorsAndere boeken die eventueel grote overeenkomsten met dit boek kunnen hebben:
Laatste soortgelijke boek:
Self-reference in Literature and Other Media - NEW
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